#i might get into a full analysis of this later

[ivys-garden]

Life Series Session Recap and Alliance Analysis

Pearl opens her episode clarifying she and Impulse did nothing wrong. Finally I don't have to write “get over double life, tumblr” every week.

Yes, another Saturday means another instalment of the Life Series. This session was far more chill and slow paced than last weeks, ironic considering that this week's Wild Card was a perpetual speed increase! Going from a complete time freeze to full hyperspeed. Naturally, this led to about a 7.5 on the madness scale, so let's see what those teams were up to.

The Final Girls - (Scott, Cleo, Pearl, Impulse & Bigb (not anymore ;3 ))

On the topic of Pearl and Impulse, Cleo decides that they will fully enable all of they're future actions. Yes, she might sigh when they talk about all the evil stuff they're going to do, but she's fully on board.

Right about now Scott is probably regretting being team mum for three chaos gremlins as he's already had to instruct them not to give Gem any more reasons to kill them & had to break up the fight that was issued once they all went Matrix mode.

Speaking of Gem & Joel, a new development in the great drama sees Impulse explain himself and apologise to Gem. She doesn't buy it but it's the thought that counts. During this apology Pearl, the attack dog, is ordered by Gem and Impulse to slaughter grian. So while Cleo and Scott go off to make friends, Impulse and Pearl pop over to Rens for some very serious murder discussion, with an eventual “let's murder Grian” party forming consisting of Pearl, Impulse, Ren, Martyn, Bigb, Scar & Jimmy. If even a fraction of these people stick to this next session Grian is pretty firmly doomed.

In other news Scott manages to make allies with the Bamboozelers through several means, including staring at Jimmy's ass. Cleo & Impulse have a little caving adventure and Impy manages to make a working Creeper farm that they may or may not be sharing with Renwood. This leaves Pearl once again building the tower, which is good since she has arguably to much experience in that

While building the tower we get more Drama! Grian and Mumbo managed to get a quick kill on Scott early on the session by digging a big pit under the tower and spleefing him in. Mumbo and Skizz later come back to this trap only to be discovered by Pearl. The Suits try to get her to lure Scott over, but Pearl is far to loyal for that…. But not loyal enough to kick them out, reasoning that it would be really funny if it happened twice. On top of this she negotiated the ability to kill grian without them stepping in, very useful given her current plans & the second spleefing doesn't work anyways, so no harm no foul.

No one would actually agree to luring their team to their Death intentionally… right Bigb?

I'd say I'm surprised, but I'm not. He's worked again every team he's been in except Nosey Neighbours. I guess the “B” must stand for “Betrayal”

Bigb pulls the same thing Pearl did only not under the pretence of a joke, when Grian is around to actually make sure his team gets the kill, actually agreeing to lure Scott and doing it INFRONT OF CLEO. This being the second time this has helped to them, Cleo immediately goes off to find Scott to warn him about the traitor…Scott still falls into the trap anyway but that was a skill issue on his part. Bigb actually tries later to gaslight Scott into thinking that he didn't mean to betray the team, which almost worked until he started saying Cleo was the traitor, which obviously Scott would never buy. Oh he also did this in earshot of Cleo so she set her attack dog (Pearl) on him.

Bigb also later betrays the “Let's Kill Grian Gang” and warns Grian about the plan to murderficate him. I guess someone hasn't gotten over Double Life after all.

The Fast And The Furious - (Joel & Gem)

Actually, the fast and the paranoid might be more accurate as while Joel is just off having a grand old time prattling speed bridging, Gem is terrified that everyone is out to get her and doesn't seem to understand that putting your base on the main path means more people will come visit.

Aside from sending everyone they can to kill Grian and disregarding Impulses genuine apology, the team due doesn't really do much themselves

Gem was officially the last person to lose a life though, with no less than 4 people, including 2 greens, having to help kill her.

Also Joel added racing stripes to the car and… it actually made it a lot less hideous, well done Joel.

The Bamboozelers - (Jimmy, Scar & Lizzie)

Jimmy has regained the title as most confident member of this team…scarily confident in fact, just this session he was able to steal a potential kill from Skizz & kill his teammates, get another good kill on Joel using Lizzie as bait, managing to turn his relationship with Joel around to become allies and reaffirming his alliance with Renwood. Honesty 100 IQ plays from Tim all around.

He did die once this session, but that wasn't his fault and was also incredibly funny to watch Martyn bimbo his way through traps made for Bigb and accidentally kill Timmy. Great job everyone.

Speaking of failed traps… oh Scar… he started of strong, absolutely annihilating Etho in slow motion and living up to the villain he shares a name with by tossing him off a cliff, but after that every single attempt to trap someone fails miserably and he's forced into a cheap kill on Grian that results in him calling for vengeance… wouldn't be to worried about that tho considering Skizz and Mumbo's track record.

The Spanners - (Mumbo, Skizz & Grian)

How are these idiots not dead yet.

They get one (1) successful kill this session, spleefin’ Scott. A trap Mumbo tries his luck with several times after this despite knowing the Final Girls already knew about it.

Skizz gets no kills despite Grians efforts. An attempt to build a super TNT minecart launcher is made… on Scars mountain… and Grian spends several.minutes explaining to his worst enemies how the trap works… and then he and Mumbo stand directly under where they know the TNT will land. Yeah obviously Jimmy sneaks in and pulls the lever to kill them.

A second attempt to launch TNT is made, but this launcher is pathetic and ends up being turned into a party game. oh, and then Grian gets hotguyed by Scar. Grian immediately screams vengeance and blows up the reputation board, ranting about how little it meant since he was in good favour… which only proved he never read the damn thing but it's the thought that counts.

In their last hoorah for this session the team goes on a proper hunt The Bamboozelers as they hide in Joel's car. Mumbo sneaks up to pure lava on them… and burns himself to death. He then tries to hypersonic pvp Gem and you can guess how that went. He then joins in trapping Gwm in a big hole and burning her, only for the kill to go to Ren anyway.

These guys are Doomed. Especially because Final Girls & The Family are allied with Scar & The fact that Renwood actively wants to murder them.

Predictions: Grian goes Yellow next session, Mumbo goes out-out and Skizz is somehow still Red.

Renwood - (Ren & Martyn)

We actually covered everything these guys did already, The Grian Murder Crew, Martyn being a trap bimbo, Ren allying with Impulse to make up for beheading him, really the only thing we haven't discussed is Martyns strange choice to make the first 5 minutes of his episode unlistenable

The Tuff Guys - (Etho, Tango & Bdubs

Etho finally admits they're the comic relief. Like any good comic relief, these three stooges spend the entire session failing at everything. Tango fails on the same trap 3 times. Bdubs almost kills himself in said trap. There's more fights and bickerings than you could count on 15 hands and a toe

Oh also Tango also perma-died to Pearl after going invis and being pumped full of arrows.

Honestly it's not a question of if someone dies next session, it's a question of who.

[periwinkle-the-11th]

Ngl I have a lot of issues with the way Sutton's character is treated on The Bold Type

[universalthaumaturge]

ok i get why anthy has creature of delirium now

[lubrumalis]

ghost character analysis

tw: spoilers from ghost mw2 comics, nsfw, dead dove do not eat, mature content.

this is pretty much a part 2 to ghost headcanons except with more lore and analysis (im still not sure if reboot ghost has the same backstory as the og ghost).

ghost is not a cold, calculated, ruthless man. maybe in a separate au or something, but theres a huge difference between ghost and simon riley. in fact, we need to understand that the reason he even chose ghost as a new name for himself is because of all that's happened to him. his family got killed, he got tortured by roba, and had to eliminate many men on his own. before that he was simon, not ghost. in the comic he literally calls the child hostages he was saving ‘sweetheart’ and ‘love’. hes not that mean and cold yall

we know that PTSD does shit to it's victims, ghost lost his entire family and had no one. think of it as a coping mechanism to have a new name to be known as.

ghost is a ruthless killer. simon is just some guy.

ghost sets himself to an incredibly high standard of discipline. i think it's intuitive that military boys will need to be punctual and organized to some degree, but ghost takes this to a whole other level. considering his father's abusive behavior (explained by his disturbing statements said to simon, is a drug addict, and beats simons mom) his home life was likely chaotic as a child.

in the mw2: ghost comic (issue #3) it specifically stated the following: "discipline, precision, control. these are what riley built his whole life on. break those down and the dark stuff begins to ooze out..." again, this is probably a form of trauma response to his childhood.

so what does this lead to? well firstly, this probably means his room is incredibly tidy and organized (monotone design i know :,c).

would never in his life touch drugs. this is a promise he made to himself.

also kinda proves that ghost aint a reckless guy. he thinks things through before doing it.

ghost isn’t that hypersexual. theres no way of knowing his history with women, but i like to think ghost is not that horny 24/7 and needs a fuckbuddy. in the mw2 comic, he was on a mission and was in an area full of prostitutes (wasn’t actively on duty, but on his way) when they tried to hit on him he politely rejects one of them, and later tells them to fuck off😀 so yea contrary to popular belief i dont think he really enjoys one night stands or the idea of being entertained by random women. in fact, i hc he might actually be a virgin or just have a really low body count.

ghost is a feminist!😁 (misandrist too). ok let me reword that, ghost doesnt like men and respects women. one of the reasons why he doesn’t want to be around prostitutes and do one night stands (his father killed a hooker in front of him, very traumatic) is because he thinks the concept of quick, casual sex is not good for society and dilutes the value of meaningful relationships. but also, remember the discipline, precision, control thing? its apart of his principle. but also, in the comic, sparks (soldier he worked with) knocked out and attempted to rape a woman, ghosts literally looked disgusted and called the police (also why he’d never do that himself, i dont get the hcs that say he does). ghosts seen how his dad treated his mom and absolutely hates abusers. anyways onto misandry—i think ghost internally thinks men are violent and disgusting (ghosts would choose the bear over the man, even though hes a man) mainly because throughout his military career majority of the bad stuff hes seen was done by men, so hes much more relaxed in a room of women vs man. ghost thinks his dad is the epitome of pure evil (canon! he said this to his therapist). this doesn’t mean hes scared or hates all men tho!

ghost isn’t close with tf141… including soap. now before you attack me let me explain. sure, he trusts them to some degree, but i dont think they naturally just hangout when they’re not deployed. in the end we need to understand they are SAS soldiers, they are working a real job that mainly consists of them shooting and dismantling others. considering ghosts betrayal in the past (in the comic, a few soldiers ghost previously worked with killed his entire family 😢) he isn’t gonna just trust his teammates because theyre his teammates. im also pretty sure they all live in different cities while not deployed. tf141 probably all want to separate their job from their personal lives, which includes each other. but onto soap, i dont think him and ghost have a deep brotherly relationship. but i think they care about each other, but exchanging some dad jokes and bantering doesn’t mean they’re suddenly soulmates or brothers. think about it… you and you’re co worker joke around sometimes, never hangout outside of work, and now people are shipping you and calling the two of you besties. makes no sense.

ghost is extremely patriotic. in the comic (i reference this way too much but theres SOOO MUCH LORE i recommend reading it) ghost tells his teammates the reason for joining the military: queen and country, right after 9/11. he also said “the world has changed”. interestingly enough army enlistment did actually skyrocketed after 9/11 attacks, ghost was among them. he probably thought ww3 was about to happen, or that ‘theres no more peace’ or whatever. i hc being obsessed with soccer too lmao and getting mad if english teams dont win. also his playful banter with johnny “get us a tea?”. probably very proud of his british heritage.

ghost doesn’t have much friends. hes a really, reallyyyyy lonely guy. i hc him as an introvert in the first place, but trust issues make this worse. in the comic, he was literally in the newspaper for killing his family and then killing himself (he didnt, he was framed that way tho) so its likely most of his formers friends probably think hes dead. ghost likely got some sort of amnesty or exemption from the military after knowing he didn’t actually kill his family, but whats in the news stays true to the public. even if he does have friends he probably doesn’t share feelings with them or form a long term bond.

ghost is extremely cynical. this is obvious tbh, but i think ghost believes hes going to die in the middle of a battlefield, shot or stabbed, a painful death, body left to rot for weeks, and no one to remember him. just like that. and he accepts that fact too.

ghost isn’t a picky eater. growing up in an abusive household where his parents couldn’t hold a stable job, he had to eat what there was. some days he settles for cheap beans and toast and when people call him out for it, he tells em to fuck off😀

ghost is emotionally fucked up, probably kind of depressed. i mean this guys been through hell: got sa’d, buried alive, had to dig through underground dirt and worms with a jawbone, tortured in horrible ways, had his entire family killed, abusive dad, and the weight of his grey morales because he killed lots of people as a soldier. wow! would you look at that list, itd be more strange if he wasn’t emotionally fucked up after was has happened😅. even when tortured, seeing his family dead, ghost was never shown to have cried in the comic. i hc hes emotionally numb. however, i do think hes emotionally MATURE and able to communicate his emotions, but hes still emotionally fucked. for example a scene where he was talking about his experience with roba (guy who tortured ghost) and ghosts father to a therapist. i think ghosts may be traumatized, but this doesn’t stop him from attempting to get help and communicating how he feels and thinks about this world.

ghost wears a mask... not because hes insecure and traumatized it's to separate ghost from simon riley. first of all he learned the consequences of revealing your identity during deployment, in the comic, he reveals his face in missions before his family got killed. i think he wears a mask because 1) its practical, no one knows who he is, 2) an analogy for himself to remind him simon riley, his original identity, was dead the moment his family was murdered, this SAS soldier with a skull mask is GHOST (yes this is canon, ghost references in the comic!).

in issue #1 while some kids were being held hostage, he starts telling his life story to them to calm them down/distract them from the bad situation. this is his explanation to why he wears a skull mask, word by word: "I bet you're wondering why I wear these bones on my face. It's a tribute to an old friend of mine. He's dead now, but man if he wasn't the baddest motherfucker on the planet."

in issue #6, when ghost was trekking through a jungle in the middle of nowhere attempting to kill roba (a drug lord that started this all, brainwashed soldiers to kill ghosts family), he was never caught. ghost himself, the narrator, says that "even for a single man to get through the jungle, the patrols, the wall, the security... well that man would have to be a ghost."

however, im still a little confused whether or not reboot ghost and 2009 have the same backstories. reboot ghosts mask is more realistic and his look is much more intimidating, his reason for wearing that kind of mask is probably psychological warfare (getting milena the financier to speak up about makarov). i think 2009 ghosts reason to wearing a mask is more personal compared to reboot.

BUT WHAT ABOUT AN S/O???

i think ghost is the guy to not have one in the first place. obviously. but i lowkey think if he had one and really liked them, he would commit. in fact i find it hard to imagine hes a player or isn’t serious about relationships. when his brother tommy got addicted to drugs and fucked up his life, simon quit the military until tommy got 100% better and married. yup. he stayed to help him recover, for years. thats how loving and committed this man is🥹🥹.

ghost would not cheat on his s/o. i can't stress how important this hc is, because it's so out of character for him to do so. sure, guys in the military statistically have higher divorce rates, incidences of infidelity, and much more red flag stuff, but knowing what happened to him, he would never do that. doesn't matter how stressed, lonely, sexually frustrated this man is; he would not cheat on his partner. this guy has been through far more stressful situations and got through it, you think hes gonna cheat because hes stressed because of work?

its not sunshine and rainbows or absolute toxicity being with him. it's not really a mix of both either. ghost isn't that princess treatment, super squishy and cuddly, sweet guy who likes fluffy stuff. he definitely isn't the toxic guy who leaves you with mixed signals either.

hes quite the gentleman when it comes to approaching relationships, hes seen how his dad treated his mom, and ghost wants to do the exact opposite. i believe ghost likes to use the traditional courting methods when dating someone: gifting flowers, paying for dates, holding the door open (ladies first typa guy!!), the old fashioned stuff. idk if i should point it out again but this guy DOES NOT FW modern dating practices, he wouldn't download dating apps, or start 'talking stages'. i dont think he would write love letters just because hes not very good at writing poetry or expressing his feelings in the first place.

theres still downsides to being with him. the long distance, the time being apart (months and months). but i dont think he'd go as far as being emotionally avoidant.

also something really random ive noticed is that 2009 and reboot ghost are very different, personality wise. i like to think that 2009 ghost represents simon riley much better, but the reboot ghost actually gives the essence and character of what a 'ghost' in the military is.

more random headcanons:

simon prefers dogs over cats because dogs are loyal and stay with you until the end (stereotypically)

hates snakes and spiders

probably wouldn’t do 50/50 on dates, he pays!

avoids saying manchester slang when deployed

drinks and smokes. not always. he’s disciplined but he still does that stuff.. hes a british guy in his 30s whos kinda depressed, grew up with adults around him smoking 24/7, whatd you think😀😀 (its canon that most of tf141 smoke anyway)

listens to 80’s rock music. its canon that his mom enjoys the band siouxsie and the banshees :)), he probs does too

shaves his beard

is actually confident hes not bad looking. dude, hes 6’2, in shape with a jawline🙄

i don't enjoy hcs of ghost being the scariest out of tf141 (appearance wise yes). but soap seems much more scary imo, he was the youngest guy to pass SAS selections in the history of the UK military, and was nicknamed soap because of fast and good he is at cleaning up 'messes' (basically killing people).

id arguably say ghost is the most compassionate out of 141, if we're talking about the OG 2009 one.

[thestarrynightslover]

The Trials of Dating in Secrecy

Pairing: Harvey Specter x Reader

Word count: 2,374

Warnings: Discussion, yelling, some angst, workplace romance, nudity, and verbal sexual harassment (all very light).

Summary: Okay, so this one features a bit of work issues (workplace romance), and a bit of jealous!Harvey + Harvey taking care of his girl, as requested by Anon.

Disclaimer: I don’t own the show Suits, or its characters, also not associated with it in any way, or know anyone involved with it.

A/N: Well this is the first request I took and I’ll admit that it was a bit challenging, not cause it was particularly hard but because I wasn’t super inspired at first, nor did I have the time. Though, now, I think it worked? Idk, don’t feel like this was my best work either but feel free to leave some feedback, and thanks for reading!

(y/n) = (your name) (y/l/n) = (your last name) (y/n/n) = (your nickname)

| masterlist |

“Seriously, Harvey!” You let out annoyed. “I think I should probably go home now,” you said, thinking that if you did go home you could keep yourself from saying something you might regret later. 

“Oh, really? So now you're mad at me because I’m simply asking a bit more of this relationship?” He asked, looking ready to have a full-on fight.

“No, Harvey! What I’m actually upset about is how you’re making today all about yourself and your needs, when I’m the one going through it all!” You really didn’t wanna shout but the little bit of patience you had left vanished when his questions reminded you of the little stunt he’d pulled today.

Earlier that day, at the firm, you had been giving a consult to a prospective client on an intellectual property lawsuit he may be looking at and the guy seemed a bit disinterested in his own situation, giving you — and by you, you mean your body — most of his attention. But that was fineish, it was a regular occurrence, being a young woman in that field, so you didn’t really mind it anymore, at this point — after all, ignoring the occasional sexual harassment was usually the easiest route to advancing in your career. The problem was that the man started interrupting your professional analysis to hit on you, and eventually, he reached for your forearm, caressing it as he spoke. And that was exactly when Harvey, the man you’d secretly been dating for about 7 months now, decided to walk into your office. As he entered your office, you yanked your arm out of the man’s grasp but you couldn’t shut him up just as quickly, so your boyfriend got there just in time to hear a “So, if you really like yourself a sturdy stallion,” he pointed at a framed picture of you riding a horse on the wall behind you, “you should ride mine, someday. If you know what I mean,” he finalized with a wink, and how on Earth could you — or anyone hearing that — not know what he meant when he had said it so suggestively? 

“What did you just say to her?” Harvey’s voice came sharply, indicating he was about to get into a fistfight with the man who was probably not going to be your client now.

“Oh, we’re just chatting about- uh, who are you, again?” The shorter guy had the nerve to ask.

After that, Harvey was so quick to hoist the man up from the chair in front of you, by the collar of his dress shirt, that you didn’t even have time to react before he started punching the guy right in the face.

“I’m her boyfriend, that’s who I am! And you will be out of here before I take you out myself.” The man didn’t fall backward solely because Harvey had a hold on him, still, so he just stared at the other attorney in shock. “What are you looking at? Get out!” Harvey shouted once again, tossing the man towards your office door.

After that, you tried calming Harvey down but you barely had any time for it before Jessica and Louis barged into your office, revolted by their partner’s behavior and asking what had gotten into him to attack a prospective client like that.

“The prick was propositioning my-” But you cut him off before he could complete his sentence.

“He was harassing me during the meeting, and Harvey walked in and heard it, and, as a good colleague, he wanted to defend my honor, I guess,” you said with a short, humorless laugh while making air quotes with your fingers.

“A good colleague?” The tall senior partner asked quietly, hurt pooling in his eyes.

“Well… That’s terrible but you know better than to do this, Harvey,” Jessica told him.

“You know, I’d never thought I’d see the day you would act like such a caring gentleman for anyone, Specter,” Louis added, as always, eager to make things worse. “And, (y/n), at the very least you need to reach out to that man and take him out to an apology dinner. Because you are well aware of how important it is for you to get more clients.”

“Yes, I-” You stopped what you were saying mid-sentence because the man you loved was storming out of your office and all you wanted to do was chase after him.

“And now you’re gonna let him get off with that shit he pulled this easy?” Louis shouted, obviously trying to be heard by Harvey too. “I mean, this firm is turning into a complete mess, Jessica! It’s like you can’t control your office anymore! A junior partner who barely has her own clients and a senior partner battering prospective clients? We’re gonna go bankrupt like this, if not sued for malpractice altogether! And-”

“Louis, will you shut up, for God’s sake? I’m the managing partner and I’ll deal with both of them. Now go and let me talk to (y/n) alone!” Your boss responded, making you apprehensive about the conversation you were about to have with her.

As he left the room, Jessica motioned for you to sit on the couch with her. “(y/n), first of all, are you okay? Because if that man did something to you, then…”

“No, no! The harassment was just verbal,” not that that made it any better, you thought to yourself. “Harvey intervened before it could get to that.”

“Right. Well, that’s a relief.” She paused for an instant, giving one of those smiles she used when she was going to convince you of something unpleasant. “Now, as much as it pains me to admit it, Louis is right. You need more clients. I didn’t think it’d be good to tell you this after our conversation but the board has been pressuring me about making personnel cuts. Directed mostly to the partners who aren’t producing much. And you know that I like your work, and see your value to the company but those old men in suits only care about numbers, so if you don’t manage to bring in a new client by the end of the week… I am going to push for you to go after that man’s account again. Using whatever means necessary.” She declared, still sporting that smile. “Are we clear?”

At that, a defeated “Yes, Jessica” was all you could mutter. And then she left. And all you could think about was how you’d somehow managed to screw up both your professional and personal life, all at once.

Leaving work that day, after setting up four meetings with potential clients for the following days, all you could think about was making up with Harvey, so you went to his place to talk. And that’s how you got to the argument you were having now. He was upset about the whole ‘good colleague’ thing and you were upset because you could have handled the situation without burning that bridge with the guy, which was multiplied by ten when you remembered that you were on deadline to get more clients — something you hadn’t told Harvey.

“Making it all about-” He’d started saying angrily but stopped himself and his voice instantly took on a soft, caring tone, “wait, what do you mean you’re going through it all?”

Now you realized what you’d said.

“Uh, I meant nothing. I was just being dramatic, is all,” you stated unconvincingly.

“No, that doesn’t make any sense. If anyone is dramatic in this relationship, it’s me and we both know it,” he said, making you crack a small smile, thinking of how right he was. “So tell me, honey, what’s going on?”

“I, um, I’m being encouraged, or, better said, ordered to expand my client list.” There, you’d said it.

“What? Why?”

“You know why, Harvey. You just can’t be a partner at the firm if you don’t bring enough money in.” You told him, defeated.

“But… but you’re so good! You bring such good attention to the company’s name, your clients might actually be more satisfied with your work than mine, and they are very satisfied with my work,” he said matter-of-factly with a grin on his face.

“Yeah, maybe. But you might not know this because you've always been a man and Jessica’s protégé but for the rest of us, women trying to be successful at Pearson, the bar is just much higher, babe. And they're threatening to take away my partnership, maybe even my job altogether, if I don't get it done,” you finally finished your confession with teary eyes, even though you didn’t want to cry about it.

“That’s… that’s just unacceptable!” He let out, running his hands through his hair, “Did- does Jessica know about that? Because I can-” He tried to go on with his speech but you cut him off.

“She knows, Harvey. She says she likes my work but her hands are tied.” You let him know, sighing a little.

“But… that’s not… that doesn’t make any sense! It’s just not like Jessica to give in like that…” Harvey commented, starting to look defeated as well.

“Maybe when it’s about someone like you. But with me? She might not even be trying all that hard.” To which he responded with a mischievous glint in his eyes, perking up.

“Then, I’ll talk to her! I’ll tell her that, if she doesn’t secure your place in the company, I’m going to start listening to those offers I get all the time!” He said smiling widely this time.

“Harvey! You can’t do that!”

“Why not?”

“Because it’d be incredibly stupid, and unprofessional, and-” You didn’t wanna finish your sentence but you had to. “And, that way, she’ll know.”

“Know?”

“About us. That we’re dating,” you finished sighing again.

“She’ll kn-” he stopped mid-sentence, full of disbelief. “And what’s so wrong with that?”

“Harvey…”

“No, don’t ‘Harvey’ me, (y/n)! If you don’t want me to help because it’d be unprofessional, then that’s okay. I can understand that. But what exactly are you trying to tell me, huh? That our relationship’s never gonna see the light of day? Or are you trying to break up with me?” That last question came out of him in such a low tone you could barely believe had come from him.

“No! Of course I don’t wanna break up-”

“Then tell me what do you want? Because I don’t understand why I can’t tell the world that I’m your boyfriend. I don’t get what’s so wrong about your boyfriend telling off a prick who can’t keep his hands to himself around another man’s woman-”

“Do you seriously think now is a good time to be possessive?”

“Oh, honey, I am possessive by nature. Especially around you,” he stated coming closer to where you were standing. And you could do nothing but welcome his warmth, after all, it’d been a long day.

As you stepped fully into his embrace and rested your head on his chest, you told him “I love you, Harvey. I don’t wanna break up with you. And I want you to tell the world that I’m your girlfriend, even Jessica,” hearing that, his eyes lit up. “But, as much of a prick as that man was, you need to understand that I can handle myself and that you need to give me space to make my own way at work, just like you made yours.”

“You’re right.”

“I know,” you joked, trying to shrug your shoulders at him.

“And I won’t try to interfere at work anymore. But don’t think that I’m just gonna stand around doing nothing if I see someone trying to mess with my girl again.”

“Well, that-”

“I’m not done yet,” he said, silencing you in an instant, “you should also know that, when you’re home with me, you’re mine to take care of.”

“Yeah? And how exactly do you plan on doing that?” You asked him with a smug smile.

His only response was swiftly picking you up and taking you to his suite’s bathroom, where he gently sat you down on the edge of the tub, just to start running the hot water into the bath he’d already filled with delicious-smelling bathing salts. “Wait here, baby.”

A bit later he came back carrying some candles he started lighting with one of the matches from a box he had in his other hand.

“What are you doing, Harv?”

“Just come over here,” he said after having spread the candles all throughout his spacious bathroom. They were scented too, you noticed. The second you reached him, though, instead of holding you close, he started taking off your clothes, slow and gentle, piece by piece. Which he followed up with little kisses all over your now bare skin. After being satisfied with his work of making you forget everything, he picked you up again and, this time, carefully dipped you into the bathtub. “Now, you just lay back and relax, darling.”

“You’re not joining me?” You asked him hopefully.

“No, I’m taking care of your dinner,” right after he left, though, one of your favorite songs started playing softly on a speaker he’d set somewhere.

You probably dozed off in that tub, because before you knew it you were being held by your boyfriend in his bed, still completely naked. “Hey.”

“Good morning beautiful,” he greeted you with a grin, “you know, you were taking so long to wake up, that I was starting to think that the breakfast I made you was gonna get cold.”

“Wait a second, last night you were making me dinner and this morning you made me breakfast… two for two! What’s happening to you?” You asked, giggling like a child.

“Nothing, nothing! It’s just… I told you, at home, I take care of you, that’s all.” He told you while he guided you out of the bed, handing you one of his shirts altogether. 

“You know, you keep saying ‘at home’ but this isn’t really our home…” As you put on his dress shirt, you followed him towards his living room. 

“It could be…” And that’s when you saw a set of keys at the dinner table by the cutlery.

[aurae-rori]

DR RATIO ANALYSIS

SPOILERS FOR 2.1 CONTENT!

Now, you might be saying - "Aurae, Oh No! and Are You Satisfied? are much too basic songs to analyze Dr. Ratio to! Just because he's a scholar doesn't mean that he has academic trauma!" WRONG! Before we start, I have been researching psychology for approximately six years and I plan to go into it professionally. HOWEVER, that said, I am NOT a professional (YET. One day I will be. Yay for Aurae!) so understand that everything I come to conclusions about has been analyzed with some personal judgement, personal interpretations, and this is just what I have concluded with the info that I have deconstructed from his brain. If you disagree, that's fine!

I will be pulling from my own experiences with being a "golden" and "gifted" child, as well as the experiences I've had speaking to other people who were those. I will also be pulling from my experiences of researching and seeing how people with superiority complexes work, as well as diving into how those work (from what I've seen, as well as how they conceal a lack of self-esteem).

OKAY, NOW THAT THAT LONG AHH DISCLAIMER IS OVER, ALLOW ME TO WORK MY PSYCH ENJOYER MAGIC! Let's deconstruct Dr. Ratio like a lego toy.

Let's start off with how Dr. Ratio presents himself. When you first meet him, he seems like a haughty, arrogant asshole. He likes to PRESENT himself as a stoic, superior scholar who is purely in it to win it, and I got total "*stares down at your tiny body and laughs at how you lack knowledge*" vibes at the very start, due to how he goes around calling people idiots all the time. However, he DOES lose the idgaf war, and we can very quickly see that he does care for other people, even if in his own, strange way. Dr Ratio presentation: An asshole. The reality?

His entire character is based around the idea of helping the masses. He wishes to spread knowledge through the cosmos and give people who didn't have access to it, access. He's a harsh teacher, and calling people 'idiots' is NOT the way to motivate them, but he's doing his best™.

Actually, no, I'm going to go full psych into this. Okay, so here starts the Dr. Ratio and my FATHER COMPARISONS. My father is a professor and he is often called a harsh grader by his students. However, I've spoken to him multiple times because I was curious - why is he so harsh and diligent with his grading system? The answer is - he wants them to actually learn. When he's grading, he gives them harsh marks because he wants them to know exactly where they messed up, and he's always willing to stay after hours to help students understand where they can't. My father also is an enjoyer of knowledge, and for as long as I've remembered, he has prioritized teaching me how to think critically. He wants me to be able to think for myself - and I think that's what Dr. Ratio wants, too. He wants for his students to be able to fully comprehend and absorb the information that he teaches, and although his methods are harsh, he genuinely wants to help. My father's like this too - he hates students that waste his time or aren't here because their hearts are in it. Dr. Ratio hates people who aren't taking their education seriously because knowledge is important. Knowledge is a tool, and to disregard it completely is lowkey kind of insulting - especially when there are people who weren't privileged enough to actually get it, so this isn't something that you should take for granted. Dr. Ratio despises people who take knowledge for granted.

Also, I disagree with the claims that say that Dr. Ratio hates the genius society. He shows open respect for them in his voice lines. Just check them if you need proof. Also, I'll delve into the idea of Aeons and recognition later.

Now that we’ve established that Dr. Ratio kins my dad, let’s let's tackle the 'stoic' allegations. He is LOSING the idgaf war. Like, really badly. He has a temper of a thousand suns and snaps at people frequently, despite his 'impassive' face, his tone holds a LOT of emotion. He seems to feel very deeply and has a shit ton of empathy for others - why else would he be dedicating his entire career to helping others? Of course, he doesn't express this in 'typical' ways of being openly kind - but it doesn't mean that he doesn't care for other people. In fact, he seems to be pretty good at putting himself in the shoes of others and understanding them - expressed in the 2.1 quest where he tells Aventurine to tell him if he can't hold on any longer. Also, he loses the IDGAF war because he is actively trying to help people who want to learn and trying to spread logic and knowledge across the cosmos to those who didn't have it before. Would a man who didn't GAF do that? No!

Now that we've covered his view on knowledge and the way that he presents himself, let's turn to the way that he SEES himself. Now, this is where we get into the nitty gritty of gifted child trauma & academic trauma as well as crippling expectations. It's literally explicitly said in his character stories that he sees himself as mediocre, and it's canon that he doesn't have a good view of himself. His self-esteem is down in the fucking trenches along with my sanity as I write this analysis. The reality is - being called a genius your whole life doesn't really make you feel better about yourself. I'd know. I was. In fact, it makes you feel fucking worse when you can't live up to an expectation. We all fail in life. It's part of being human. But when you're held to such high standards - idolized for your knowledge and the way that you're 'gifted' - the crash comes really fucking hard. Failure is inevitable, and when people who are held on that pedestal experience it, they take it really bad.

The reality is that nobody - not even geniuses - are perfect, but you grow up believing that you are. Then, when you fail for the first time, it all comes tumbling down. The first time I came home with a bad grade was one of the most humiliating moments of my life. I hadn't studied because I was arrogant and I thought that I was smart enough to pass without putting any extra effort into it - because I was a 'gifted' child, right? I should've been able to do it without studying like the other kids. And that's the thing with gifted children – you grow reliant on that title. You cling onto it for dear life for motivation, as well as self-perception. Little by little, the person you are falls apart as you slave away to the perception other people have of you. I think basically every gifted child that I've ever spoken to is a victim of this – and of course, you can heal from this mindset - but it's a hard one to shake.

Ratio's way of presenting himself as being a 'genius' and 'arrogant' also seems to contradict the way that he calls himself 'mundane' at the same time. However, these are two mindsets that can coexist. One part of you believes that you are a genius and that you are perfect, while the other part is crumbling and calling yourself good-for-nothing every time you make a mistake. It's a tiring cycle to live in. This usually leads to people shutting themselves out and closing themselves off after living like that, pushing back your own feelings in favour of being the perfect child. However, we don't know the exact details of Dr. Ratio's childhood, but we can infer that he was held to a pedestal, and this is a very harmful mindset for a child to have.

His superiority complex comes both from how other people view him, but it's a way to cope with his crippling lack of self-esteem. I'm sorry my guy. Also helping others probably helps him feel like he's worth something and makes him feel better because he bases his entire worth off of what he can do and how he can help others. However, this is just my personal interpretation backed by what I have already deconstructed. 

In general, this is an easy way to crush self-esteem. You spend your whole life working to meet the image of what other people think you are. In fact, another reason why Dr. Ratio might be so harsh is because that’s the kind of attitude he holds towards himself when conducting research – he’s as hard on himself as he is to others. You end up hating the idea of failure, instead of seeing it as it should be - a way to improve and grow. Actually, I think this could be a reason that he went out of his way to break that illusion of 'worshipping geniuses' in the Space Station. Maybe some sort of childhood connection? Personal connection? In his endeavour to spread more knowledge and make people think for themselves and not blindly follow geniuses, to wake them up and let them think for themselves - maybe, somewhere, in there, he's helping that little child that was almost dehumanized for his intelligence. TLDR: Conflicting mindsets due to trauma, brain vs heart almost - his knowledge that he is a genius vs the crippling lack of his self worth.

Now that we've established Dr. Ratio's self worth, let's take a look at the impact Aeons had on him. Nous, the Aeon of Knowledge itself. I think in a world where the Gods are real, tangible beings that you can reach out and talk to - it makes sense that someone with high ambition and someone who's been called a genius his whole life would seek the confirmation of Nous. When you're a man of knowledge, and you've spent your whole life working with it, being praised for it – it feels natural to look for a god to look down upon you and bless you, right? The Genius Society – it should house him, because he is a genius as well, right? Imagine this – you have been called a genius your whole life, held to that kind of pedestal for so long, and now you wait for the recognition of the Gods. Because if you truly are a genius – then surely, a higher being will recognize your intelligence, right?

The invitation never comes.

And then, comes the doubt.

What if I'm really not a genius? What if everything I've worked for is a lie? Aeons are beings that are 'absolute'. If the god of Knowledge won't accept you or even cast a glance upon you, does that mean that everything was wrong. Gods see more than humans, after all. Gods know more than humans - and that spiral... I think you can see if. (If you don't let me know. I will ramble about how a failure like that can make you spiral down into a worse mindset). 

However, the reason why Ratio was never invited to the Genius Society is simple. It’s because he LOSES THE IDGAF WAR. Now, if we look at all the people we know who are in the Genius Society - we find one thing in common. They’re in it to win it for themselves. They don’t help others using the knowledge that they’ve gotten - they use it to pursue shit for themselves. The people of the Genius Society are inherently self-serving. They WIN the idgaf war. Ratio LOSES. Do we see now? 

Ratio’s empathy is the reason why he wasn’t let in. He is too human. Nous is a computer. Herta is detached from people. Ruan Mei is literally looking at life as test subjects. Screwllum is a robot. 

OUR DOCTOR MAN LOST THE IDGAF WAR, BECAUSE HE IS HUMAN AND FEELS FOR OTHERS!!! 

Also, it’s a plausible theory that Nous’s definition of ‘genius’ is different from the human definition of ‘genius’ – it’s a computer, after all. Who knows what’s going on in that code head of its. 

However, we still love you Ratio. Never stop losing the IDGAF war. 

TLDR: Nous is a computer. It is also in it to win it. It is also self serving. It gazes upon the hoes who are here to win it for themselves. Ratio is busy serving the masses and cooking knowledge in his frying pan. To it, there is no logical reason to be doing this. Therefore, no reason to invite this guy to the Genius Society. 

Ratio’s gifted child trauma says otherwise. He wants in. Why wouldn’t he? He’s been working his whole life as a genius. 

Nous is like… nah bro, you care too much. Ratio is like, ‘what the fuck?’ And then the AEON OF KNOWLEDGE GOES FOR THE MILK. 

Okay, now, quick shoutout to Ratio wanting to help others. He is just like me fr. SO BASICALLY, RECAP OF EVERYTHING I JUST SAID:

Ratio LOSES the idgaf war because he cares about other people. Spent his whole life as the golden egg, and then turns to the gods for recognition because of the inherent trauma of being a child genius. He goes, "hey bro, can you confirm that I am in fact a genius?" and Nous goes, "no, you are too busy cheffing for the masses." Ratio goes, "what the fuck?" and then we collectively realize his attitude comes from blocking off his feelings (while failing miserably), being salty about not being recognized, being put on a pedestal for his whole life, and his crippling depression *cough* lack of self worth *cough*. 

Oh, and the "I will never be enough" thought train probably hits him every single day. He is not enough to be recognized by a God. Gods are superior to humans. Maybe nothing has worth after all. Hey, that's Nihility! Hi IX, let's hear what you have to say.

*muffled ix noises*

I see, I see.

The consensus is: HE'S TRAUMATIZED BY EXPECTATIONS! HE WILL PROBABLY SUFFER FROM BURNT OUT GIFTED CHILD IF HE HAS NOT ALREADY!

Okay, now, before I delve into song lyrics (and I KNOW this has been long, just bear with me) I want to talk a little bit (read: a lot) about his relationship with Aventurine. We all know that he cares about Aventurine in his own way. But I want to pull in another idea that I didn’t cover before: 

Ratio’s fucking emotional constipation. 

Basically, the reason why he has trouble connecting with others is because he was most likely alienated by others as a symptom of being called a genius and being put on a pedestal. This makes him seem unapproachable to his peers, most likely, and therefore, as a result, doesn’t know how to properly connect with others. This just makes his way of presenting affection and care to others even more challenging – because he just doesn’t know how to do it in a healthy and clear way. Academic trauma causing emotional problems, because he’s probably a little bit out of touch with his own. Processing? No! Research. Also, this is very important for understanding Ratio’s character in my opinion, because he’s just a little guy who doesn’t know how to articulate. Maybe he’s got a touch of the ‘tism. Tism mutuals, do we agree or disagree? 

However, in comes Aventurine. Love Aventurine, but they are both emotionally constipated. Aventurine displays his affection in ways that Ratio probably only catches after re-analyzing their time together about five times. He’s also a very closed off individual – but Ratio knows this. A cute thing is that Ratio is patient where he needs to be, even if he’s generally a pretty hot-headed guy, and I’m like… bro… that letter… “I wish you the best of luck”... I will wait for you…. GAY ASS MAN…

Sorry the Aventio demons took over. Anyway, what I’m trying to say here is that they both have nonverbal communication with one another that they clearly decipher and Ratio obviously cares for him (he came back and almost jeopardized the plan just for the sake of his ‘coworker’... okay gayboy…) and they just have such a neat little dynamic… Aventurine lets Dr. Ratio do his thing… understands his emotional alienation to a degree…. they’re so neat….

Okay, Aventurine segment over. NOW, FINALLY, WE CAN GET TO THE SONG LYRICS!!! YAY!!!! We all cheered!!!

We are going to be here for two more amber eras, because I realized I actually want to analyze every single lyric from both of these songs. Brace yourself for like, 2k more words. Help. 

I think it’s only proper that we start off with ‘Oh No!’ the song that has haunted me since my childhood.

“Don’t do love, don’t do friends

I’m only after success

Don’t need a relationship

I’ll never soften my grip”

Remember when I mentioned that alienation was a big part of Ratio lore? Yeah, that manifests itself in this. When you spend your entire life chasing after knowledge and being held to that standard of untouchable genius, it makes sense that you couldn’t connect with others and that you turn your gaze only to success. Therefore, relationships that are interpersonal lose meaning for a bit – you’re just looking for answers and ways to help them, not connect with them. Also, this is what he wants to do – so he’s never going to pass down an opportunity to better himself or to help someone else. 

“Don’t want cash, don’t want card

Want it fast, want it hard 

Don’t need money, don’t need fame

I just want to make a change

I just wanna change, I just wanna change” 

This is directly alluding to his reasonings for distributing knowledge across the cosmos. Was he based on this song? Maybe he was. He’s not looking for money or fame, his ultimate goal is actually pretty selfless – to bring knowledge and give people the tools they need to think for themselves. He just wants to make a change – he just wants people to be able to have access to knowledge and help cure ‘stupidity’. He wants to do it as quickly as possible, always reaching for lofty goals that might seem impossible, but he will make them possible. 

“I know exactly what I want and who I want to be

I know exactly why I walk and talk like a machine

I’m now becoming my own self-fulfilled prophecy

Oh! Oh no! Oh no! Oh no, oh!” 

Ratio knows his goal. He knows what he’s working towards. I do believe that he understands why he is the way that he is – he has a degree in Psychology, after all. He knows how he’s been hurt but at the same time, the trauma brain probably doesn’t want to recognize it and he hasn’t stepped into healing yet. He knows what he went through impacted him, but he’s too busy helping others to help himself. He’s becoming what he wants to be, and yet he’s not, all at the same time – which causes the idea of “oh no!” as a kind of cry for help, almost. He’s too proud to ask for it himself, of course, so he’ll fall alone until someone manages to catch him and give him the strength to continue holding on. Aventurine is that. 

“One track mind, one track heart

If I fail, I’ll fall apart

Maybe it is all a test

‘Cause I feel like I’m the worst

So I always act like I’m the best” 

Now, these are the exact lyrics that made me associate this song with Ratio in the first place. He’s got a singular goal that he will do nothing to stop at getting, that he goes so far to get to. However, as I mentioned earlier, failure is not an option for those who were deemed gifted or genius. You are perfect, so therefore you must live up to everyone’s every expectation and surpass them, too, in order to keep your perception of yourself intact. Ratio does not hold himself in high regard, but acts arrogant in order to hold himself together and not fall to the self-deprecating thoughts, even if they fall through the cracks. It gets tiring to hold yourself together like that for a long time, you know? 

“I’m gonna live, I’m gonna fly

I’m gonna fail, I’m gonna die

I’m gonna live, I’m gonna fly

I’m gonna fail, I’m gonna die” 

Remember how I was talking about contradictory mindsets and how they can coexist. This is them. The feeling of crippling self-hatred and lack of self esteem versus the idea that you can do it, you can make a difference – you were born a genius, this is what you’re going to do. This is the knowledge that you are a genius vs the lack of self-esteem that Ratio has. “Mediocre” vs “genius” mindset, eh? 

All the other lyrics in this song are repetitions of what I’ve analyzed before, so let’s move onto “Are you Satisfied?” 

To be honest, there are only a few lines in this song that allow me to connect it to Ratio, so therefore, I will only be analyzing them. However, if you think that other lyrics can connect to him, I’d be interested in knowing how. 

“What you’re gonna be 

It’s not my problem if you don’t see what I see

And I do not give a damn if you don’t believe

My problem, it’s my problem that I never am happy

It’s my problem, it’s my problem on how fast I will succeed”

Pretending to not care about how the world sees you is so fucking real. Sometimes, you really don’t give a shit, and sometimes it’s all you can think about. Ratio… doesn’t seem like he’s the happiest person. He works himself hard and he’s always chasing after a goal that must be exhausting. He’s always doing his best, and I think even with his empathy, it’s easy to start not giving a shit after trying for so long and so hard. Accepting help is one of the hardest things that anybody can do, especially with how much pride he has. His personal problems are his personal problems and he can deal with them on his own. 

“High achiever, don’t you see? 

Baby, nothing comes for free

They say I’m a control freak

Driven by a greed to succeed

Nobody can stop me” 

Nothing comes for free. A lot of the things Ratio has achieved is due to his own intelligence, yes, but also because of a shit ton of hard work. His goal is literally to cure the universe of ‘stupidity’ – and that’s a pretty large fucking goal. He is a high achiever who likes to know the details of every situation when he can in order to try and make things better, and he is driven by a greed to succeed. Why wouldn’t he be? Success is important, and success means helping more people. He isn’t going to allow himself to be stopped by anybody – not even anybody from the Genius society. 

Okay, and we have finally reached the end of my analysis! This caps at around 4k words, so if you stuck around for this long, thank you so much. I would love to hear any of your comments, and I hope you laughed a little bit. Thank you again! This means so much to me that you read. <3

[dreamerwitches]

Full wnk trailer analysis lets go (p1)

Homura with wavy hair fronts. Matches the one from the poster

I dunno about you, but her face looks kinda younger from the side? Cuter? I dont think we've seen anyone else from the side so maybe its just the artstyle and im being silly

The background is pretty hard to decipher

She has a ring but no visible stone or fingernail marking. It doesnt seem like the end of her main hair is wavy. It looks like she's missing the buttons on her front but this may be an animation error or the angle is hiding them

This bit makes me think she's falling down a spiral staircase? Though it doesnt resemble the one later. The gold bits look like banisters. The background gives me a stained glass window church feel

Madoka's home maybe? This is still wavy hair homura

Madoka has no ring

Not much to say. Text in the bottom right says mramasa but the rest is japanese and some numbers. Looks like maybe the power of the fan?

Ibari, number one. Yes its her, the lighting is just pink/red, you can tell cause her blue skin is more purple. To me, it looks like someone is holding her. The light peach parts on the bottom left and right look like the regular animation style. The flowers on the magnifying glass look a little like mami's

Dumb venus maybe? That compact wouldnt close if it had that pearl sticking out XD

I believe this is a homura we havent seen before. The ribbon doesnt match the poster homu from the right. Its brown, her uniform has a white under shirt. Ive seen people theorise this is Manuke, stupidity. The brown ribbon would match her hair colour. Her eyes are more purple than the pink of the previous homura. The colour also matches phone homu from the first trailer.

Ive seen people mention the fencing vaguely looks like oktavia's scales. I think the multiple parts remind me more of her tail. The windows at the very edges kinda remind me of the first scene.

I didnt realise at first but this is homura's wing being broken

Devil outfit has changed. She has a red streak in her hair. Her feathers look fluffier but it might just be the art style. Another red addition to her leg. Her right shoe looks like madoka's. Actually her gloves kinda look like madoka's too

With the city(?) below and the unmoving effects, is this happening during a time stop? Im getting the feeling this trailer (or movie?) has a brown/orange-ish glow to it so maybe they artistically changed the colour of time stop?

With the bright bg and chair colour, i think madoka is with mami (seen later) in this scene. Also i think thats her left hand, no fingernail marking

Rebellion cafe real, it even has the steps leading up to it (though its not 100% perfect... but eh, artistic licence...)

Also, the girl's teacup is cracked. I cant remember the name but it looks like that japanese art of repairing something broken but making the repairs beautiful (repaired witch???).

A stretch, but the napkin underneath reminds me of homu's handkerchief

I thought the lack of soul gem in the ring was an animation mistake but maybe not??? And a dark (could just be obscured by the cup) fingernail marking. It looks like the london underground symbol ToT

Ah the walls dont really match with the rebellion cafe... maybe this is just what cafes look like in madoka XD the single table is still a mirror to it though. I think the lotus flowers are telling.

I wonder if the girl's golden eyes (like godoka's) mean something because magical girls colours usually match dont they? But maybe they've stopped doing that, eh. I like how her glasses are the opposite to homura's, rim on the top.

I didnt realise the thing next to her is a purse, its huge ToT it has flowers on it. I saw someone call them roses to try and say this is gertrud... um no XD have you ever seen a rose???

A stretch but the crockery reminds me of Candeloro's

Its the same three colours

Nagisa has brown scrunchies and her hair is in two low bunches with dark red beads. It looks like her dress is different too

She has the mitakihara uniform and a yellow cardigan. You can see her soul gem ring. The yellow of the cardi and the brown hairbands make me hope it is bear girl......

Girl full of slinkies!!!! The dots around the place remind me of homura's corruption from rebellion (ala on the bus). This is bandaged sayaka

These make me think of candeloro's kiss. I think i can see flowers on the spine too

But the hands together on the middle of the spine is from madoka's rebellion transformation

Walpurgis?

Yes im sure this is the same cafe as madoka was in now. Very pretty

Mami has her hair clip from her magical girl form on the top left of her head. Also could be animation error but maybe her ring is missing the gem

ALSO ARE YOU JUST EATING A SUGAR CUBE MAMI????

Is this the same place from the dancing scene? Doesnt one of the nightmares have an attack like this? So is homura doing it because she controlled the nightmares.

Also they explode with white feathers hmmmmmm. I have the horrible feeling homura would do it to scare madoka

Clearly not the previous kyoko. Outfit is different and more like her original one i'd say. The cake looks like its from the cafe

Also hnnngghhh concept movie?????

Damn ive hit image limit... well part 2 incoming

[arkadijxpancakes]

Yes. The Weasleys had too many kids. An analysis. (Part 2 of 2)

So, where were we? Right. The Weasleys have so many kids that it fucks with their family dynamic and with the mental health of everyone involved. Last time, we looked at Molly and Arthur during the war. We ended in 1981, which means that all kids are born, now. Molly is still nursing. (It’s common to nurse kids up to two or three years, while slowly weaning them, so I assume that this is what Molly does.) She’s finally done with becoming pregnant every other year, however. And it’s about time, because her workload is bigger, than any single person can handle. And while it will decrease over time, it will stay enormous for the next couple of years.

1982 – Bill (who will be 12 at the end of the year) starts Hogwarts. It’s his first lick of freedom. There is no babysitting-duty at Hogwarts. All he has to do is stay out of trouble and earn good grades. Other than that, he is free to do what he wants. He will be the only Weasley-sibling in Hogwarts for two years. Because of this, his parents probably have enough money in reserve to buy him a full Hogwarts-kit without resorting to second-hand-stuff too much. (He might get second-hand books, but his robes and wand are probably new.)

At home, life is still hard for Molly. She has one less kid to take care of, but the kids who are still in her care are a handful. She still needs to teach Charlie. Percy got 6 over the summer and is a little nerd, so she is likely teaching him, too. Fred and George are still chaos incarnate. (And they are just getting started, really.)

Bill’s duties (chores around the home and watching his younger brothers) get passed down to Charlie. Percy might try his hand on this, too, because he is still in direct competition with the twins and Mum gives him attention when he helps her.

The war is over and the Weasleys start to feel the effects of this. As Death Eaters are captured and sentenced, the Wizarding World starts to feel safe, again. The stress eases off (but Molly is probably still grieving.) 

Arthur’s work schedule slowly goes back to more normal levels, allowing him to spend more time at home. However, he missed out on a big chunk of his children’s childhood. It’s also hard to return to his role as a parent, because at this point, the roles of the family are pretty much established: Molly is in charge and does most of the work. Some of the easier chores are passed down to her kids (first Bill, now Charlie, later Percy). This includes watching over his younger brothers while Molly takes care of her toddlers. It’s kind of hard for him to integrate himself into this dynamic. (Just imagine him doing the laundry or the dishes – it’s very likely that he has a different way for doing this, which could easily disrupt Molly’s workflow or simply just annoy her.) 

I think he will mostly stick to the stuff he did when Bill and Charlie were little. So he’s taking his kids out for trips on the weekends. But this is difficult, too, because it’s not Bill and Charlie anymore, but Charlie, Percy, Fred and George. Their dynamic is entirely different, and it’s hard to keep an eye on all of them, while also satisfying their needs equally. (Especially because Percy, Fred and George start to clash.) As a result, the trips are probably not as frequent as they once were.

It’s also possible that Arthur picks up his Muggle-hobby at this point. (Picking up this hobby causes him to spend at least some evenings in his shed, tinkering with Muggle-stuff instead of helping his wife. I imagine him to fade into the background a little bit, while he leaves the household and child-rearing to his wife.)

1984 – Charlie starts Hogwarts.

There are now two Weasley-Siblings at Hogwarts, but things are still pretty chill for them. It’s still just Bill and Charlie, after all. Bill is probably considered trustworthy enough by his teachers to receive a time-turner, so he can take all electives Hogwarts has to offer. (I do wonder how much Molly’s expectations are playing into this. She clearly expects her children to do well at Hogwarts, both in terms of grades and behavior. At this point, he is either a massive nerd like Hermione, trying to perform well to fulfill his mother’s expectations, or both. He is also setting a standard for his siblings here, whether this is on his own accord or because of pressure he receives from Molly.)

At home, Percy (now 8) takes over Charlie’s duties. He tries to control Fred and George. It’s likely that he fails miserably. They are just too close age-wise for this to work. 

Fred and George are 6 now and start to play rough. Last year, Fred turned Ron’s teddy bear into a giant spider (which probably caused Ron to develop arachnophobia). Next year, they will try to talk Ron into making an Unbreakable Vow with them. So keeping an eye on them is getting harder, not easier.

At this point in time, Scabbers exceeds the life span of his species. Rats can get up to two or three years old. (And Rowling knows this. This information is included in book 3, when Ron takes Scabbers to the pet store to have the witch there check on him.) This is Scabbers third year with the Weasleys, so his time is up. No one seems to notice, though. I don’t blame Percy (or the other kids) for this, but Molly and Arthur should notice that they don’t have to replace a rat or have a talk about how Scabbers is happier in the great rat heaven. They don’t and I wonder why. My suggestions are: a) They are either not paying any attention to Percy and his pet (which would suck) or b) Scabbers is turning into Peter and uses a wand (his own or Molly’s) to confund them as needed (which would suck even more).

1987 – Percy starts Hogwarts.

At the end of the 1986/87 school year, Bill (who is a prefect now) takes his OWL in all 12 courses Hogwarts has to offer. It’s possible he returns his time turner after this or keeps it until his graduation to deal with his NEWT-workload. He now starts his sixth year. Charlie is in his fourth year and is already on the Quidditch team. Molly is very, very proud of both of them.

Percy is a wee first year and doesn’t have to watch out for any younger siblings for once. He can focus on learning instead. He is probably the first boy in the family to end up with hand-me-down robes, as he has a similar build as Bill and Bill has probably outgrown his first set.

Scabbers is six, now. So he has lived twice as long as a normal rat would. Still, no one has caught up to the fact that he is awfully old for a rat. It’s very likely that he accompanies Percy to Hogwarts. (It should be noted that Hogwarts only allows cats, owls and toads as pets, so Percy probably got a permission to bring a rat instead. However, no one at the school notices Scabber’s age either.)

Life at home is still chaotic. Fred and George are 10, Ron is 8 and Ginny is 7. Molly is probably teaching all of them. Her workload is slowly going down to a more manageable level, but keeping the twins in check is still a challenge.

She probably doesn’t expect Fred and George to do chores and watch over their siblings. (At least not in the same way she expected from her older kids.) Mostly, because she can’t trust them to do it. (Remember the Unbreakable Vow? Yeah, that.) Additionally, Ron simply has no authority over them, so that’s not an option either.

1989 – Fred and George start Hogwarts.

In his seventh year, Bill was made Head Boy. By now, he took his NEWTs and left school. He probably returns home for a little while, before he takes the first chance he gets to fuck off to Egypt and play with cursed tombs. (We should probably talk about English wizards, Egyptian treasures and colonialism here, but that’s a completely different can of worms.)

Charlie took his OWL and is now in his sixth year. He’s still on the Quidditch team and should be Quidditch Captain by now. He’s also a prefect. So between them, they got all the big achievements Hogwarts has to offer: Prefect (both of them), Head Boy (Bill) and Quidditch Captain (Charlie). Bill also got 12 OWL, which is an achievement on its own. Molly will measure her other children against this later.

Speaking of Molly: While her home life is going to relax a lot this year, her expectations are still around. She is still expecting her kids to do well in school. Considering that Fred and George are now at Hogwarts, the old demand “Watch over your younger siblings!” is back and in full swing. I can’t see Charlie doing it – he has his head full of dragons and Quidditch and lived five blissful years in Hogwarts without the need to look after anyone all that much. Sure, Percy was at school, but he has already learned to look after himself. I don’t think Charlie will start with this now. Not unless the twins interfere with his prefect- or Quidditch-duties or are completely out of line.

Percy is a different story, however. He is in his third year and still taking after Bill. Just like Bill he takes all electives, so it is likely that he also gets a time turner for this. At this point, Percy has ingrained the idea that he needs to perform exceptionally well at school and Bill set an incredible high bar to reach, but he is willing to do just that. He also spent a lot more time at home dealing with the twins. Molly’s expectations for him to be a good boy and to look after his younger brothers will now put pressure on him again. He will probably try to control their chaotic behavior, but they are 11 now, and they will listen to him even less than before.

For Fred and George, this is heaven. They finally escaped the watchful eyes of their mother and have a whole new world to explore. So many secret passageways and even more victims to play pranks on. Percy is annoying, but they can play pranks on him, too. They will soon steal the Marauder’s Map from Filch’s office, which will open up even more possibilities. It’s great. 10/10, no notes.

Life at home is finally manageable. It’s just Molly, Ron and Ginny (and also Arthur and his Muggle-stuff). This is probably a nice time for Ron, because there are no older siblings around to steal his limelight. However, at this point he has the family dynamic internalized and his self-esteem is pretty low overall.

1991 – Ron starts Hogwarts.

By now, Charlie has left Hogwarts. It is unlikely that he actually finished his education, however. When Harry becomes a member of the Gryffindor team in Philosopher’s Stone, Fred says: “We haven’t won since Charlie left, but this year’s team is going to be brilliant.” Had Charlie finished his education, he would have left in summer 1991. The quote is from autumn 1991. In this case, the quote would make no sense, because there were no matches for Gryffindor to lose between Charlie leaving and Harry becoming Gryffindor’s new seeker. So he must have left before then, probably sometime in his sixth or seventh year, after his seventeenth birthday.

It’s important to note that we don’t read about any fights over this. I can’t imagine Molly being happy with this, but he must have had her permission. (Otherwise we would know about it. Molly can’t shut up about the failures of the twins, she would not shut up about Charlie’s failures either.)

Percy is in his fifth year and a prefect. By now he is the career-driven rules lawyer we meet in canon. He will end this school year by taking all 12 OWL – just like Bill. (When Ron is made prefect in OotP, Molly makes sure to tell everyone that he is now a prefect, just like his older brothers, and she seems very comfortable doing so. I assume, Percy heard his fair share of this, when he was made prefect.)

The twins are in their third year and members of Gryffindor’s Quidditch team. By now, they have earned themselves a reputation as pranksters.

Ron is the sixth Weasley-kid to enter Hogwarts. While his older siblings might have gotten some second-hand stuff, everything he owns was basically handed down to him: Bill’s old robes, Charlie’s old wand and Percy’s old pet rat. To be clear: none of those things make much sense to hand down (or at least not to Ron).

Bill’s old robes should have gone to Percy after Bill left Hogwarts. They should be of a similar height, while Ron (as an eleven-year-old) should be somewhat smaller. Instead of handling it that way, Percy got new robes as a reward and Bill’s robes were handed down to Ron. This is clear favoritism on Molly’s part. It’s no surprise that Ron (who already feels overlooked by his parents) feels upset about it.

Giving him Charlie’s old wand makes even less sense. We know, that the wand chooses its wizard. Charlie’s wand did not choose Ron, so it would not perform as well for him. In addition, in book 1 the wand is described as follows: “He rummaged around in his trunk and pulled out a very battered-looking wand. It was chipped in places and something white was glinting at the end.”

That thing is basically falling apart. That was either a lot of wear and tear during Charlie’s time at Hogwarts (considering the fact that we have not heard anything about this with other wands, this is unlikely) or the wand was already a hand-me-down when Charlie got it. In either case, giving Ron a wand that has its core more or less poking out, doesn’t sound very safe. I wonder why Arthur and Molly decided to do this. Did they expect Ron to have a great learning experience with a damaged wand? Did they want Ron to use the wand until it eventually did break, saving them another year or two before they had to buy a new one? (And yes, they would indeed need to buy him a new one in his third year, but they had no way of knowing that. Unless there are prophecies for that kind of shit. And even then. The fuck?)

Money is tight, of course. But is it really that tight? They could afford to get Percy an owl, after all. And buying a wand for their son is an expense they've had 11 years to plan. I understand getting second-hand robes and cauldrons, as they see a lot of wear and tear. But this should not apply to a wand in the same way. This is just really, really odd.

And then there is the elephant – and with elephant I mean rat – in the room: Scabbers. Firstly, that rat should be dead for at least seven years by now. No one seems to notice. No one cares. What the fuck.

Secondly, why is Percy giving his pet to Ron? There just isn’t a great explanation for this. Scabbers has been his pet for ten years. TEN. Percy should be attached to his pet like glue. After all, he has Scabbers since he can remember. Why is he willing to part with his rat? The only reasons I can think of:

1) He does it because Molly asks him to. She is clearly playing favorites, here. Not only does he get new robes when he becomes prefect, but he also receives his very own owl as a gift. It’s possible that this owl comes with strings attached, and Percy is required to give Scabbers to Ron to get the owl. Which would be a pretty fucked up situation for every child involved and should’ve been handled differently.

2) Percy wants to get rid of Scabbers. He doesn’t know about Scabbers’ Peter-shaped secret, of course (otherwise he would’ve reported this). But it is possible that he feels, on a subconscious level, that something about Scabbers is off. Not in a dangerous way (again, he would’ve reported this), just in an unpleasant way. (This would still be odd. Especially when we consider that no one noticed Scabbers age.)

3) Scabbers has decided that it’s time to jump ship. Percy just turned fifteen this year. He is old enough to grow suspicious of his seemingly immortal rat. It’s possible that he cozied up to Ron to manipulate both boys into making the switch. Or he turned into Peter and confunded some Weasleys. Who knows. He’s still a Death Eater and mass murderer on the run, after all.

1992 – Ginny starts Hogwarts.

The flock has left the nest. Molly’s work is mostly over. It’s just her and Arthur who stay at the burrow. She still takes care of the household, but the responsibility for her kids rest on other people’s shoulders, now. There is nothing left to do, except knitting, sending care packages, worrying about her kids careers and hexing the occasional howler. Molly could get a job now or pick up a hobby or two. I mean, she does read Gilderoy Lockhart’s shitty books. She is a fan of his, after all. But she doesn’t seem to enter any community over this (no fan club, no reading circle, no nothing. It’s just her). And there are no other hobbies outside of that. 

Apropos community: We don’t really see her having a community. She is a pretty important side character, but the books never mention that she has friends or other contacts outside her family. It seems like she is focusing on her kids and only on her kids.

Which would explain her meddling. Because Molly meddles a lot, when it comes to her kids and their futures. She keeps putting pressure on Percy to look after his younger siblings – this will expand to Harry after she gets to know him. Percy (still a good boy) does as she wishes. It’s not healthy, neither for him nor for his relationship with his siblings (who are mostly annoyed by him), but Molly either doesn’t notice or doesn’t care. In the future, she will be very cross with Hermione after reading Rita Skeeters articles about her. She will also be upset about the twins' career choice and Bill's choice of girlfriend…

And yeah, that’s basically it. At this point, the family dynamic is firmly established and ingrained in her children’s heads. Percy is already set up to explode in the near future. Being Molly’s Golden Child is neither good nor healthy, especially considering all the pressure that comes along with it. His relationship with his siblings isn’t all that great, either.

Fun fact: We don’t know if anyone ever told him about Scabbers’ Peter-shaped secret. If it did happen, it was probably pretty traumatic. That shit-show was his pet for ten fucking years and he handed it down to his younger brother. That’s nightmare fuel, even if Peter never hurt any of them.

The twins have firmly established themselves as troublemakers. At least some of their “jokes” really aren’t funny and border on cruel, neglectful and/or harmful. (Remember the Unbreakable Vow? Yeah, still not funny. In 1993, they also tried to lock Percy in a pyramid. Yes, I don’t think they wanted to hurt him, not really, but that thing was still a cursed tomb. Things could have gone wrong, and at that point they were old enough to know better. In their last year they tested their joke-sweets on younger students who were neither adequately informed nor old enough to consent for something like this. Yes, they tested the sweets on themselves first, but something could still have gone wrong because of allergies and all that stuff. And after they left Hogwarts and started their joke shop, they do sell love potions to students, complete with options to smuggle that shit into school. Additionally, instead of going bad/losing their potency, those love potions get stronger with age. This alone is a horror story waiting to happen.)

Ron is affected, too. His self-esteem is pretty low when he starts Hogwarts and it will stay that way throughout the series. This will inform a lot of his decisions (especially the bad ones) in the future. 

We don’t know much about how all of this affected Bill, Charlie and Ginny. Bill and Charlie just aren’t as involved in the narrative, and Ginny stays kind of… bland and love interest-ish… throughout the story.

So… yeah?

Am I saying that the Weasleys did not love their kids? No, of course not. Especially Molly shows her love regularly. (Her love is more like a water hose than a watering can, however. Very intense and focussed on a single spot at a time, instead of reaching all her kids equally.)

What I am saying is that the Weasleys, as a family, are pretty dysfunctional. Many factors are playing into this – Molly’s and Arthur’s dynamic as a couple and as parents, the number of their kids, the war, etc. It’s impacting all of them negatively. Molly is stressed out, Arthur is out of touch and some of their kids lose their trust (either in their parents, in their siblings or in themselves.) It also makes their love feel conditional. The twins feel this whenever Molly is comparing them with their older (more well-behaved) brothers. Percy feels this when he comes home with that promotion and is demoted from Golden Child to family-traitor within a heartbeat. Ron has internalized it and desperately seeks attention and affection elsewhere.

They still love each other, but it’s a difficult position to be in for most of them.

And the worst thing: I don’t think Rowling notices any of this. She did not intend the family to be as dysfunctional as it is. She keeps portraying the Weasleys as this great, loving family who took Harry in when he needed it the most. And of course they did – but that’s not all there is to it. There are so many issues that go unresolved in the books. Molly never learns to back off. The responsibility for the conflict between Arthur and Percy is placed entirely on Percy, despite Arthur being at fault, too. The twins never really learn that a prank can go too far. Ron doesn’t really solve his self-esteem-issues. Rowling does start to give him some character development regarding his self-esteem-issues multiple times, but he always seems to revert back over the course of the summer holidays. 

The family really deserved more effort to go into the writing.

Note: This analysis is not meant to say that stay-at-home parents are bad or that Molly should have gotten a job while having seven little kids at home. What I am criticizing is the way we treat care work. Because it is work, and a lot of work. A stay-at-home parent is often on call 24/7. A stay-at-home parent never really gets to take a break, never can take a day off, and never just can leave their work for another day. But they do deserve breaks and days off, just like any person with a day job. And that is where their partners and the rest of their families come in.

And this is the other thing I wanted to criticize here: The way we glorify living as a nuclear family. It’s said that you need a village to raise a kid and I do think this is true. Having more people involved in child-rearing (be it relatives, neighbors or professionals like teachers) is a boon. Families had access to this for millennia. Raising your kids with the help of your family and your village was normal, up until very recently. And it’s a shame that the Weasleys seemingly had no help like this. And yes, I do see the fault with Rowling, who wrote them that way. She basically took the concept of the nuclear families of the 1980s and 1990s and slapped it onto the family, without any world building at all.

(Please also note, that I consider stay-at-home parents to be different from tradwives. When I use the term “tradwife”, I am specifically referring to stay-at-home mothers who do not just take care of their household and their kids, but who also commit themselves to having as many kids as possible and who tend to take on other duties (like homeschooling) as well. The most common examples of this are probably families who belong to fundamentalist Christian churches or cults.)

[1moreff-creator]

DRDT CH2 PT2: Full Analysis

While CH2 Part 2 was releasing, I chose to make liveblog-reaction posts to the episodes to record my immediate thoughts for posterity, but that meant that actual, coherent analysis was pushed to the side in favor of me freaking out over… everything going on. But goddamn; even accounting for recency bias, this might just be my favorite trial of any DR style killing game I’ve ever seen (though admittedly I'm working with a small sample size). So I felt it merited a bit more… cohesive analysis. That’s what this post is!

WARNING: This post is around 28k words long. Do not click "read more" unless you're ready for lag, and make sure to take breaks while reading if needed.

Spoilers for DRDT CH2. CW: Murder, suicide, hanging, execution, gun violence, self-harm, blood, stabbing (fork).

(Btw you can find my immediate reactions in my post masterlist. Not linking each individually here because I hit Tumblr's 100 link limit. I know, I know)

How do I even structure this? I guess I’ll start with the actual case itself, then go character by character because WOW.

Also, I hope you forgive that I can't put images for every referenced piece of dialogue (Tumblr 30 image limit when I catch you...), so I'll save them for when they're necessary and instead add links to the referenced quote in the episode.

The Case

Although I’ve made many posts talking about this damn thing, I don’t think I’ve ever expressed just how cool the actual mystery is. The evidence is all there from the beginning bar the note and alibis, introduced in a way that doesn’t make the method obvious, but that still allowed the audience to figure out the main aspects without much issue. Everything follows logically, and while there’s a few things that ended up being less important than some expected (that glove will haunt the fandom forever I fear), everything got explained in what I consider to be a pretty satisfactory way. It wasn’t obscenely complex or crazy, but I consider the method to be just right for a chapter 2 case.

Oh and the Nico case was cool too, even if half the shit in that crime scene will haunt me forever. Why were there two weights off to the side-? not important.

If there’s one critique I can give the actual discussion of the case (and this is legitimately the only real critique I have of this entire set of episodes), I’d argue that the way the method is presented is… weird. Like, I get why, DRDT is clearly more focused on character conflict than the murder mystery aspect, but there were still a lot of moments where it felt like Teruko’s thought process wasn’t explored properly, to the point where it sometimes felt like Teruko just… magically got the answers whispered to her by the ghost of Kirigiri.

As an example, take the ball of clothes over the rafters. Ace mentions the issue of getting the rope up there, and Teruko immediately jumps to the right conclusion of the seemingly completely unrelated ball of clothes.

To illustrate why this feels weird, let me tell you what my thought process was when I came up with the theory (because again, the evidence was laid out well enough that I did manage to call this, even if I got a fair bit of other stuff wrong). Obviously it's not the only admissible thought process, but it's a good example to see how I feel the presentation of evidence should have been handled.

We know Arei was hung from high up (Veronika’s account) -> We can confirm something happened on the rafters because the lights are broken -> Brainstorming how that could have happened (screening room connection? Secret ladder?) -> Perhaps something was thrown up there with the rope attached -> Ball of clothes.

In the series, however, we get:

Arei was probably hung from high (Veronika’s account) -> Discussion continues, literally the entirety of Nico's situation gets explained -> Ace brings up the issue for the first time like three years later-> Teruko immediately points to the ball of clothes -> The lights are only mentioned after.

You get what I'm saying? The progression doesn't feel as natural, because we immediately jump to the conclusion without discussing the evidence that leads to it. This also happens with things like the pulley method, where Teruko explains everything before bringing up the tape on the spinny thing, which is the only thing implicating said spinny thing in the method. And I feel like the reason quite a few people felt there should be more to the case is because the evidence wasn't presented properly.

That said, this is an extremely minor point. Again, DRDT is more focused on character drama than murder mystery, so I don’t particularly mind if I can nitpick a few things in the writing surrounding the mystery solving.

And oh boy, was there character drama this trial! Thank the gods I’m only covering Part 2, I think I’d die if I tried to talk about the entire trial as a whole.

Character Analysis

I’ll go in order, starting with the characters I feel had the least prominence, and making my way to the ones who really stole the spotlight this part.

Mai Akasaki

No content lol. Though this is probably a good time to mention that, in this post, I'll mostly ignore theorizing related stuff and focus more on straight up character analysis, even if the two sometimes intersect. Game Theory-like speculation will mostly be saved for dedicated posts :p

Xander Matthews

He got mentioned, but he’ll come up in David’s section so. Skipping him. 

Min Jeung

Well, there were a few references. Such as:

Min: I'll fix your mistake! - Teruko: But I'll fix my mistake.

Something something, David-Xander vs Teruko-Min parallels, etc. And also:

I like the visual symbolism that the images are effectively flipped (Teruko on the left-Teruko on the right and hugger on the right-hugger on the left, Teruko facing the camera-Teruko facing away), because the situations are inverted. In Min’s, the culprit hugs Teruko after she dooms them to their fate, and in Eden’s, a non-culprit hugs Teruko as she starts defending them. I did notice on first watch, but didn’t say anything because at the time it was still possible Eden was the culprit. Alas, the symbolism is consistent!

There's only one last thing to mention about Min. One tiny, itsy bitsy detail that probably has no lore relevance whatsoever.

MonoTV [2-16]: Now loading the default XF-Ture Tech personality drivers.

Min [BE1]: But one day, we were visited by the founder of that big company, XF-Ture Tech. He told my parents that he would sponsor me and pay for all of our expenses.

Oh yeah, MonoTV was created by the same company that sponsored Min as the Ultimate Student! Hey, what the fuck?

We'll get into it more later in the (I cannot believe I'm about to say this) MonoTV section (or rather the post linked to in said section), but MonoTV seems to have been created specifically for the killing game. This means there's a very real chance XF-Ture Tech is behind all this. That paints the sponsorship of Min as a strikingly shady thing (well, more than it already was), to the point there's a very real chance Min is straight up connected to the origins of the killing game, if not outright the mastermind. We'll have to see how this plays out later, since right now, we're still lacking a lot of critical context.

But hey! We might get more Min content in the future! I, for one, am very, very excited.

Charles Cuevas

Not too much character insight on this one, but he got a couple of cool moments. As always, funny, bounces well off Whit, very helpful in the trial, weirdly knowledgeable about jockeying (or maybe he just, like, thought about it, it’s not like most of what he says aren’t conclusions anyone could arrive at by simply knowing what horse racing is), and-

Charles [2-15]: I'm the only person reasonable enough to make that sort of judgement call. Everyone else who does so is being biased to the point of idiocy.

-it’s nice to see his pridefulness didn’t just go away after CH1! He’s neat :)

J Rosales/Moreno

Half of her dialogue this part is just her talking about how murder is bad. It’s fine, it’s just odd.

I guess if you want someone to point out murder’s bad, J’s one of the only real options, isn’t she? You need a confrontational character (so no Eden or Rose or Whit), who wouldn’t be a hypocrite (this eliminates Nico, Ace and Levi, arguably Hu since she defends Nico), who is mentally stable enough for their opinion to be held in high regard (this eliminates Arturo, David and Veronika, alongside half the cast), who is willing to derail the trial to talk morality (eliminating Charles and arguably Teruko), and who isn’t dead or missing (like Xander, Arei, Mai or Min).

Wait that’s the whole cast. Holy shit she actually is the only one that makes sense to be murder bashing how is this even possible. 

…Regardless, you could still argue that you don’t need someone constantly pointing out murder’s bad, meaning there could very much be a deeper reason J is being so vocal about it. Apart from possibly being setup for her to be primary support moving forward, I personally think all this points to her just having a very strong set of beliefs regarding most things, which we could already kinda infer anyways. 

Or maybe Mariabella killed a guy. Yeah, sure. Why not?

Veronika Grebenshchikoba

There were certainly a couple interesting Vero moments here, which is always fun. It was finally confirmed her secret was, as most theorized, the “took on your talent to distract yourself from the need to hurt yourself for fun” one. I mean, I feel like everyone called that one from the moment the curtain fell away from the screen with the motive secrets, but you get the idea. 

We also learnt she had a pact with Hu regarding their secrets, which I would love to learn the details of, and definitely makes me interested in where these Recap Foils are going, as well as-

Veronika [2-13]: After all, my own so-called secret isn't even the worst thing I've done. Isn't that so utterly disappointing of this motive?

… whatever the hell that means. Why’s she gotta be so ominous? (I love this about her).

The last notable scenes to point out are all the scenes where she's... Veronika, and I wouldn't have it any other way. Her psychoanalysis of Levi will probably wait for when I talk about him, and her help during the time Teruko was figuring out the murder method is appreciated, but specifically about her:

Veronika [2-15]: Swallow your pride and say that you're too weak, too stupid, and too incompetent to perform this murder. Accept the fact that no one thinks highly of you. Or defend your dignity at the risk of admitting that you're perfectly capable of committing this murder and continue to be our number one suspect.

I just think the voice acting in this line in particular is very auditorily pleasant so I wanted to point it out :D

But Episode 15 actually has a much more insidious Vero moment, which I felt was way more noteworthy. After Ace admits to the crime, he goes on his whole speech, which includes directly calling out Veronika's words as part of the reasoning why he killed, there comes a point when Ace calls himself a "piece of shit", and no one denies it. When that happens, Veronika smiles.

Veronika: Oh my. How tragic.

She is such an awful person, just such a piece of garbage. I adore her.

Anyways, my appreciation of actually horrible women aside, we need to discuss the biggest question she leaves us. And that is "hey, why is her reaction to Ace's execution and Levi's almost death so different from her reaction to Min's death?"

Veronika [about Min, 1-12]: Min died in such a cruel manner...

Veronika [about Levi, 2-16]: If Levi dies because of this... Kehehe... I'm sure I'll miss him, but... This is quite a way to go. I can't say I wasn't entertained.

Veronika [about Ace, 2-16]: Aha... Ahaha... How incredible...

So, after considering it for a little bit, I think we're lacking a little bit too much critical information on Veronika to confidently state why the hell her reaction is so different, but I can come up with a few different possible answers. I'll list them in ascending order of likeliness in my opinion, and we'll see just how wrong I am once we get more insight on her!

+Veronika cares more about Levi than Ace, and more about Min than Levi. This is because she just said Ace's execution was "incredible," while she mentions she'll miss Levi, and obviously looks genuinely distressed over Min. I see no actual reason to believe this, though, because I... don't think Vero and Min ever even interacted beyond the trial? So unless we're pulling some very strange Veromin agenda out of nowhere (or Veronika is Mai Akasaki), this doesn't work imo.

+Veronika was acting in T1, but doesn't care by the start of T2. Possible, and it's true that Vero was more self-conscious about freaking people out in CH1, but I'm not sure if there's enough evidence to truly say she was only pretending to be distressed by Min's death.

+Veronika's reactions are based on the executions (and execution attempt) themselves, not anything else. This is consistent with her specifically reacting to the way Min died ("Min died in such a cruel manner") rather than the death itself. She specifically says she'd be entertained by Levi's death, and is clearly entertained by Ace's. So, I guess she just finds Min's execution particularly cruel/boring? Does she... have wolf related trauma? Test related trauma? I don't know, but I think this fits decently well, so.

+Veronika's slowly getting worse. A logical conclusion from the fact that she reacted one way in T1, and another literally four days later. Certainly possible given her analysis of people shattering in the killing game, so for now this is the interpretation I'm going with.

Whit Young

.... Sigh. You're not even that important to this part, how are you still gonna require so many words of analysis?

Alright, let's start with the pretty infamous scene where he talks about drop hanging. I do want to make one thing clear; just because Whit talks for a pretty long time about drop hanging, it doesn’t mean he actually says anything particularly groundbreaking. Like, everything he says is very logically sound, which means they’re conclusions anyone could have drawn.

Like me. Because even though I don’t think I wrote them down explicitly, I did more or less arrive at the same conclusions as he did, and I don’t have any experience with drop hanging. I’m clarifying this because I’m on enough lists as it is just by firefoxing shit like “can turpentine knock you out” and “how long do people pass out after being strangled” I do not need any more allegations on my person! 

That said, I am also not a fictional character who exists within a story which follows narrative conventions (as far as you know, anyways). Whit is. And it’d be silly to instantly dismiss that the dev specifically chose Whit, a character who is otherwise not the most helpful in trials, to be the one to deliver this explanation, and without any interruptions no less. Even Teruko and Charles usually have one character or another finishing their explanations, like Levi when Teruko explained the slingshot or… Levi when Charles talked about jockeying. Huh, Levi kinda goated?

Thus, because the dev specifically chose Whit to give this explanation with no interruptions, we can infer that he may have a special connection to drop hanging. Given what we know, I find it likeliest that his mother committed suicide by hanging. At present, I don’t find much evidence that he would have attempted himself, though…

You know how Whit dyes his hair to look like his mom’s? And how Color Theory in LGI gives him (among other stuff) “degraded copy”, likely in reference to this? If his mother killed herself via hanging, do you think he would try to replicate that, too?

Food for thought. Again, not much reason to believe it yet. 

Other than that, there are... the allegations. The part started strong with MonoTV stating it let slide a rule violation because it was funny (especially weird given what we learn in 2-16, but Whit's not the only rulebreaker in the cast so we're chilling). And then, 2-16 happened.

Whit [seven seconds before Teruko's execution, 2-16]: Charles, stop talking and cover your eyes! [...] Whit [post Levi shooting]: Ah, crap. The smell of blood is really strong. Even though I told [Charles] not to look, he still...

And, of course.

Whit: ...

Of course.

Alright, so let me start by the elephant in the room. The hand behind the back. The moment the cast learns the elevator doors won't open, we see Whit with his left hand behind his back. Many have assumed this means, understandably in my opinion, that he may be holding a remote control of some kind to close the elevator. In other words, Whit's the mastermind. But, while I consider him one of if not the best mastermind guess in the market, I don't think this is good evidence of it.

You see, there's no reason to believe such a remote would be required. By all accounts, it should be MonoTV's AI who is keeping the elevator closed with no need for outside interference, regardless of who the MM is. There is simply no reason to believe that any MM would have an "elevator manual stop" or even an universal remote (apart from J!MM for obvious reasons), because it should be MonoTV who is running this stuff.

As an aside, I will point out that, per the CH1 QnA, every character is right-handed apart from Teruko (lefty) and Arei (ambidextrous). You could use this to argue Whit shouldn't be doing anything with his left (the hand behind his back), but that's not good reasoning, as the sprite might just be drawn that way for aesthetic reasons and you're supposed to ignore handedness. Eden also used her left to rip out Xander's eye, apparently. I haven't seen anyone bring it up, but I have made this mistake before with a certain bat swinging Milgram prisoner, so I'm saying this to avoid others making the same mistake.

That clarified, however, the first point is still valid. Although I consider it perfectly possible, at present I do not believe Whit is holding anything behind his back.

Why does he pose like that, then? To answer that, perhaps it'd be better to answer what the deal with his other behavior is.

Because it's weird, right? Whit focuses on Charles even when everyone else, Charles included, are fretting over Teruko and Levi. And then, despite being able to brush off things like Levi's secret confession and Min's execution with nothing but a "that's wack," joking about rewatching said execution, etc., somehow the elevator being closed is what finally gets him to bring out the breakdown sprite?

Well, yes. And this shouldn't be all that surprising, imo. Because everything about Whit's reaction is perfectly in line with his previous behavior. Not to say it isn't weird (it is), just that it's weird in the way Whit's always been weird, and not in any new special way.

This is because every part of this reaction comes from the already established way Whit deals with tragedy; he avoids it, and moves on. You'll immediately think of Whit's mom when I say that, the way he omits her death whenever he speaks of her to the point he genuinely forgets that's a thing until a few seconds after the secret Rose received was brought into the conversation, but there's more examples that are actually closer to this situation. In particular, I want to direct your attention to the investigations in both chapters so far.

For the first trial, Whit spends literal hours hanging out with Charles while the Chemist has a breakdown, to the point he almost didn't investigate at all. This is excusable, of course; he was helping someone in need, and the culprit was thought to be obvious enough that investigation wouldn't be necessary.

The second, though, is perhaps a bit stranger. First, Whit doesn't look closely at Arei's body because he was busy comforting Eden, apparently. Alright, fine. But, hey, how did he try to comfort Eden after everyone started to filter in?

Whit [2-8]: There, there. Pat pat. Do you want to sit down somewhere else?

He immediately wants to leave the room. But, he's still trying to help Eden; maybe he's projecting? Because he'd want to leave the room if a loved one died, so he's asking Eden if she wants to do it?

Except, he does leave the room. He doesn't have any other lines in the playground past this point, and then he starts investigating with Charles, the one dude he knows won't enter the scene of the crime.

And you know when he splits off from Charles?

Whit [2-8]: If you're worried about Rose tampering with evidence, then all you need is another witness to watch over her, right? I can do that, since I'm here. I mean, unless Charles needs me for something.

My guy will genuinely do anything except investigate the playground.

And that's where the pattern starts to be noticeable. Whenever something bad happens, Whit finds any excuse he can to distance himself from the situation. And to be clear, they're usually good excuses; it makes sense for Whit to do all this in a vacuum, it's just odd that he constantly finds them. Other examples include him bringing up alibis when the note first comes up, and then, when he's pressed about it:

Whit [2-9]: Eden has [the note]. Ask her.

He doesn't even... want to have the responsibility of the note? Admittedly that could be for other reasons, but still.

With this pattern of avoidance in mind, the things he says in 2-16 are perfectly explainable. Instead of focusing on Teruko's incoming execution or Levi's injuries, he chooses to focus on Charles, because that's easier for him. He's once again finding an excuse to look away from tragedy.

By the way, I don't want to make it sound like Whit doesn't care about Charles as anything but an excuse to get out of thinking of bad stuff. It's pretty clear a big part of why Whit does the shit he does is that he genuinely cares about Charles as a friend (crush?). Whit probably does want to help Charles just for the sake of helping him, but it does come with the benefit of helping Whit avoid stuff he doesn't want to think about.

This whole avoidance thing is also why Whit is so perturbed by the elevator. When Levi gets shot, Whit probably hopes that they get to leave the trial room quickly to take care of him, at which point Whit can just avoid the situation entirely by just sticking to Charles like usual. But they can't. The elevator is shut. Not only does Whit probably realize that means they have to watch the execution, but it also means Whit is not able to get out of the room where a guy is actively dying, and sticking to Charles only lets him ignore the situation so much.

Why does he have his hand behind his back? Well, this is gonna sound like I'm on anti-Whit!MM copium (I swear I like the theory well enough), but I think he's simply balling up his fist out of stress. It's just that Whit "I don't want to talk about any problems ever and don't want anyone to ever know when I'm suffering" Young is instinctively hiding it so no one sees any sign that he might not be okay.

Does that make sense? Barely? Well, it's not like "emergency elevator shutdown button" is particularly more believable in my eyes, so that's the answer I'm going with for now.

Anyways. Jesus Christ Whit you're barely even relevant to this part how the fuck did you still force me to write so much about you.

Arturo Giles

I have less to write about Arturo than Vero and Whit because he's a bit more straightforward, but I'm still putting him here because he was more directly important this part. Speaking of, what notable things did Arturo do these episodes? Ah, right.

Arturo [2-12]: You shut your whore mouth!

"I thought you were only doing necessary imag-" This one's necessary shut

I'm using this to talk about the big speech about his talent, that he started studying plastic surgery when he was 12 and that it's impressive he's a plastic surgeon this early in his life. Props to dev for addressing this, I know some people are irked when characters are in the medical field from way too early in life without good justification like this. The fact he started so young also adds to the theory that Arturo's home life sucked, because it'd be really odd for a 12 year old to already be planning to leave otherwise.

The way the cast keeps insulting his skill, even though as he's said several times over the course of the series, the shit they expect him to do is way beyond his area of expertise, is a good way to build up to the way the cast also dismisses Ace's intelligence and skills later.

Other than that, there was one more moment when Arturo took part of the spotlight. When Levi gets shot, despite everything that happened earlier, everyone still turns to Arturo to save the Stylist. This leads to one of the most human moments Arturo's given us since 2-10:

Arturo [post Levi shooting, 2-16]: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it--

Apart from the stellar voice acting that cannot be pointed out enough times, Arturo's doubt over Levi's condition is certainly a good setup for CH3, I'm really interested in how he'll handle this. Especially because...

Do you think he'd think of Felicity, looking at Levi like that? Because just like Arturo ignored Felicity's feelings (to an extent) in pursuit of his dream, he also neglected to study the more standard medical knowledge in favor of becoming a plastic surgeon faster, and now he needs that standard medical knowledge to save Levi's life. Food for thought.

Arturo is definitely an interesting character to watch out for moving forward, he's certainly in for a very curious CH3. Final note:

Arturo [to Levi, 2-13]: How could you simply *forget* that you murdered your own family member?

Get it because the death of Felicity haunts him even though he didn't kill her himself- Man I love recap foils.

MonoTV

I cannot fucking believe that this hunk of metal is getting its own section, but it is. 2-16 what an episode you are.

Thankfully, I've already expressed most of my thoughts about this damn thing in this linked post, so I'll just refer you to that one instead of writing it all again. As a summary, there's quite a few lore implications to the fact that we now have a clearly stated purpose for MonoTV, a goal for the killing game, a connection to XF-Ture Tech (because MonoTV seems to have been specifically created for the game), and I'm really wondering why the hell the default XF personality seems to care so much about Teruko and where that could lead to in the future. Also, very curious where the theme of fate will be taken with it, as well as where dev is planning to take the fact that it seems to have feelings of grief and pain and maybe even cares about Teruko??? Or has compassion in general??? What is wrong with this dog-

Rose Lacroix

Btw I greatly appreciate everyone who colors her name rainbow, I see you and you're valid for it. I need to color code my highlighting though, and if I have to do rainbow for every word I highlight I will actually die. Also I would need to put in an epilepsy warning in my posts lol

Rose got a few nice lines, but when it comes to her, there's one big moment that's really on everyone's mind.

Rose [2-14]: Has it really gotten this bad? I think my brain is falling apart. I can't even recall what day it was when that happened. Levi: You can't remember? I was under the impression that your memory was the best out of everyone here. Rose: It's true that I remember everything I see. But that means that most of my memories are meaningless junk. The kind of thing a normal person would forget without a second thought. But I can't forget. My brain won't work the way I want it to. I can't draw associations so easily. Everything reminds me of something meaningless, and I get distracted. And the worst thing is that I remember it all in perfect detail. Xander's body. Min's execution. I can't even look at Teruko without seeing blood. I know I'm supposed to remember everything. I know I'm supposed to be smart. I know I'm supposed to be helpful. Yet I'm not. I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself--

Do I... need to talk about this, beyond pointing out how good the VAing is? Everything about it is heartbreaking, but pretty straightforward. It's an extension of the conversation she and Teruko had in 2-5, where we also throw in Rose's growing self-doubt and self-blame over everything that's going on around her. It adds into the theme of this cast pushing expectations on each other (like wanting Arturo to be a better doctor or Ace being too stupid to do a murder), throws in some parallels to Teruko and Hu and Eden (the self-blame sisters!!! *fire emoji* *fire emoji* *fire emoji*) and Xander (the survivor's guilt boy!!! *fire emoji* *fire emoji* fire emoji*), foils with J (J who rejects what others like Mariabella want from her VS Rose who internalizes the expectations and accepts the whole Spurling situation), there's the "a normal person would forget" wording that kinda connects her to Nico and Levi and David (the "feeling separated from other humans' experience" siblings!!! *fire emoji* *fire emoji* *fire-), obviously memory is connected with Charles and Teruko, etc.

You see why I don't always talk about parallels? I have to bring up every single character up every time because that's the shit that happens when your writing is this *fire emoji* *fire emoji* *fire emoji*.

The other thing is Nico, but maybe it's better to keep that for their section. Overall, just a fantastic feast for enjoyers of Rose angst.

Arei Nageishi

You know this trial went crazy when Arei got a whole ass character arc during it, and she's the dead one.

For this part in particular, the big Arei moment was obviously during 2-13, when we finally got to hear the end of the conversation between her and David. I'm not transcribing it, because I'm sure we all got the gist. Arei figured out one of the main themes of the chapter, that everyone is a flawed person, and that means that no one's ever too far gone. There's always a possibility of becoming a less shitty person, and that's sweet.

But beyond Themes, learning what Arei's mindset about good and bad people was really helps to understand her actions before this point, though I do find it interesting that the whole "sorting people into good and bad" mentality she had is actually pretty similar to the way she talks about people in her FTE, which is some fun consistency!

Arei [CH1 FTE]: Yup, that's right! I organize everyone I meet into categories of how I should bully them.

... Well the context's different but you get the idea.

Arei used this principle of "sorting" people into "good" and "bad" to deny herself the possibility of getting better, because trying to change is scary. Man I wonder why that rings a bell.

Teruko [to Whit, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.

Ah right because Teruko's a well written protagonist. And actually wait, isn't there someone else?

David [2-11]: "People can always change?" What complete bullshit. No one ever changes. People who are born lazy, useless and stupid will stay that way until they die. If you were able to "improve" yourself into a better person, then it only means you were a better person to begin with.

Ah right because David is a well written character. Carry on then.

I do wonder why she waited until night three after the motive handout to talk to David about it, though, instead of doing directly after the playground breakdown. Was it, like, she didn't want to confront it directly after and only got the motivation/courage/whatever after talking to Eden? And then couldn't find David until then? It's odd, but I imagine there's no, like, big reason behind it necessarily.

Eden Tobisa

Hey Eden sorry I suspected you as the killer for a year can we still be friends? :,)

There's two big Eden moments to take into consideration, one in 2-14, one in 2-16.

Eden [2-14]: Why... No one... believes in me... Why? I'm... Arei's killer? No... No way....... Hu: Eden? Please don't cry. Eden: This whole time I've been trying to hold myself together... because Arei died...... I wanted so badly for this all to be a dream, and for Arei to be alive and by my side.... But now, you all think I killer her? Why? I cared about her! Arei is... She could have been my friend! Why would I kill her?? Levi: Eden, please calm down... Eden: Why am I being accused of murdering Arei? I wanted to help her! I just wanted to be friends with her! Why would you say that I killed her? Is it because you think I hated her? That's not true! I didn't hate her! Teruko: Eden.

I'm gonna cut it off there and resume in a bit, partly so I can organize this better and partly to make absolutely sure I don't hit the Tumblr limit on characters in a single text block (because my entire blog is evidently dedicated to testing this hellsite's limits lmao).

There's honestly a surprising amount of nuance in this small breakdown. We start with re-establishing that Eden is someone who constantly tries her hardest to remain strong in the face of adversity, holding herself together as best she can when her newest friend just died and she's more or less blaming herself for it.

Then, while I always praise the voice acting (because it deserves it), I need to bring special attention to the sheer amount of emotion in that "Why? I cared about her!" Hearing Eden genuinely frustrated at the accusations on top of her sadness is heartbreaking, and just a wonderful display of humanity from a character who is at times almost inhumanly patient. Makes me feel bad for suspecting her, and she's fictional in our world!

On top of that, "she could have been my friend" is an interesting choice of words regarding Arei. This is where having hyper-analyzed all Eden lines comes in handy lol. Because taken at face value, it means that Eden recognizes that her relationship with Arei wasn't at a stage where she could genuinely called her a friend, given that as far as we know the last conversation they had was after the Arturo thing. Nice depth!

The rest is pretty standard, though again the phenomenal VAing still makes my heart ache. Continuing:

Eden: Teruko... I didn't kill Arei..... Do you believe me?! Teruko: Listen-- Eden: *sniff* I, I didn't do it! Please.... Believe me... This whole trial has been cruel to me.... Help me, Teruko... I can't stand it... I just wanted to help Arei.... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... I promise I didn't... I didn't kill her.... I'm innocent... Please trust me..... Please.....

AAAAAAAAAAA-

Okay with that basic reaction out of the way, because evidently the reactions didn't have enough "text screaming" for me to fully get it out of my system, this is just a really heart-wrenching scene. Just the combination of VAing, music and visuals, man... ouch. It's especially tragic when taking the following line into account:

Eden [2-3]: Teruko, relationships aren't transactional. It's not that I did something good for you that you should do something good for me.

The Eden hyperfocus comes in clutch again- Is it weird that being an Eden!Culprit believer for so long is making me appreciate her character more now that she's confirmed innocent? :v

Teruko has, up to this point, never outright claimed herself to be Eden's friend, at least not as far as I can recall. Hell, her lines following Eden's plea for help seem to completely disregard the idea.

Teruko [2-14]: So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once.

How much she means that is for the Teruko section. What's important is that this means that when Eden says "you're my friend, aren't you?", she is actively going against her claim that relationships aren't transactional. She expects Teruko to consider herself Eden's friend because Eden has done a lot of stuff to try to make that friendship work.

This. Is. Wonderful. Don't you love it when characters fail to uphold their beliefs when faced with a horribly stressful situation? Well, I love suffering, so I sure do! :D

To be clear, I'm not trying to paint Eden as a hypocrite or anything. She's right in saying that relationships aren't transactional, and is justified in asking Teruko to help her because she considers Teruko her friend, even if it's a slight contradiction. After all, what are humans if not a swirling well of contradictions, desperately arranging themselves like the magnetic moments of a metal to try to make the slightest bit of sense of a reality they hopelessly seek to understand-

Ehem. The point is I like Eden a lot :D

Speaking of wonderfully human moments, time to switch to the other big Eden character moment!

Eden [2-16]: This... This all could have been prevented, couldn't it? [...] Of course I know [we can't blame ourselves for Ace's murder]. Ace planned to kill Arei, and even before that, he was planning to kill me. Rose: Then how can you forgive him? Eden: I never said I forgave him. It's just that... The Ace that I met for the first time wasn't a murderer. I... I can't forgive him. He killed Arei, after all. She was innocent, and he killed her for unfair reasons. But... Those unfair reasons were unfair to him as well.

You know, we joke about how awesome it is that the entirety of the DRDT cast is mentally unstable (because it is), but it's also cool to see the one actually more or less functional member of society in the group being the voice of reason like this. Not to spoil anything, but I find her stance regarding Ace's murder as the most reasonable stance one could have, and it's always cool to see a character who has reasonable opinions every now and then. But having such an opinion is easy when you're outside the show and the characters are all pixels on a screen; the fact that Eden can still find it in herself to be charitable towards Ace's situation while not outright forgiving him for his actions is a really powerful statement about her strength and sense of morality. Eden could not stop catching Ws this part.

Anyways, here's a few more fun Eden moments this part gave us.

Eden [2-15]: Wait, but... Is Ace even capable of doing a feat of strength like that? He's injured, after all.

I just think it's sweet Eden tries to defend Ace even when she's the other prime suspect :)

Levi [2-13]: And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met. Eden: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does?

For all the Eden Ws, she had to take an Eden L. Come on, Eden, Levi doesn't need to actually care to be a good person, he just needs to do good things, you know this :(

It makes sense character-wise, though. Eden has a surprisingly strong belief system, which is heavily shaped by her emotional nature, so it makes sense that Levi's Deal of doing good things with no emotional attachment to them would throw her off.

Still cool of her to accept Levi as a good person even though she just learnt he killed four people, however. It's good characterization; despite her misunderstanding with the lack of empathy thing, she still chooses to judge Levi based on the things she's personally observed, as opposed to making assumptions over things she only has half the story for.

Man, she's just so mature and cool and awesome and not fucked up in any way! Now that the tape thing's been resolved, I can't think of a single thing that would make anyone think that she might be a little-

Ah. Right.

Well, as a first reaction, this is definitely an Eden W in the oh so prevalent... DRDT powerscaling scene? She apparently managed to slash at Xander's eye, twice, with a fork. And with her non-dominant hand no less!

So... what the hell am I even supposed to do with this? Unfortunately, we're currently missing gigantic amounts of critical information regarding this situation, meaning I can't for the life of me come to any conclusions, at least not confidently. I tried to look at the pre-prologue dialogue to see if I could find anything, but...

Ouch... I really wasn't expecting her to attack me like that. I made a massive mistake to trust them. I can't rely on anyone. All by myself... I have to end the killing game. And even if I can't do that... I have to kill Teruko Tawaki. No matter what.

Fuck am I supposed to gather from this.

Uh... someone told Xander that Eden would be down with whatever plan Xander had to end the killing game if he just showed her whatever documents we're seeing in the Bloody Hands scene??? And she got too scared and just stabbed him with a fork??? Who is the "them" who told Xander this, a group of people, or a single person and Xander's playing the pronoun game? Or was it Nico???

Nico [1-9]: Are you really using unclear pronouns for dramatic effect? That's such a cliche.

Fuck it, locking in Nico as the one who told Xander to talk to Eden, just because that's the funniest possible reason Xander could have used "they" there. I doubt it's true, but it's gonna feed my God complex if I get it right, so-

Yeah, in case it isn't obvious, I have very little idea what this scene could even be about. Very excited to see where this could go :D

Nico Hakobyan

Nico stole the show for practically half of 2-14, so it's natural we should start at the main event.

First, the soft confirmation that Nico really did attack Ace with a plan to get away with the murder and escape as the blackened, particularly framing Hu by using her wire. This... vaguely contradicts something they claimed earlier, so we gotta discuss the implications.

Veronika [to Nico, 2-9]: Is this what you were envisioning when you tried to kill Ace? That the trial would happen like this, but with Ace instead of Arei dead? Nico: I didn't... I never thought about it... I... I never should have... done that...

Were they just... lying here? Did they mean something else?

My best guess to explain this apparent contradiction is that Nico thought about the trial in a more... impersonal sense? Like, when planning to kill Ace, they figured they should try to hide that so they didn't go down with him, but sort of... ignored that winning the trial would kill everyone else? It's hard to describe, but that's what I get from that line as well as:

Nico [2-14]: I tried to kill [Ace] because I don't like [him].

When they say they "never thought about the trial," they probably mean that they never thought about the full implications of it, even though they did plan for it. They knew in some level they were supposed to hide the murder if they did it, but things like escaping the killing game and actually getting everyone else killed didn't fully register. This thought process makes sense in my mind, I hope it makes sense in yours because I don't know how to describe it any better :v

Second.

Eden [2-14]: That's- That's so cruel! Nico, why? Aren't we all friends? If something was bothering you, you could have talked it out with someone else you trusted? Nico: ... Someone I trust? What are you talking about? I don't trust anyone here.

Fantastic bit of characterization here. Nico, despite being relatively civil to anyone they're not actively planning to kill, apparently trusts no one. However, I want to explore what exactly that means. Because it's not like Nico is paranoid they're gonna get killed per say:

Hu [2-12]: Nico does have an alibi. I was having breakfast and tea with them in their room early in the morning as well. Drop it, Ace.

I can think of few better opportunities to kill someone than being alone with them, in their room, at around 7:30 AM when it's still officially nighttime. Nico, at least, trusts that Hu won't kill them, though whether that's because they're confident they could survive anything she tries or because they genuinely trust she wouldn't try at all is up in the air.

Point is, Nico is distrustful, but not as paranoid as, say, Ace. Because of that, currently, I believe Nico's claim that they don't trust anyone is an extension of things they've said before; that they prefer animals because people are unpredictable. Really, Nico's lack of trust being interpreted as "not trusting people to react to their concerns properly" is very consistent with the way they've acted in the past, particularly their reaction to getting forced into revealing their secret, so we probably shouldn't be surprised.

Nico [2-6]: I thought you would laugh at me. I was worried you would pick up rocks and start throwing them at me or pick up clumps of mud and start throwing them at me.

Next point:

Nico [2-14]: You all are right. I tried to kill Ace and pin the murder on Hu. What else should I say? Ace: W-- "What else should I say"?? You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?! Nico: ... I tried to kill you because I don't like you. Even now, there's still no use to try and pretend that I like you. If I say "sorry," you're still going to hate me.

... Yeah.

Nico [2-2]: If you're having dinner and want someone to pass the salt, you can say, "Please pass the salt," or you can say, "Give me the salt." One of those things is supposed to be more polite than the other, right? But why? They both mean the same thing. They're just slightly different mixes of words. It's like that. I don't understand why some mixes of words come off as "rude," and some don't, even if they mean the same thing.

I don't even think I need to explain this further. I think it's pretty clear why Nico wouldn't apologize to Ace. Nico's just not to into social conventions.

Except:

Veronika [2-15]: What's wrong, Ace? You seem stressed. [Your neck injuries] are only wounds. What's the issue? Could it be that almost being murdered has traumatized you a little bit~? Ace: You think?! You think that almost being killed could have maybe given me a little trauma!? Nico: ... [Whispered voice clip: "I'm sorry"]

This one's... odd. Nico doesn't say it loud enough for Ace to hear, evidently, so it's just a genuine reaction to the harm they've caused. What could have triggered this change? Uh... maybe a little extra trauma dump will help? Let's pick up after where we left off in 2-14.

Rose [continued]: D-Do you even regret what you did to [Ace]? Do you regret what you were planning to do to everyone else? Nico: O-Of course I regret doing it! I'm not Levi, of course I feel bad about something like that. I'm not heartless! Levi: Heartless? Nico: That was the worst choice I've made in my life. I wish I had never done that. But looking back, I still understand why I did. I... I just can't stand being treated like that. My teachers, my classmates, my father... I don't ever want to relive what they did to me. It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.

Okay cut off there. First, interesting to see Nico calling Levi heartless. I've seen it brought up that it makes sense for Nico, who struggles to relate to other people on a good day, to latch onto any defense of their "normalcy" they can, including "I'm not the weirdest person here" despite how hurtful that can be to say. That's some neurodivergent on neurodivergent hostility right there! Fun to see characters being flawed in new and unique ways /gen.

Apart from that, there's some nice reveals to Nico's backstory, which are always welcome. We already knew Nico was harassed because of their identity, but now we have names (as in, identity of aggressors); teachers, classmates, and Nico's father. That obviously comes with a question; was Nico raised by a single father, or did they have other relatives who were more accepting? For now, we got no clue.

But that final line is important, because I believe it's what explains Nico's whispered apology in 2-15.

Nico [already written]: It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.

Nico's apology comes after Ace explicitly mentions being traumatized over the murder attempt, in particular in regards to his neck wounds. This can be taken as Ace revealing he's not happy with a part of himself (scars) as a result of Nico's actions. When abstracted this way, the comparison to Nico's situation (unhappy with a part of themselves (gender identity) as a result of others' actions) is much clearer. Nico apologizes for accidentally causing Ace a comparable trauma to their own. Which... I think makes sense from their point of view? People apologize when they do something hurtful they didn't mean to; Nico meant to murder Ace, so no apology for that, but they didn't mean the trauma, so they say sorry for it. Not that Ace heard it, but you know.

... That's a weird ass thought process, but I think it makes just enough sense to explain the apology. Let's finish the 2-14 scene.

Nico [continued]: Even so... I'm not a child. I know that murder is wrong. I'm not the victim here. I know that it was dumb to resort to murder. I don't even know what I thought I would have accomplished back then. I mean, I started regretting it as soon as Eden and Teruko saw me. I don't expect you to forgive me. Very few people ever do. So I don't see the point in acting sorry. ... That's the entire truth of my murder attempt. I don't have anything else to say.

So... "I don't even know what I thought I would have accomplished back then" seems to corroborate what I said earlier about Nico not truly grasping the full implications of a trial while they planned the murder, which is nice.

Nico's attitude over this ("I'm not the victim here") is nice to see, and makes me very interested in where their arc is going to go from here. Especially since Nico maturely accepting the blame is already causing friction between them and Hu (even if Hu doesn't seem to notice), and will likely continue to do so in the future.

Hu [2-14]: You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--

... We're gonna have to talk about this in the Hu section.

Finally, "I don't expect you to forgive me. Very few people ever do."

Nico, what the hell does this mean? What have you done in the past that requires so much forgiving? What in the [DR2 CH3 killer]-?

Unfortunately, this is one of those "we're missing critical information" situations when we can't even begin to speculate what, if anything, this is supposed to mean. We'll move on and patiently yet eagerly await elaboration.

There's one more big thing to bring up in respects to Nico, and that's... Rose. For who knows what reason, Nico never gives an explicit answer to whether they actually were interested in learning to paint or not.

Rose [2-14]: Did [Nico] even want to learn to paint? Or to be my friend at all? Or were they only using me as a tool for murder? Nico: ...

Regardless of what the answer is, that's kinda weird. I'm leaning "no, they didn't want to learn to paint," because it sure would be a hell of a coincidence that they just happened to gain an interest in painting just when they're planning a murder that happens to require a painting supply.

That said, Nico does still seem to somewhat care about Rose, and probably would like to be her friend. At least enough to eventually apologize to her out loud.

Rose [2-16]: [Ace]'s right. Only Nico took [the turpentine] from me, and I really doubt they gave it to Ace afterwards. Hu: You're always attacking Nico like this! Nico: It's the truth, though. And Rose is right. I kept it. I still have the turpentine in my room. I'm sorry.

And it's not like anything this chapter erased the FTE:

Nico [FTE]: I was going to thank [Rose] for hanging out with me. I really enjoyed her presence.

So, while I can't know for sure, I hope Nicorose can make a comeback, at least in time for Nico to die so dev can inflict extra psychological pain on Rose! :D

Final highlight:

Nico [to Levi, 2-13]: If you said you killed [your father] because you just didn't like him, I could understand that. But you're saying you forgot about taking a life...

Apart from Nico obviously projecting their own murder motives on other people, do we think Nico ever considered killing their own father? I doubt they actually did, else that would probably be their motive secret (provided it's not a Veronika situation where their secret isn't the worst thing they've done), but I could see them considering it given how they talked about him and Ace in the same breath, and... yeah Nico sure did want to kill Ace alright.

Hu Jing

Hu was quite fascinating this part, wasn't she? For someone that actually ended up having zero relation to the murder, she sure had a lot of important character scenes. Let's start with the confirmation of a particular theory that really helps understand her character better.

Hu [2-13]: I've been quite selfish this whole time, keeping my secret because I didn't want you all to think less of me. Most of all, I wanted to lie to myself and pretend that I had no ties to the person that I used to be. I wanted to believe that the past never happened. But that's just self-centered. I've always been a selfish person, haven't I? I should put those feelings aside and do what is right. No, I should have done this from the start. I will share my secret as long as you all promise to immediately move on. I have Veronika's secret, and she has mine.

Well that's just sad.

I don't think I particularly need to analyze this, it's all pretty explicit. Hu wants to be relied on because she feels useless if she doesn't provide guidance:

Hu [2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore.

And if it comes out that she's attempted suicide, then in her eyes, that makes her less reliable.

(Obvious disclaimer is obvious, the character's views don't reflect my own, there's no shame in having attempted suicide or needing help to keep fighting it, etc.)

As a result, she dislikes the memory of that "hopeless child" who attempted three times, and wishes to avoid talking about it if possible. Metamorphosis (butterfly) and rebirth (water by her name being "still lake") symbolism pulling through.

Also, while there's many reasons someone could attempt suicide, that little "I've always been a selfish person, haven't I?", especially combined with other statements she's made in the past, heavily implies her attempts were a result of self-loathing :( . Thus why she so desperately seeks value in herself by helping others, which is sorta crumbling as everyone she put her faith on (David, Nico especially) starts to reveal themselves as not-that-great-people.

Hence why I'm worried we might see a fourth attempt in the killing game. Her secret quote seems to go against the idea, which combined with some of her statements in the series proper make me doubt it, but y'know... The precedent's there.

Anyways, I'm bringing this up first because, again, it helps understand her other actions this chapter.

Hu [to David, 2-12]: Unacceptable! What on earth [sic] is your problem? I have had it up to here with you! Because this killing game requires us to live, you think you should just reject that notion and kill us all? You lied to me, manipulated everyone, and tried to make us all commit mass suicide! You really are the lowest of human beings. You have no right to decide whether I, whether any of us, live or die, all because *you* feel like you have no chance! If you're so bent on dying here, then die! But don't you dare try and make everyone else die with you. If we decide to continue living, then we will. It is not and never will be your decision as to what happens with our lives. David: ... Rose: Wow. Hu can be scary. Hu: ... I'm sorry to everyone else. But I've lost my patience. I won't apologize to David.

(Obligatory props to VAing ofc)

I mean, yeah, it makes sense for someone who used to be suicidal to be mad at David's bullshit. Especially considering that, in regards to "you lied to me, manipulated everyone here," the line I mentioned before about providing guidance continues like this:

Hu [to David, continued from before, 2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore. You knew how I felt, and yet you... You... You toyed with my heart! All that time you acted like you were encouraging us to reveal our secrets to "prevent conflict." That was all a lie!

Assuming the whole "You toyed with my heart!" thing isn't referring to a conversation we don't have information on (which, to be clear, is 100% possible), it's possible that at this point in the trial Hu felt bad for going along with David's plan, especially since she might have believed it directly led to Arei's death. I think it's worth noting that she's one of the two first person to speak after Ace confesses, and she asks if he did it because of the motive.

Ace [2-15]: I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. Eden: Why? Why did you kill her? Why would you do such a horrible thing? Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your "secret" hidden--

Which could be read as her trying to confirm whether or not going along with David's plan was a good or bad idea, maybe?

Admittedly, "going along with David's plan" in her case literally just means "she told David, Nico and Teruko that people used to call her Julia," which you could argue is too small for her to genuinely feel like she contributed, but keep in mind the "you toyed with my heart" line is directly before a line referencing the "reveal the secrets" plan. At the very least, she didn't go against it, not in a significant way anyways.

If I'm right to be reading these lines the way I'm reading them (which, again to be clear, might be wrong), then David purposefully used Hu's desire to help and be relied on to get her to agree with his plan, or at least not go against it, or at least Hu feels he did. Whether he intentionally targeted her, or if his methods to convince the others to convince the cast of revealing their secrets just happened to strike a cord (zither pun not intended) with Hu, is still unclear, but both are possible.

So she's already incredibly pissed at him for that, then he says he wants everyone dead, yeah my girl's got the right to go off.

Though, speaking of Hu blaming herself for what happened to an extent:

Hu [2-16]: Arei wasn't killed because of an accident. Bad luck or not, Ace had made up his mind to go through with this murder! So we can't possibly blame ourselves for failing to prevent something like that.

This is after Ace confirms that the motive and David's BS had nothing to do with the murder, so Hu can fully deny blame for what happened. Which is relatively fair, it's not like being mean to someone makes you guilty if they then choose to kill someone, but it's also presumably really important for her mental stability.

Did any of that make absolutely any sense? Maybe. Hopefully.

And that's just all the Hu-only stuff. Because a big part of her character this chapter was defending Nico far beyond what anyone could possibly see as reasonable. I'll bring back the example I gave before, because I think it's by far the most extreme.

Nico [2-14]: Someone I trust? What are you talking about? I don't trust anyone here. Hu: Stop! Just stop it! You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--

Like, this goes beyond unreasonable. Nico literally says they don't trust anyone in the killing game, but Hu still thinks they trust her for... some reason. And even though Nico says they never asked her to defend them, Hu continues doing it past this point.

The thing is, though... why? Like, I get the basics here, it's what we talked about earlier. Hu only finds worth in herself by being reliable, and she sees Nico as someone who needs her reliability, so she tries to defend them no matter what. Hell, she even specifically says "I can be reliable for you" in the quote.

But... is there a reason she's so adamant towards them in particular? She doesn't get like this when Eden starts being accused, even though they have a good relationship with each other. Apart from reciting Rule 10 when it first comes up, once that gets thrown into question, the only thing Hu says when Levi and Arturo talk about Eden possibly being the killer is:

Hu [2-14]: Eden? Please don't cry.

She never pushes back against David's claim that he saw the corpse, even though that would practically exonerate Eden via BDA; that's Nico who does that. And Hu never claims Eden is being traumatized by being accused even though she clearly takes the accusations a lot worse than Nico was taking them in 2-14.

So, like, what the hell? Is there a deeper reason she's so defensive towards Nico and not Eden, or am I just going insane?

Well, at this point, if such a deeper reason exists, I have no clue what it could be. I could speculate about Nico reminding her of someone in the past, be it herself or someone else, or maybe Hu just sees Eden as less "in need" because she's generally more stable and happier than Nico, but really, I have no way of knowing.

The thing I can talk about in regards to the Hu-Nico thing is its parallels to Veronika-Arturo and Levi-Ace.

Veronika-Arturo is funny because, well.

Veronika [2-10]: Arturo, you're... You're so... Fascinating. You're really entertaining. So I'll take your side. I don't care about morals. I don't care about whether people get hurt or whether they die. I just need to be entertained. If you become more and more irredeemable, then I'll only love you more~ I want to hear all about those terrible things you did with no justification. Arturo: For someone who's taking my side, you sure are making me look a lot worse!

I really love how a big part of the Vero-Hu recap foil so far can be reduced to the "I can fix them" vs "I can make him worse" meme :p There are their secrets as well, but that analysis will have to wait for further elaboration on them, presumably in CH3.

Meanwhile, Levi-Ace... will have to wait for the Levi section, because this is already getting quite long for Hu, and it requires a bit more context on his character.

Miscellaneous highlights!

Hu [2-14]: Hang on! Eden isn't the killer! Don't accuse her! Charles: Not this again. You can't keep blindly defending the people you hope to be innocent if you don't have evidence, Hu.

Hu: I do have evidence! Why are you writing me off? All because I-- ... *sigh* Rule 10...

Damn she really gets defensive when you question her reliability huh?

Well, moving on. That was a pretty long section, hopefully the next one will be easier to write.

...

Oh. Oh no.

David Chiem

YOU

WHAT THE FUCK IS WRONG WITH YOU?!

Genuinely what is this motherfucker's problem? Everything he does seems to contradict something he did before, for reasons unknown. The only way I can even begin to try to analyze this son of a bitch is to go through everything he does in the series in chronological order, because trying to figure out his thought process in any other way would drive me in circles harder than anything in LGI ever did.

The first thing David truly does that informs us on his later actions is forming a genuine and positive relationship with Xander. In case the LGI MV didn't make it clear that David genuinely cared about the Rebel, we finally got near 100% confirmation of why exactly David liked him so much.

David [2-12]: You, and everyone else listening. I do so kindly request that pretty please stop talking about Xander at all if you don't know what the fuck you're talking about. It pisses me off to no end. After all, it's still unbelievable to me... ...That I'm the only person here who remembered him. Even if you all lost a year of memories for this killing game, there's no reason you shouldn't have recognized who he was.

While we unfortunately don't get much more clarification, it seems David knew what Xander did to earn the title of Ultimate Rebel, and likely admired him as a result. As per Xander's numeral I in LGI, "I have always looked up to you."

This admiration is presumably why David was so adamant in the first trial that there was no way Xander really tried to murder Teruko.

David [Debate Scrum, 1-8]: Are you saying that Xander is a killer? I find that difficult to believe.

You might argue that maybe he was just trying to throw the first trial, the same way he tried to throw the second. But that's not possible.

This is where we get to Weird Point #1. David didn't want to lose the first trial.

Nico [1-11]: Ah, right. Min was going from the laundry room to the kitchen. That path crosses the computer lab. She would have seen Teruko's body if the door was open. Min: ... Ace: And why exactly would the fucking door be open? Nico: U-Um... David: I suppose Min may have arrived near the computer lab's entrance just as Charles left. If she was curious, she would have even gone out of her way to see what was happening in there.

If David was trying to throw, he wouldn't be the first to explain how it would be possible for Min to be involved in the murder. And this is only one example, there's other lines where he specifically suspects Min. Apparently, he simply cannot handle a bad bitch winning (committing murder and trying to sacrifice 14 lives for her own benefit).

However, something in David shifts upon seeing Min's execution.

David [1-12]: I... I've seen enough. There's no point in keeping my hopes up anymore. We are all certainly going to die here.

This line is said pretty somberly.

Which is weird. Because not four days later, David will be trying to throw a class trial, which will kill everyone and him. Interesting detail about that, David doesn't seem to believe that the blackened will escape if they actually voted wrong, based on this line.

David [2-12]: 15 lives. Some of them are very dear to you. And your own life as well. Is there anything at all that could be more important to you than those 16 human lives?

Where he seems to imply a wrongful vote will cause 16 deaths.

But the thing is, it's not just the trial, is it? David also tried to instigate a murder through his "reveal all motive secrets" idea. That's what he does during the majority of CH2, starting in 2-4, just two days after Min's execution. Now, it's fully possible that at this point, he wasn't yet planning to throw the next trial, but rather, he was just doing this to hide his own secret. He certainly considers losing his "speaker persona" a genuine sacrifice, so it isn't unbelievable that he'd hope for a murder even if he was planning to win the trial if it happened.

David [2-12]: Even so... Lying about all that wasn't easy. Even I like to have good relations with others, however fake they might be. And I had to throw that all away. I know that no one will ever trust me, believe in me, or look up to me again after this. But doing "good" things requires sacrifice. Sometimes that sacrifice is being seen as "a good person." That's what I learned from Xander. Even if doing something will make you hated, if that action is for a greater good, then it's an action that you have to take.

(By the way, his views of goodness as martyrdom are quite interesting and I'm curious to see where it will go, but currently we don't have much more than this line for insight on it)

However, I don't quite think that he just wanted to keep the others' goodwill; I think he was already hoping to throw from the moment he started instigating the murder. And this is where we need to ask; what was it that made David switch up? What happened between the first trial and the second that made his goals change from surviving to... whatever he's cooking now? Because in case it wasn't clear from how I'm talking about it, I don't believe David gave the real reason for his throwing to the class. Let's look at the "confession."

David [2-12]: Ugh, fucking fine. You want an answer so badly? Any answer? ... I...

Ah... We're... in a television show, after all. That's... what MonoTV said, right? "Entertainment" is an ongoing show. If Min successfully got away with the very first murder and escaped while we all died, then isn't that way less interesting for a TV show? What's the point of roping 14 other people into one murder, only to kill them all off immediately? The killer is supposed to fail and be executed. We're all supposed to catch the killer, again and again, and participate in trial after trial. You're *supposed* to try to survive. All of you who are trying to solve these class trials to continue living on are playing straight into MonoTV's hands. [Confident] As if I'll accept that. I don't care how low I'll sink, or how despicable I'll have to become. I'll do anything to carry on Xander's ideals by ending this killing game, even if it means that I have to dirty my hands.

Although I wrote it all out, I want you to focus on the start: ".... - I... - Ah... We're... in a television show, after all." Even beyond the meta argument that it's unlikely we'd actually get the answer to why Xander wanted to win the class trial this early in the series (which is a valid argument, but I prefer to theorize without meta reasoning), that hesitation should tell you everything. The way it's written, it makes it seem like David is hesitating because he's making everything up on the spot, up to the "Ah..." potentially being the exact moment David figured out what angle he wanted to take. Given he's already admitted to both being manipulative and wanting to get everyone killed, this is the only reason I can see for why he'd hesitate to give such a relatively simple and "reasonable" (as in, it logically follows even if it's still insane) answer.

So, now we have two questions. What does he actually want to achieve by throwing, and why did he only start pursuing it after the first trial ended?

Well, let me say first that I don't think we're supposed to be able to answer these questions yet. Obviously; we're dealing with shit very closely connected to some pretty large, overarching mysteries of the series, which we probably won't get full answers for until much later than CH2. But we can try to speculate the general direction of what the answer will be. Let's look at another one of his lines to try to do just that.

David [2-13]: Achoo! Ah--Bless me! Also, excuse me! Wow, thank you for your support, everyone!

(I only included that line because it's fucking hilarious and I didn't want that to go unappreciated :p)

I have another interruption~ Hu: ... David: Teruko. Own up your [sic] goddamn secret already. You are the last person to do so. [...] Teruko: ... My family. David: ...

So, just like everyone who is somewhat deep in the DRDT theorizing community, I don't think this is true. I am pretty sure David has Teruko's secret, that secret being "How could I even select what secret to be your motive? Just about everything you've done in your life is worth killing for. The killing game is all your fault." There's many reasons beyond the weird ass David sprite pictured above, which many have already covered, but as a quick overview: the family secret ("you're constantly blaming yourself for the death of your parents and siblings. It doesn't matter that it's not your fault, just that you didn't go with them") fits Xander better (see: Bonus Episode 2, Xander's secret quote being the definition of survivor's guilt), the family secret mentions "siblings" plural when Teruko's only claimed to have one brother, we don't know what happened to Teruko's parents and brother when we know Xander's family is dead, Teruko didn't believe David when he said he got Xander's secret so she probably suspects the killing game one is hers, "this killing game is all your fault" is consistent with the second anniversary art code ("It's all your fault" in a picture which only features Teruko reaching out to presumably-Mai's hands, which disappear), etc.

So now we have four questions, because evidently I'm quite bad at this. Apart from the two mentioned before, we need to ask why David lied about the secret he received, and why he was happy when Teruko answered with the family thing.

But sometimes, one question can answer others. The reason I'm bringing this up is because I believe David's heel turn was likely motivated in some way by receiving Teruko's secret. Take a look at his immediate reaction when the secrets are first handed out.

Pretty frowny, huh? Yeah understandable given the secret he received is "hey the killing game is all the girl that Xander tried to kill's fault." Unfortunately this is the only reaction David has to any of the secrets, as the rest of his dialogue after this is just explaining J's secret. Well, and this:

Eden [2-1]: Then let's end the killing game before [the motive secret reveal]! Nico: Eh?! David: Optimistic as ever, Eden. I'll do my best.

Which is kinda funny in retrospect. Yeah, he sure did do his best to end the killing game before the secret reveals.

Tangent aside, the important thing is that David wasn't necessarily surprised by Teruko's secret, but rather, uh... Well it's hard to read him on expression alone. Frustrated, maybe? Possibly mad that Xander didn't succeed in killing her? It's also worth noting that this is shortly before Teruko goes into her whole "I don't plan on leaving" shtick, which includes the following tidbit (and yes David is in the room to hear this).

Teruko [2-1]: And I'd recommend that you drop that foolish optimism for making it out of here alive. With 100% confidence, I can say that... You will all die down here without ever seeing the outside world again. Ace: This bitch is totally out of her mind. Teruko: I'm not saying this out of ill-will. It's simply how this story works. You all have the misfortune of being "characters" in a story where I'm the "protagonist." Because of that, you're all doomed.

What's so important about this? Because I believe that, in David's mind, this proves Xander right. It proves that there is something off about Teruko, that he probably did have a good reason to attack her, that the note he received wasn't complete bullshit. If there is any single thing that would get David to follow Xander's footsteps, regardless of whether he has the full story or he's just doing what Xander was trying to do even without knowing the reasons the Rebel made the moves he made, it would be getting confirmation that the person he tried to kill specifically has something suspicious going on.

Especially because David does, in fact, seem to have a very weird fixation on Teruko.

David [2-14]: As long as there's a possibility that the evidence is false, as long as there's even the slightest reason to distrust others, then Teruko cannot trust Eden. Isn't that right, Teruko? Teruko: ... David: It's in your nature to distrust people. Everyone you know has already betrayed you. There's no one in this world who won't hurt you. Even the people you love will turn their backs on you in the end. You know that well enough, don't you? So distrust in others. Because that's the only way you know how to live. Teruko: ...

(Obligatory props to VAing ofc)

... Alright so it's five questions. Because how does he know all that?

Let me knock that one out quickly, though. Right now, I don't think this is solid enough reason to suspect that David knows more about Teruko than he's letting on. I could be wrong about that and David could just be aware of her entire backstory, but I currently don't believe that.

Instead, I think this might actually be an extension of his talent, in a way. The joke that he gave Teruko a "demotivational speech" is funny, but I also think it's actually on the right track. David knows the right things to say to someone to inspire them, to push back against their insecurities, as he did with Arei in the playground breakdown. Thus, it logically follows that if he's able to identify emotional weakness to push against it, he would also be able to exploit it.

Or, try, at least. He actually fails pretty spectacularly, since Teruko ends up trusting Eden anyways, and I don't think there were any reverse psychology 5D chess moves on David's part given his immediate reaction to Teruko's 2-14 speech to Eden.

Like, that's the face of a man who tried to be slick and failed miserably.

(And in case it isn't clear, I don't think his lie of seeing the body had anything to do with the trial, he did it just to fuck with Teruko)

In any case, what happened here is that he figured out the (relatively obvious, it doesn't take an Ultimate to see this) trust issues that plague Teruko, and is trying to make them worse in order to... uh... fill in the blank I guess. One option I've considered is that he knows something about how her luck works, that it hurts people she likes, so if she doesn't trust anyone then her luck's effects will be concentrated entirely on Teruko. However, that requires a pretty deep understanding of something he shouldn't have that much info on, so I don't find it that likely. Also I'm not 100% sure if this is how her luck actually works so there's that.

Yeah, unfortunately, at this point I struggle to see exactly what David's angle is here, which is probably intentional given, again, CH2. However, it does somewhat tie back into what we were talking about. Along with everything else I've mentioned, this fixation on Teruko's trust makes me believe that David's heel turn is at least partially motivated by receiving her secret.

And if we once again combine questions 3, 4 and 5, we can actually arrive at a new conclusion. We know David's hiding Teruko's secret, we know he's happy that she's not calling him out on it, and we know that he has a vested interest in getting her to distrust others. With all these combined, I believe that David is trying to look for a way to manipulate Teruko specifically as a backup plan if the cast managed to win the trial, which they did.

By getting her to distrust others, she'd isolate, making her an easier target for manipulation as she wouldn't have anyone to fall back on if David starts getting to her. And the secret is good blackmail, pretty straightforward why he he hasn't revealed it yet. That's also why he's happy she helped him keep it hidden; he can pull it as a card to make her seem less trustworthy and isolate her further. "She lied about her secret, she was trying to hide it." If she had been honest and said that neither the family nor the poison secret fit her and that someone lied about their secret, it would make her look comparatively better once the secret came out. In other words, it makes the blackmail even better, especially because now David knows for a fact that she wants to keep it hidden.

That brings up to question 6: why does David want to manipulate Teruko in the first place? And this is where we finally reach a dead end, because again, CH2, we're not gonna get all the answers yet. I have less than zero idea what David will try to manipulate Teruko into doing, when he will make his move, what his end goal is, or any other question you can imagine. I have my doubts that he'll succeed, obviously, but of course that depends a lot on what his final angle ends up being.

So, let's recap.

David knew of Xander before the killing game, admiring him because of his work as the Ultimate Rebel. As a result, David tried to establish a good relationship with Xander once the killing game started.

David originally rejected the idea of Xander attacking Teruko out of denial and nothing else. He had genuine faith his friend wouldn't do that. David wanted to catch the correct blackened in the first trial.

Upon receiving Teruko's secret and hearing her speech about everyone dying as a result of misfortune, David begins to believe Xander was in the right, and chooses to pursue what he thinks Xander was trying to accomplish. This includes trying to instigate a murder and admitting to killing Arei.

David lied about his motivation to throw the trial. I don't know if he's specifically trying to kill Teruko, or if he thinks everyone in the cast needs to die for some reason, or if he genuinely has no idea what Xander was trying to do and he's just following his actions blindly, or if it's something else entirely; whatever motivation he actually has, it's not what he said.

As a backup plan if the cast manages to win the trial, he hides Teruko's secret and plans to manipulate her via blackmail, for reasons yet unknown. This is why he's happy that she also keeps it hidden, and why he tries to build her distrust in others.

And that's the basics of what I believe regarding his actions... related to throwing the trial and Teruko. We still have one more David Moment TM to deal with.

David [about the Arei conversation, 2-13]: ... Nothing. Absolutely nothing. I didn't say anything to her, and she didn't have much to say to me either. Arei simply got annoyed with me and left without saying anything else. Nothing else happened between us, I promise. Eden: You promise? You absolutely promise, you didn't say anything to her? David: One hundred and one percent, I promise. Ace overheard everything, and what he told you all was the entire truth. Does that satisfy you? Eden: ... That's... a relief. That you didn't make her feel bad, I guess.

So, question 7, why does he hide the truth from Eden? I doubt he suddenly gained an interest in progressing the trial without further interruption. He's also not doing this for Eden's sake; what Eden wanted to hear was that Arei walked out of that conversation still hoping to change for the better, which she did. Hearing that Arei still wanted to "be less shitty together" even after knowing David's a manipulative asshole would have made Eden very happy.

But David doesn't want to hurt Eden, either. If he did, he'd lie and tell Eden that he said something that made Arei run out crying and having lost all hope, or something. I also can't really think of anyone else who would have much of a reaction either way, since as bad as it sounds to say it, Eden's more or less the only person who was genuinely invested in Arei's progress. Maybe "the blackened," but if David doesn't know who the blackened is, there's no way he'd know how they'd react, so it's likely not because of that.

So, if David doesn't hide the truth for the sake of the trial, and he doesn't lie because of Eden, and he doesn't lie because of anyone else, then he's lying for his own sake. I believe that David is trying to hide how much he genuinely cared about Arei, and probably doesn't trust himself to be able to tell the story without giving the game away.

And to be clear, he did genuinely care about Arei. If his immediate reaction to her death doesn't convince you, his breakdown after hearing the Arturo-Eden-Arei story should.

David [2-8]: Of course. Of course this would happen.

David [2-10]: If Eden and Arei really had that conversation, then it explains a lot. I had my doubts. A clearly suspicious note, asking her to meet alone and with no explanation as to why. During a *killing game* of all times. What kind of person would fall for such an obvious trap? You'd have to be shortsighted, naive, foolish, senseless, downright idiotic. ... Unless, of course, you were Arei. That girl wanted desperately to prove herself as a "friend" to Eden. And yet she completely lacked any experience with what "friends" were actually like. Of course it never occurred to her that handing out suspicious notes was not something that normal people did. What could she know about "friendship," after all? Someone like her, who had not once experienced kindness in her entire life up until now? Even if she had her misgivings about something so suspicious, she must have pushed it aside due to her unwavering faith in her blossoming friendship. A friendship that she didn't understand in the slightest. It's... It's so... Ahaha. It's just so foolish. For someone to take advantage of Arei like that. It's absolutely unforgivable. All she wanted was to change. What a reprehensible person this killer is. I look forward to seeing their painful execution.

(Do you think all this talk about "suspicious notes" is making him think of Xander with the suspicious note he received? Don't know, maybe :p)

Between David hiding the end of the conversation and the whole "Arei was a temporary weather spell" line, it seems he's really committing to the role of someone who doesn't care about Arei.

There are many reasons he could be doing this, but I believe he's just pulling a Teruko: Showing no vulnerability, because if he did, then maybe people would actually try to reach out to him. And then they'd get hurt like Xander and Arei; quote one of the Hamlet quotes in LGI (one of the eight lol): "I did love you once. You shouldn't have believed me." And/or David would need to confront how awful he is to try to change and better these new relationships.

Because it's a lot easier to be an irredeemable asshole who will never get better, than to confront the reality that he can, just that it's hard. Cue parallels with Arei and Teruko and Ace and you get the idea.

Final note, completely unrelated.

Whit [2-12]: Hey, hey, you could say those fish were a... red herring? David: Ugh! Goddamn it, Whit, does everything you say have to be made into some shitty dumb joke?! You're actually really fucking annoying! Shut the fuck up!!

Question 8: Why is David so pressed about Whit's jokes? At the moment, my only guess is that Whit's attitude of always remaining positive enough to crack jokes reminds David a bit too much of his "cheery" persona, which also is supposed to always remain optimistic in the face of adversity, and David either hates that because he hates himself, or because he's envious that Whit can hold that optimism without trouble (as far as David can see). I lean on it being a combination, where he does hate his "cheery" persona, but also wishes he could genuinely be like that, but it's very hard to tell atm.

Alright that took way too long. Can't wait for this all to be proven horribly wrong the next time we get any solid info on David!!!

Levi Fontana

Hey Levi sorry for calling you an accomplice for like a year are we still cool? :,D

Although Levi had a lower amount of Big Moments than David, I consider them more impactful to the chapter. And when you're talking Levi, you're talking 2-13 and 2-16. Let's start with the former.

Levi [2-13]: The secret that Arei received, "You're a murderer, and you hold no remorse...." That's my secret. [Cast reactions] If you were wondering, it's not in my legal records. The court struck it from the records. Ace: No shit! There's no way Hope's Peak would have scouted a murderer! Levi: Don't make the mistake of switching cause and effect.

Let's take our time with this one, it's a long speech. First, nice to see we called this secret, it's nice. Also, I'm not the first to point this out, but it's a neat bit of characterization for Levi to first talk about the legal side of his secret instead of anything more related to emotions; he only really cares about the effects things have in the present (that'll become explicit in a bit), so the first concern he thinks of are the legal repercussions.

Then, Hope's Peak... Hope's Peak why are you this shady. Between Rose's situation, the Ultimate Contest for Eminent Students, and now this, it's now three times they've specifically targeted people in vulnerable positions. Four if you count Teruko, but that would imply they rigged the lottery for the Lucky Student, which I would believe but we currently don't have evidence for. No wonder Xander has issues with them, they're cooking something weird.

Rose [1-4]: I'm sure Hope's Peak wants me to become some sort of appraiser or forgery detective with the skills that I have. Taking some offending youth and turning them into a productive member of society would be a pretty good look for them.

Unnamed Classmate [BE1]: Why would Hope's Peak announce [the UCES] 12 years before it would actually take place, when all the would-be contestants are just children? Min: Because they wanted the contest to hang over the heads of kids like me for 12 years, from childhood all the way into high school. They wanted to single out those who were obsessive enough to spend their entire lives preparing for this one test from childhood.

Unnamed Classmate [BE2]: If you set out to do something, then never give up on that, no matter what obstacles may stand in your way. Even if it's risky or against the rules, as long as it's for a good cause... I'll trust that you know to do the right thing. Xander: Yeah. Of course. That's why I've come to Hope's Peak, isn't it?

We currently have no clue where this is going, but I'm noting it for further reference. Let's pick off from where we left.

Charles [continued]: Care to explain yourself? Levi: At the time, I was confronted by three guys who tried to start a fight with me. I believe they were some old enemies. I killed their leader first, which may have been justifiable as self-defense, but then I tracked down his two remaining friends several days later and beat them to death. J: "Old enemies?" "Leader"?? Were you in the freakin' mafia or something? Levi: No. J: ... Levi: ... J: Are you not going to elaborate?? Levi: I don't particularly think I need to elaborate. After all, that happened in the past and has nothing to do with Arei.

One question this speech leaves us with is "why did Levi track down the other two after killing the leader?" We don't have enough info to tell for sure, but I assume it's a matter of safety? Like, Levi thought those two would try to attack him again if he left them alone, so he needed to make sure that didn't happen. I think that makes enough sense for me not to lose sleep at night over it, but of course I'm open to being wrong.

Also, this is the point where Levi's pure pragmatism becomes apparent. "It's not important right now, so why would I elaborate?" A philosophy which is born from his lack of empathy which will be discussed later. This pragmatism is probably why he's the one to argue that Eden was in an advantageous position to kill Arei; the logistics of murder come before emotional aspects in his mind, which is understandable.

Eden [continued]: Who... Who did you even kill? Levi: They were three guys... a few years older than me... Uh... I don't remember their names or who they were.

Do we think Levi knew their names at one point and forgot, or did he somehow track down two people without learning their names? I find the former more likely, just wanted to point that out.

Levi [continued]: I was a bit of a delinquent when I was younger, so they could have held a grudge against me for any reason. Maybe I smashed their windows and robbed them? Or, wait, maybe something to do with that car I blew up once? Rose: That's... kind of a lot to admit all of a sudden.

One thing I always enjoy is when the character who reacts to cut off a monologue has some kind of connection to the thing being discussed. Like, of course Rose is surprised at everything Levi is saying. She's out here being haunted by the crimes she committed, to the point where the debt she put her family in is her motive secret, and then this other guy has broken All the Laws and is just admitting it openly lol.

Levi [continued]: I've forgotten most of the details, as I haven't though much about it since I was cleared of my charges. Sorry, I can't really remember why that happened. Arturo: How could you forget something so important? You can't even be bothered to remember their names? Did you not care that you killed three people?

Speaking of matching reactions to character, Arturo "I feel unending guilt over the death of my sister who I did not even directly kill" Giles cannot conceive how someone else isn't haunted by the lives he took, more recap foiling at eleven.

Veronika [continued]: You say that your backstory and secret aren't relevant to this trial, but they are. That second part of your secret, that you "felt no remorse" for killing people... If you don't care about murder, then you'd have a much easier time killing than anyone else here. You may even be unbothered by the fact that passing the trial would mean everyone else's execution. After all, you seem completely detached while admitting not only to murdering 3 people, but to several other crimes as well. Almost as if you didn't care about any of this. At least not from a moral standpoint, that is. Levi: I won't deny it. That is indeed how I feel. Ace: You are one sick bastard. What could you possibly say in your defense.

This is the first big hint of Levi's low to non-existent empathy, but I'll wait until it's fully elaborated on to discuss it in depth. Also this hints to Ace business that will be discussed in his section. Why am I even writing here.

Levi [continued]: That incident happened when I was in my junior year of high school. My junior year was also the year that Hope's Peak scouted me as the Ultimate Personal Stylist. To my understanding, it would have reflected poorly on Hope's Peak to recruit a murderer, so they pressured the court into not pressing charges.

I do wonder now why Levi even started styling in the first place. By his own admission he's pretty new to it, though he's got at least a year or two of experience if he was scouted in junior year (I think? USA why can't you fucking number your grades like sensible people I don't know what "junior" means without firefoxing that shit). Maybe a job he picked up after disownment? Though that heavily depends on when and why he got disowned in the first place; was it because of his father's murder, the murder of the three dudes and the court case just took a while, or was it something else? Questions to mull over, but can't answer without further info.

Levi [continued]: Err... Hang on. Now that I've thought about it a little more, my motive secret may not be referring to those guys. It could also be referring to the time I murdered my father. J: Wait, you-- YOU WHAT?! Levi: It's quite difficult yo tell what these motive secrets truly mean because they're all phrased so vaguely... It's a bit of a bother. J: No, fuck that noise! Go back! The hell you mean, you fucking killed your dad? Levi: Correct. I simply forgot about it up until now. That would make four people in total that I've killed, not three, I think...? Arturo: How could you simply *forget* that you murdered your own family member? Nico: If you said you killed him because you just didn't like him, I could understand that. But you're saying you forgot about taking a life... Levi: It wasn't that important. Not even the police cared about a man like him, so nothing came out of it. I truly just forgot.

(why is everyone blue you're fucking up my color schemes-)

Back to the whole "appropriate reactors" thing, while I've already mentioned the Nico thing, I think it's cool J (the anti-murder spokesperson with a bad relationship with her mother) specifically says 'dad,' while Arturo generalizes to 'family member.' Someone's being reminded of his past~

I find this admission pretty funny for a few reasons, and very interesting for many others. Funny because my guy is complaining about the vagueness of the motives while admitting he killed his dad and not elaborating in the slightest. Interesting because... why did that happen? Levi doesn't respond to Nico's comment, so it seems like he didn't particularly dislike his father or anything? Especially in the context of the way he's talked about his family in the past.

Levi [responding to Eden, 2-1]: No, not at all. It's for the best that neither I nor my family see each other ever again. Eden: Eh? If you don't mind me asking, why? Levi: Why? My father, my mother, my brothers... We were all bad influences on each other. That's all that needs to be said.

I mean, Levi's father probably wasn't a shining beacon of hope or anything, given the police didn't even investigate his death, but like... lumping him in with the mother and the brothers, and just saying they were "bad influences" instead of, like, genuinely shitty people, it all makes it sound like there's no specific grudge against the father. Which makes sense, right? Even his father would feel like a stranger, as Levi will describe later. I really wish we get some elaboration on this, because I'm pretty curious about what kind of situation would lead Levi to this. I did try to check what's caused Levi to snap before, see if I could figure out what could have prompted it:

Ace [1-9]: What's the damn point of this whole trial if we're going to make choices based on dumb crap like that?? You useless shit-for-brains! Are you even taking any of this seriously?! Whit: Huh? Am I taking this seriously? Nah, not really. Ace: YOU--! Levi: Ace, calm down. You are not helping at all with this argument-- Ace: You shut your damn trap too, Levi!! I'm done with you trying to play the moral high ground by pretending to be some peacemaker! "Oh dear, oh my, calm down, everyone. Let's not fight, alright? Aren't I such a level-minded pacifist?" Stay the hell out of this if you know what's good for you. Levi: ... Ace: That's right. Shut your damn mouth, you coward-- Levi: Fuck. Off. Ace. How far do you want to push it? Do you think that I don't have a limit to my patience? I would gladly strangle you right here and now to shut you up if I were allowed. But if you're the coward I know you to be, then you should back up before you dig your own grave. So shut. Your mouth. Before I shut it for you.

Uh... Personal attacks against Levi? Yeah I have no idea what the hell his father could have done to prompt the murder. As usual, we're missing too much critical information to make a call on it. I'm gonna wager a guess that Levi didn't plan the murder, but rather it was an in the moment decision, but again I have no actual way to be sure.

Levi [continued]: Frankly speaking, I see no reason to remain hung up over some incident that is long past, especially as it ultimately had no impact on my life. Eden: You forgot about all of the things you did simply because you didn't face any consequences? That's incredibly selfish! Shouldn't you feel even a little bit bad? Those were human lives you took! I don't know what happened within your own family, so I can't pretend to understand why you killed. But even then, I'm sure those other people had families and friends who cried over their deaths!

Again the responders; remember how Eden feels guilty over both Min and Arei's death even though she never "faced any consequences" for them (mainly because she didn't actually do anything wrong but you get the idea)? Yeah that.

Levi [continued]: *sigh* I wonder if I should really tell you the truth, or if it's best to keep it to myself. I don't know how you all will see me after this. Teruko: You've already admitted to murdering 4 people. If you insist on not being completely honest with a secret this bad, then you're going to be the next one on the chopping block. Out with it.

Considering the stuff he says later, it's interesting to me that Levi seems to be more worried about revealing his lack of empathy than admitting to murder, especially with the knowledge that he's only doing this because he thinks being honest will make him "a good person."

However, I think it makes sense. Amongst the cast, there's already several people who either killed or tried to: Xander, Min, and Nico. But a lot of the others still speak of them in good terms; David talked about how good of a person Xander was for several minutes, Eden has made it clear she still misses Min, and Hu still defends Nico. Not to mention that Levi himself already threatened to kill Ace, and got called "a good person" by Eden just a few hours later. That means that, although admitting to murder will probably make the others more wary of him, there's precedent that Levi will still have people who stick by him after all's said and done.

Meanwhile, as far as Levi can tell, he's the only one who doesn't understand empathy in the slightest. And that means he has no way of telling how the others will feel about him if he reveals it, which is why he's more nervous about it than the murders. It plays on the themes of feeling disconnected from the rest of humanity that characters like Nico (via gender identity) and David-

Tally 5 Page: "... I wasn't capable of ever becoming human in the first place."

-have going on, which is definitely something that's cool to mull over. I hope these three get some kind of interaction about this in the future.

By the way, as always I'm just kinda guessing why Levi does the things he does and says the things he says, I could always be wrong.

Levi [continued]: It's not really that I don't care about killing people. Rather, it's more accurate to say that I don't care about people at all. No matter how much I hear about such things like empathy or compassion or love, none of those concepts resonate with me. Are those emotions really universal? The idea that people naturally "care" about others is a completely foreign concept to me. Nico: Eh? What are you saying? Levi: Judging by your reaction, I suppose that's a bad thing. But I wouldn't understand why. On the other side of this planet, there's a person who's suffering. Maybe they're even drawing their last breath. But none of you care, do you? Why would you? They're a stranger, after all. You don't know them. Their life holds no consequence for you. For me, everyone I've ever known is that distant stranger. It doesn't matter how long I've known you, how much we've done for each other, or even if you were my own father... You're still a stranger to me. And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met.

So here's the big reveal, bolded text and all. Levi has extremely low empathy. I'm not gonna try to assign any specific disorder because I'd have no idea what I'd be talking about, but the empathy thing is pretty clear. I'm also no authority on whether this would be good representation for that or not, but for what it's worth, I think it's done pretty well. Levi's perspective is presented neutrally, in a way that shows his lack of empathy doesn't inherently make him a bad person, but not shying away from some of the real effects that can come from it (combined with other factors of course), such as the whole 4 murders situation.

I also like the way Levi describes it. It does a good job of getting the audience to understand his feelings, while still holding quite a bit of characterization in there. For example, the reason he gives for why the cast wouldn't care about the stranger on the other side of the world is because "their life holds no consequence to you." Even when trying to speak from the others' perspective, his understanding of why someone would care about someone else is still shaped entirely by what tangible effect that person has in the other's life, in a way sorting people by "holds consequence/holds no consequence."

Eden [continued]: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does? Levi: In all honesty... I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense?

So I'm gonna do a funny here and skip Ace's reaction to this, because that's more for the Ace section than this one. I also already talked about Eden's reaction to this.

Instead, I'll focus on Levi, particularly the question of "does Levi actually care about Ace?" To answer that, it'll be helpful to get the full Veronika Breakdown TM.

Veronika [continued]: Hm hm... I understand now. You're quite the interesting person, Levi. From what I've seen of you so far, your personality has been awfully inconsistent. It's like you don't know how to act. Trying to act like "a good person" without any intuitive sense of what's good or bad is hard, right? For someone like you, who lacks compassion, it must be quite difficult to pretend to be nice. You're always guessing as to what a normal human would do in your situation. You're so awkward in social settings because you can't tell what other people want. You act like a big pushover because if you go the other direction and stand up for yourself, you won't know where to stop. You offer to do things for others because you've observed that "good people" help others, and you parrot noble assurances without understanding why. Such things like that. Not only are you trying to act without a script, but you don't even understand the story. And you slip up constantly. Levi: You explained it better than I could. You really have an intuitive understanding of other people, Veronika. That's a trait I envy. The way I see it, it would be beneficial if I was "a good person." Then other people would trust me and not pick fights with me anymore, and they'd do things for me because they "liked" me. If I was a good person, then I wouldn't have to live a life full of violence anymore. I did everything so that I could have a better life.

Okay hold on there's a bunch to talk about here. Let me do that before circling back to the Ace Question.

Veronika is thankfully good enough at describing the stuff she said that I don't feel the need to elaborate on that. It's basically just a perfect read of Levi's actions so far under this new frame of someone who lacks empathy yet still is a good person. His awkwardness, his outbursts towards Ace, him being sort of a pushover, everything. I also like the little comment of Levi envying Vero's understanding of people, it's neat characterization.

Aside from that, there's also cool contrast between the way Levi sees being a good person as a sort of purely pragmatic social contract (being good leads to a peaceful life and ensures others help you) and Eden, which as referenced earlier sees friendship in a purely emotional and non-transactional way. Not exactly fully comparable, but close enough, and still worth mentioning given the chapter starts with a conversation between the two of them about how they're good people. Both of these have their merit, the point is that, in the end, no matter the reason you have for doing good things, regardless if it's out of sentimentality or just duty, doing good is enough to be a good person. While still of course keeping in mind Arei's message that no one is effortlessly good 100% of the time, and simply trying to be as good as you can be and improve on your flaws is enough.

Also, "I did everything so I could have a better life," huh?

Arturo [referring to Felicity's suicide, 2-10]: How is it possibly my fault that I wanted to live my own life!?

Get paralleled, idiot >:D

Wanting better things for yourself can end up having good effects on others (Levi being good to the cast), or negative (Felicity dying), fun contrast.

But I'm beating around the bush. The question I asked earlier, does Levi actually care about Ace?

Well, there's definitely room for interpretation, but my read is... well, not in the usual way. I mean, Levi explicitly says he doesn't particularly care if Ace lives or dies, so that's kind of a giveaway that he still very much does not feel empathy towards him. To better understand Levi's perspective, it might be helpful to analyze the previously mentioned Hu-Nico and Levi-Ace parallels.

Fandom has long since grouped together Hu and Levi as the "parental figures" of the group, and while I don't particularly enjoy applying familial relations to friendships, there's some basis for the interpretation. They both (to varying effect) commonly act as peacemakers and moderators in the context of the group, but have had this position compromised by emotional outbursts (Hu's defense of Nico and Levi's threats to Ace). Hell, there's even parallels in the way people react to some of these outbursts.

Levi [after the previously linked outburst, 1-9]: I'm terribly sorry for that, everyone. Please continue discussing as you were earlier. Ace: So scary!!

Rose [reacting to Hu's "fuck David" outburst, 2-12]: Wow. Hu can be scary.

To be fair the 2-12 outburst is far more justified than a lot of Hu's others, but you get the point.

They both act this way for similar reasons; to control the cast's perception of them. Hu wishes to be seen as reliable in order to feel useful as a way to counteract her suicidal tendencies and self-loathing, while Levi wishes to be seen as a good person for the reasons he states (to live a peaceful life where others do things for him). And in order to do this, they've both chosen to focus on one person in particular to "protect" or help in some way; Nico for Hu, Ace for Levi. The reasons for this are different mind you, but the effect is similar enough.

However, while it's still unclear why exactly Hu is so adamant about Nico in particular, we kind of know why Levi is focused on Ace. Simply put, before the second trial, Ace was sort of the only person who had legitimate reasons to dislike Levi, at least in Levi's mind. Because of the death threat in trial one of course. Most people haven't really expressed an opinion on Levi either way, but they're civil and at least neutral towards him. Hell, Eden even specifically says Levi's a good person after the death threat, and since she's a pretty rational person, it follows most of the cast would see him that way as well, given how quickly they all moved on from the death threat.

Ace was the exception, however. Ace was very explicitly (and understandably) pissed at Levi for the death threat, so he stood as somewhat of a threat to Levi's goal of being seen as a "good person." Levi trying to fix things with Ace is an extension of this goal, and I don't think there's much else to it. Even to the very end, Levi's frustration at Ace doesn't come from a sense of betrayal or sadness or remorse for not being able to stop the murder, or anything like that. Levi only gets frustrated at his inability to understand Ace, which we already knew from his envy of Veronika's psychoanalysis abilities is a point of insecurity for him.

Ace [2-16]: I just needed a reason to stay mad at you, any reason at all, goddamnit! [sic] Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try.

Levi, under this reading, still doesn't "care" that Ace is about to die, not in the way Eden felt bad about Min's death for example. He's frustrated that he's trying to be a good person towards Ace, and it isn't working for reasons he can't grasp. More on those reasons in the Ace section.

I am very curious as to how he'll react to Ace wanting to speed up his execution to try and save his life, and I predict Levi will probably try his best to honor Ace's memory and his sacrifice, but as always, out of duty and not sentimentality. Sorry Acevi fans, hope you still find a way to make it work :/

Since we're on the topic (and Ace's section is gonna be long enough as is), I'll talk about the other side of the Hu-Nico and Levi-Ace parallels, the way the "protected" act in respects to the "protectors." The main point of contrast is that, originally, Ace specifically sought out Levi for protection, while Nico never asked Hu for it.

Teruko [1-2]: Since when were you two so friendly? I distinctly recall yesterday a certain someone being terrified whenever Levi came near him. Ace: Whaaaat? Me, scared? Are you just making things up? Teruko: ... Ace: Okay, fine. Yeah, Levi's scary as hell! But I realized that MonoTV is even scarier than Levi! At least Levi is sorta safe to be around. And I like to be safe, you know?

Nico [to Hu, 2-14]: I never asked you to defend me--

Then comes the aspect of "betrayal" in both these relationships, where the roles are flipped. It's Levi who originally "betrays" Ace by threatening him, while it's Nico who "betrays" Hu by trying to frame her with the wire. However, Ace takes this betrayal much more personally than Hu, getting mad at Levi while Hu continues to defend Nico. As a result, Ace gets a bit of a victim complex, while Nico fully acknowledges blame for the murder attempt. Etc.

Okay time to continue with 2-13 because no we're not done with it.

Levi [continued]: After listening to David, I concluded that a good person would also be honest, even if the truth makes them look bad. Ace: You're taking advice from David of all people? Look at this asshole! David: Try looking in a mirror before you talk, Ace. Levi: I thought David was a prime example of a good person. Is he not? David: Wow, you really don't understand people at all, do you. Levi: I don't want to distract you all from this case any further. So, I apologize for this tangent.

Another really cool bit of characterization here. Levi struggles so much with understanding most people's sense of morality that he still thinks David "I actively tried to kill everyone here by pretending to be the blackened" Chiem is a good person. There's also the quick implication that David doesn't see himself as a good person, but I feel we're well past the point where that's news.

We also get the reason why Levi even said all this; he thinks being honest will help him be a good person, and presumably only brought it up after the whole David thing got resolved because "good person" David was (eventually) honest with both his motive secret and the reason he tried to get voted out. Or, rather, Levi thinks David was honest on the latter. Fair ig.

Levi has a few other lines in this part, but the next most striking thing to talk about is, fittingly, not a set of words, but an image.

Levi's protective streak has always been a big part of his character, and now he's literally taken a bullet (or 5) for Teruko. Just for the record, I imagine he'll survive, because there'd be no real point to most of the end of 2-16 if he didn't.

The big question around this is, naturally, why did Levi jump in? Obviously, it's not that he particularly cares if Teruko lives or dies, not from an emotional standpoint anyways. It could also just be Teruko's luck somehow manipulating him the way it seems to have influenced Min somewhat, but I can't see that as the only reason this happened. So, like most people, I believe he feels he owes Teruko.

Teruko [1-2]: No... I should be the one apologizing. It's my fault you got hurt. Levi: What do you mean? Without your warning, I could have gotten fatally injured. I should thank you that my wound is not more severe.

Teruko warning him in the prologue is the most obvious case where Teruko saved Levi, especially since it parallels this scene. Teruko saves Levi from execution, so he returns the favor. However, we also need to keep in mind that, without Teruko carrying, these people would not have made it through the trials, so Levi might feel he owes her for that too. And "good people" repay their debts, don't they?

Very interested in seeing where Levi's character goes from here!

Teruko Tawaki

You know a series is doing something right when the protag has so much shit going on in a trial where she didn't even have strong relationships with either the victim or the killer. Now, a big chunk of her screen time was devoted to crime solving, so her section might end up smaller than Levi's even though I consider her more important, but the order of this analysis is kinda all over the place anyways :v

I'll go in the order of Teruko moments as they appeared, though I'll skip the whole "fix my mistake" thing since I already mentioned it in the Min section.

David [2-12]: Xander is a good person. He's the only good person I've ever known. I swear, I'll follow in his footsteps and-- Teruko: And get everyone killed in the class trial? Xander is a good person? Are you hearing yourself right now? What virtuous reason could he possibly have for trying to kill me and everyone else here? David: I'm sure he had a good reason. I believe that he did. Xander is not the kind of person to do anything for frivolous purposes. Teruko: You *believe* that he had a good reason!? Hah! Based on what? The 3 days you spent with a fan who was too infatuated with the ideal of you to treat you like an actual human-- David: SHUT UP!

She says all this like she wasn't play-acting her Xanruko fix-it AU with cacti, like, two days ago lol.

Teruko Cactus [2-3]: That's right. Give up now, and surrender. Then I'll consider letting you live. Xander Plant: Teruko... I've changed my mind. I promise, I will turn my back on whoever made me do this and stay by your side from now on. Do you forgive me?

I don't actually have much to say about this. Teruko's complicated feelings about Xander aren't exactly news; genuinely angry at him for attempting to murder her, also genuinely upset that things didn't go better. No wonder David's uncritical view of the guy ticked her off.

2-13 had a lot of murder solving from Teruko, which is cool but not crucial for character analysis. Meanwhile, 2-14 had quite a bit more going on.

Rose [2-14]: I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself-- Teruko: Rose. Don't blame yourself anymore. You are helpful. It's because of you that I can solve this murder. Besides... I'm as much to blame as you. Maybe more, even. If only I listened to you when you said the tape was missing, then maybe I would have realized the truth of this case much earlier. Once again, I've made a stupid mistake. I simply wanted to believe that I could make it through this killing game without relying on anyone else. That I could be dismissive of everyone around me without consequences. So I refused to listen to anyone other than myself. I thought that if I did that, then I could avoid a repeat of the last trial, where I had made the mistake of trusting people too much. But now I'm making different mistakes instead. Again and again, I keep messing up this class trial with hasty assumptions and overlooked evidence. So... Rose: ... Teruko: ... Thank you, Rose.

Yuri stays winning.

Again, it's hard for me to add any commentary when Teruko's just... explaining all the themes out loud. We go back to the idea of Teruko fixing mistakes that she seems to have taken to heart from Min's CH1 breakdown (YURI STAYS WINNING), which ties into the idea of self-betterment that Arei's scene conveyed; and we basically have Teruko stating a reworded version of her secret quote, "It is an equal failing to trust everybody, and to trust no one at all." It makes me wonder how Teruko will behave moving forward. Will she trust a few select people? Will she continue to keep other's at arm's length, but being slightly more open? Well, based on what she does with Eden, it seems Teruko is willing to trust select people until the situation merits distrust, which is a pretty solid way of looking at things.

Speaking of that.

Eden [2-14]: I just wanted to help Arei... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... [...] Teruko: Eden. Eden: *sniffing* Teruko: Eden. Pick up your head. Look at me. At this point in the trial, since I've narrowed Arei's killer down to just two suspects, I'm going to pursue each suspect individually under the assumption that they're the killer. That way, I can see if any evidence matches up to them only. [...] So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once. Eden: Teruko... T... Thank you, Teruko... Teruko: ... Let go of me.

YURI STAYS WINNING!!!

That's what I was talking about. Choosing to trust Eden over Ace, but being willing to turn suspicion on the Clockmaker if Ace turns out innocent. A very reasonable approach! We love character development in this house.

That said, Teruko is still being a bit of a tsundere, with the whole "repaying a favor" thing. Levi parallels anyone? Well, not exactly, since Teruko does feel empathy towards Eden, but close enough. What's more interesting is that Teruko is using the exact transactional logic that Eden warned her against, which is intriguing setup for the future when it becomes more undeniable that Teruko is definitely not doing this just to repay a favor.

Also, the Trauma remains. Teruko telling Eden to let go fully completes the parallel to the Min scene, where she says the same thing (among others). I imagine our girl won't be too receptive of hugs for a while.

Before we get to the next big moment, real quick, we gotta fulfill our "Teruko's life is miserable" quota.

Teruko [to Ace, 2-15]: And three. You took the tape for first aid. Arturo: That's ridiculous. Who uses non-medical tape for first aid? That's sickening. Teruko: It's not that weird. I do it all the time.

Alright quota fulfilled. Let's move on. In this case, I'll skip to when Teruko gives up on the "show me your injuries Ace" line of reasoning.

Teruko [2-15]: No. It's fine. That's not a very fair line of logic, so forget it. You were almost murdered, after all. I should have understood that.

I don't know why Teruko really thought this line of logic was even worth following in the first place, but it makes sense for her character to ignore Ace's possible emotions in favor of the trial. But it's also cool to see her backing down when she realizes the harm she may be causing, especially as someone who has very notably hid how much her own murder attempt affected her, and in particular the wound that came from it.

Teruko [2-15]: The point of this trial is to determine who the killer is, not to determine every single little detail of what happened. It doesn't matter that you're not convinced. It's not going to help you, nor change your fate. No matter how you feel or what you think, nothing will change. [...] I've been fighting this entire trial to find the truth using real evidence. And when I make mistakes, I own up to them. What have you contributed? Show me some concrete proof of your innocence. Otherwise, shut up and stop wasting everyone's time. Ace: ... Teruko: Are you silent now? What happened to all those things you were shouting earlier? Don't you have anything to say for yourself? Ace: ... Teruko: Any evidence, any deductions to show that you're innocent? Come on, Ace! Don't you want to live?! Defend yourself!

So, a few things. First, regarding that second paragraph. "It's not going to change your fate"? "Nothing will change"? We'll circle back to it, but it seems Teruko is projecting how she feels about her own fate (before the Levi incident at least) on Ace. You could even say-

Literature Girl Insane: Even if we cry make noise shout go mad - this world won't change!

The foils ever.

Anyways, I assume that's why Teruko gets so worked up over Ace remaining silent. She sees a bit of her situation in trial 1 (almost murdered, suspected as the killer) in Ace, so her emotions run high with both the frustration of a long trial and the bad memories this is probably bringing up. At least, that's how I interpret it.

Also another mention of correcting mistakes, which shows up one more time before the episode ends, which I already mentioned as being tied back to Min and Arei; alongside with another "fate" drop. "Fate" is becoming the new "good person" isn't it :p

Teruko [2-15]: Confront the mistakes you've made. Then accept death. That's the fate of everyone who choose [sic] to participate in this killing game.

Also I find it endlessly funny that Teruko's reasoning for the Closing Argument being necessary reads a lot like "this is a DR trial we gotta do this, it's in the contract." Consider me amused.

But I've beaten around the fate bush enough. Let's get all of that over with in one fell swoop.

Teruko [2-16]: It's just... misfortune. That's why Ace killed. That's all.

Teruko [regarding her execution, 2-16]: What's the point [of running]? I should have known this would happen. [...] Even if I shield myself behind others, even if I search for an escape, it always comes down to this. I have to face the consequences of my actions. There's no escaping that. [...] Arturo: What are you talking about?? You're going to be killed!! Teruko: Killed? I doubt it. As if something so kind could happen to me. [...] I won't die, even if MonoTV puts a hundred bullets in my body. I'll only be badly injured. Possibly lose a body part. Maybe I'll even end up in a coma for months. [...] But I won't die. I never will. There's nothing I can do but accept my fate. It's what I deserve, after all. [...] I was perfectly willing to get shot. I thought I didn't have to care about what happened to other people, and especially not about what happened to me. I thought that if I lived alone and died alone, nothing would stain my conscience. Even if that was a selfish way to live. But even so...

Teruko [to MonoTV, 2-16]: Can you really say it's fate's fault for everything you've done, and pretend that you hold no blame in the matter? I have always said that my misfortune, my personality, the choices I make, everything was all a product of a bad luck that I can't control. That I grew up in such terrible circumstances, so I was destined to grow up to be a terrible person. That everyone else abandoned me, so it's not my fault that I'm alone. I want to say it's fate's fault, and that I had no choice in the matter. But, even so... Even so... Everyone. Xander, Min, Arei, Ace. Maybe even Levi. Is it my fault that they died? [...] MonoTV: You have to decide the answer for yourself. Teruko: Whether it was the fault of fate, or my fault... I already knew the answer. I had known what the answer was since a long, long time ago.

Alright I made myself sad, so something's been achieved, I guess. Poor Teruko :(

Just to start somewhere, we get confirmation of Teruko's suicidal tendencies in the present, which was already implied strongly enough, but now she straight up says she considers death something "kind to her." Just sad in general, but I wonder if there will be some discussions of it with the fellow suicidal characters like Hu. In fact, I wonder if that's the reason that Hu was the one to see the scar on Teruko's back during 2-2; so she'd have a vague idea of Teruko's backstory for some interaction in the future.

But the main point of these scenes is Teruko's relationship with the concept of fate. She basically goes through an entire character arc from the moment she says Ace's murder was just misfortune to right after Levi jumps in to save her. Basically, she used to blame fate (or "bad luck") for everything she did and what happened to her, thinking that just accepting this fate would allow her to live more easily. Especially noticeable because part of her "bad luck" is being betrayed, which gives way to her trust issues.

Teruko [2-2]: If I get in a car, it'll crash. If I stand in a construction site, it'll crumble to dust. If I trust others, they'll turn their back on me.

Hence her internal monologue about "living so nothing stains my conscience." If everything that happens to her is fate's fault, then she doesn't have to change, she doesn't have to confront her faults. Even when she talked about accepting the consequences for her actions, it was always in the context of accepting her fate. If she just accepts whatever consequences her actions bring, then she can excuse herself from fighting back against that, which is an easier way to live, but as she says, could be considered selfish. What's easier for Teruko is not always best for others, exemplified perfectly by Levi protecting her; Teruko chose not to fight her fate, and it got Levi hurt. Funnily enough, this somewhat parallels Hu feeling selfish for not sharing her secret, which is fun contrast. Hu is more justified in not sharing her secret, so it shows that feeling selfish for doing things that are good for you can be pretty bad. Meanwhile, Teruko shows that not taking others into account can also end up hurting people.

Of course, the whole "not fighting fate" thing also obviously parallels Mr Literature Boy Insane's feelings on the whole thing, to the point where they have practically the same character flaw. Believing themselves and others unable to change as a result of fate is the way they try living with themselves, because of the whole self-loathing thing, but that means they're resistant to changing their flaws. MonoTV says similar things, but it's a machine so it's not so much a flaw as just the nature of its character. It was a flaw Arei had, though, but she grew out of it through Character Development, similarly to the way it's implied Teruko is growing out of the "all fate's fault" mindset in the last inner monologue. You might also notice that tying fate into self-betterment allows you to draw a connection to the theme of admitting mistakes and fixing them, tying to Min who is also connected to the concept of fate through her entire backstory of being "destined" to be the Ultimate Student from the moment her family accepted XF-Ture's Tech contract, and obviously Min contrasts Xander who is all about fighting fate as the Ultimate Rebel, and that's without mentioning all the other "fate" bullshit going on and-

Yeah you get the idea. Too much peak for me to write it all out.

Very excited to see where Teruko's character goes now that she's not going to blame her bad luck for everything now. I worry she'll swing too hard the other way and end up blaming herself for things she shouldn't, but oh well, that's just more character development to be had.

That was the biggest Teruko thing, but there's still more to cover.

Teruko [to Ace, 2-16]: If you can't [attack MonoTV]... If you can't do that, then tell me, why did Arei have to die?! Ace: ... Teruko: It's because unlike Arei, *you* couldn't make amends with the people you made enemies out of. *You* were too scared to confront the people you hurt, say you're sorry, and promise to be a better person. So instead you took out your own personal problems on other people by murdering someone who had nothing to do with you! Arei died because you're a coward, Ace!

Uh... someone's projecting~

Teruko [already linked, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.

Damn it's almost like she hates herself because she already knows deep down that her mindset is flawed and so when she sees someone else behaving like she does/did she gets upset at them that's crazy :O

(I mean it's not 1:1 because Teruko never did anything as bad as Ace, but the point stands :v)

Final note, as always, voice acting was peak, just that there's too many good examples to point them all out one by one. Same with Levi btw, I think I forgot to mention it in his section.

Teruko continues to be probably my favorite protag of any DR or DR inspired story, though as always I'm working on a small sample size. Really excited to see her development in the future!

Ace Markey

Well if it isn't the man of the hour! It's only natural the blackened gets to close things out. Let's do the same thing as we did with Teruko and go by (mostly) chronological order.

That includes the quick, retrospective observation that a lot of Ace's behavior in the trial and investigation now needs to be re-analyzed with the understanding he's the blackened. It mostly just adds an extra layer to Ace's constant accusations towards Nico, though, since Ace didn't really do much most of the trial. The only other notable thing he did was revealing David's secret, and even then, nothing too big. I know it's a bit silly to go so hard on Nico when David is almost easier to frame, but this is Ace we're talking about. He's emotional and not quite the most strategic, so nothing weird there.

Although, speaking of Ace knowing about David's secret, why did he not hear the end of the Arei-David conversation? I doubt he's hiding it, because he doesn't really have a reason to, so apparently he just, like, left. I guess he just didn't care enough :p

Finally getting to PT 2 itself, we have a 2-13 speech we skipped earlier, don't we?

Levi [2-13]: I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense? Ace: You... Hah. Hahaha. You-- You fucking piece of shit. Levi: ... Ace: I was right all along. That you felt bad for me... That you actually wanted to help me... That even if everyone here treated me like shit, there was at least one person who still cared about me... That shit's too good to be true, isn't it? Yeah, good thing I didn't fall for that in the slightest. Not one bit. I was totally right all along to burn our friendship-- No, I can't even call it "friendship." There's only one person in my whole life who I've ever been able to call my friend. That I ever thought, even for just a short time, that you and I were "friends" is an insult to his memory. I probably sound real pathetic admitting that. But I'm not nearly as pathetic as you. After all, you're a piece of trash who probably has never had a single friend in your life. Levi: ... Ace: Got nothing to say to me now? That's fine. Hey, Levi. I really hope you fucking die.

Okay there is... so much to unpack there. Let's... start by the smaller thing, which is the Taylor Riley drop in "there's only one person in my whole life who I've ever been able to call my friend." This guy's name was revealed in a now deleted CH2 PT1 QnA answer, alongside with the name of a friend of Veronika's who gave her her green triangle earring, Alyssa Belyaeva. We got main series confirmation of the name in one of the graves of Thanatophobia, alongside the names of Elliot Cuevas and Felicity Giles.

We know... zero about Taylor, apart from the fact that he was Ace's friend and is now very evidently dead. Thankfully, we get a bit more context on his death by one of Ace's comments:

Ace [2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands!

Third, huh? Arei, the hypothetical Levi death, and presumably Taylor. Sure, the third could be Ace himself, but I feel the line makes a bit more sense with Taylor.

So, Ace blames himself for the death of Taylor. Given he liked the guy, probably not intentional murder, but who knows what the hell he did. At this point, we really have no way to deduce the way Taylor died or how Ace could have caused it somehow, though. Maybe we'll get some answers in the Bonus Episode? Hopefully :p

But that's the easy part. The hard part is Ace's feelings towards Levi. Immediately, we can tell the whole "I never thought you cared about me, not one bit" thing is a complete lie, not just because the line itself is extremely unconvincing, but because of something Ace says later in this episode.

Ace [to Levi, 2-13]: You piece of shit. I can't believe there used to be a time I actually liked you.

So, yeah. Similarly, based on the fact that Ace wanted MonoTV to speed up the execution to try and save Levi's life despite his fear of death, we can infer that Ace is also lying when he tells Levi "I really hope you fucking die."

No, Ace really does care about Levi. For the reason stated at... some point in this analysis; Ace feels safer around Levi. And that creates a bit of a problem for him, because if he wants to escape the killing game, he's gonna have to kill Levi to do it. It's unclear if that's the reason he originally pushed Levi away, "burning their friendship to the ground" in his words, or if he just didn't want to trust him after the death threat in trial 1. However, guilt over trying to get Levi killed is definitely part of why he says this:

Ace [2-16]: I knew... I knew that I wasn't allowed to call [Levi] a murderer. I had no right to act betrayed, because I was the one who betrayed everyone. But still, I...! Levi: Why-- Ace: But still, I--! I don't care what it was! I don't care if it made me a hypocrite! Even if I was completely in the wrong, and even if it made my life worse! I just needed a reason to stay mad at you, any reason at all, goddamnit! Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try. Ace: Good! Stay that way! I hope you never understand me, even after I'm buried a billion miles deep in the ground and you're weeping at my grave, you piece of shit!

Ace tries very hard to find reasons to hate Levi because he's afraid of growing close to anyone in the killing game, mostly because he thinks he'll be betrayed, but by the point he starts plotting murder, also because he's trying to kill them all. Being close to them is a good way to feel more horrible about himself than he already does.

To be clear, the reason I say the first reason is more important is because I think I can more or less pinpoint the moment Ace starts thinking about murder, and by that point he's already trying to cut Levi off.

Ace [2-2]: In this killing game, everyone is out to get me. Especially people who love picking fights with me, people like you [Teruko] and Levi. I can't believe I wasted my time with all that dumb shit like arm wrestling and running around screaming at meaningless stuff. I was fucking stupid to not take this killing game seriously from the start. I'm done with being everyone's kickable scaredy cat. The only thing I should do is look out for myself and myself alone.

Well he sure did take the killing game seriously after this point now didn't he?

Obviously, this is a pretty direct parallel to the way Teruko tried pushing everyone away in this chapter, and the way David pretends not to care about Arei after the magical girl transformation. More on this whole thing in a bit.

The relationship between Levi and Ace is one of contrast. Levi, who doesn't actually care about Ace the "usual way", chooses to try to get closer to him. Meanwhile, Ace cares about Levi maybe too much, and his fear of this attachment drives him to push Levi away. The yaoi truly is doomed with this one. Moving on.

Ace [to Nico and Hu, 2-14]: You two are a real fucking joke. It would have been one thing if Nico gets away scot-free with trying to kill me, but now they apparently also have a fucking defense brigade to shield them from even having to think about the fact that they're a murderer. Who's gonna stick up for me, huh? No one. Because I have a spine and I don't need other people to lie to me constantly to keep me happy.

Ace [to Nico, 2-14]: You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?!

Ace [to Teruko, 2-15]: Were you convinced by Eden because she had a little sob story ready? Should I start crying and wailing too to change your mind? Teruko-- No, everyone here. You're always attacking me for stupid reasons. Everyone always has it out for me. That pisses me off. All of you piss me off.

Ace [2-15]: You all actually think I'm too goddamn stupid to accomplish anything? Do you really think I'm 2 seconds away from choking on my own spit and passing out?

This is where we start to see Ace's persecution complex on this part, which was already alluded to in the previously linked 2-2 Ace quote. He thinks everyone is out to get him, and to an extent, he's not horribly wrong. Very few people in the cast have favorable opinions on Ace, and he knows that if he gets revealed as a murderer, that "few people" will likely turn to "no one." I mean, not even Levi wants to defend him.

Ace [2-15]: Hah... I expected everyone else to get on my ass, but for you of all people to think I'm the murderer... What happened to ever wanting to make things up, huh? Besides, between you and me, we both know who's really a murderer.

And hell, Nico's already tried to kill him! Ace is the victim in that situation, even if he did "start it."

Which gets us to one of the most interesting moral quandaries this trial presents us with, Milgram style. Because the thing is, Ace has given the cast reasons to dislike him. Ever since the start, he's been confrontational, insulting, and just generally not the most delightful person to be around. Especially to Nico, who he specifically targeted to bully. Obviously it doesn't justify being horrible to him back, including things like Hu's slap and Levi's death threat, and especially Nico's murder attempt, but... well, if people don't feel about Ace the same way they feel about some of the calmer cast members, there's a reason for it.

How justified is the cast in the things they say about Ace? How much of it is Ace's responsibility, and how much is it the cast's? How much responsibility do they hold for creating the hostile environment that pushed Ace into murder? How does the mastermind and the killing game itself factor into this valuation? These are all interesting questions the series asks us to ponder on, and by their nature don't have any one right answer. Especially because "blame for a thing that happened" isn't a number that can be evenly divided by percentage, it's a very complicated and subjective thing. J puts it pretty well in her speech to Ace in 2-15, giving her perspective as well.

J [2-15]: Maybe I was too harsh on you. Me and everyone else here, I don't think a single one of us stopped to think where the breaking point is. ...But. Murder is unacceptable, no matter what. Your problems might be awful, and they might be the worst in the world, but they're still not so bad that killing 13 people is acceptable. You can't be forgiven as a murderer just because your life sucks.

My personal opinions on this are probably best saved for when we get the full picture in just a moment.

And speaking of the full picture, since Ace's persecution complex feeds into his fear of death, why don't we skip right into the big speech?

Ace [already linked in the Hu section, 2-15]: ...... God damn it. I'm such a piece of shit. [...] You're right. I'm screwed. There's no way I'm making it out of this trial alive. I just... wanted to stall for time. I'm scared of dying, I really am. [...] I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. [...] Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your 'secret' hidden-- Ace: Hell no! I don't give a damn about that motive, or my dumb little secret, you idiot fuckwad! Who do you think I am, you?! *sigh* That wasn't why I killed her. I was scared of dying, that's all. [...]

Quick thing, but I think it's cool that the motive really had jack shit to do with the murder. Hate to bring the guy up so much, but it helps make David's "plan" of revealing all the secrets unequivocally wrong, which I feel is important for some of the themes of the chapter. In particular, the idea that gets pushed that everyone should be allowed to reveal their secrets at their own time, aka privacy is important. Nico's public secret reveal happened before they were ready to share, and that was a bad thing, after all. And a lot of the conflict in this chapter came from MonoTV giving the motives in general.

Ace [continued]: I'm definitely going to die in this killing game if I don't escape. Everyone hates me, right? Because I'm a volatile asshole who can't help but pick fights and make people mad at me. Veronika was right. If pushed to kill, everyone would feel the least guilt if they killed me. They might even have some sort of grudge. I wouldn't be surprised. When Nico tried to kill me, that just confirmed it. There's a part of me that's a little pissed that Nico didn't succeed back then, because that would have saved me the trouble of having to go through this stupid-ass farce. Although I'd be real fuckin' pissed if they *did* successfully kill me. I'm kind of pissed at Nico for trying to kill me, either way. Nico: ...

Interesting to hear part of Ace wanted Nico to succeed. It certainly speaks to a great level of defeatism, where everything is horrible and death would be preferable, which parallels Teruko nicely. That defeatism for Ace comes partly from the persecution complex discussed earlier, and some other stuff we'll talk about in a moment.

Ace [continued]: But still! If I didn't kill someone and escape... then I was going to die. I'm fucking terrified of dying! I can't sleep at night because I keep thinking about how I'm going to die young in this goddamn killing game! I didn't want to die! I want to live. Just like everyone else. Live, and escape this killing game, and go back to my shitty life where I can't do anything on my own because I can't control myself. Back to that life where I can't do anything but a sport that I hate because I suck shit at everything else. I was forced into that fate, to kill someone because I'm scared. It was either that, or I would be killed first. There were no other options for me, because I'm a coward who can't fight my own fate. [...]

I think an underrated part of Ace's character is just how much damn symbolism is hidden in his talent.

The first connection is the more or less obvious "if I didn't kill someone, I would be killed first" mentality, where Ace literally views the killing game as a race to be the first blackened to get away with it. But that's almost an extension of the other connection.

You hear it from him here; he feels he completely lacks control of his life, that it's all decided by a fate he can't control, the same way that a jockey doesn't walk on their own, but rather is carried by a horse to their destination. And it's no wonder that this feeling of lacking control is referenced in his secret quote, "I don’t know what to do with myself anymore." After all, it's this feeling of lacking control of himself and his situation that causes him to seek control of anything he can, be it bullying Nico because he sees them as an easy target, distancing himself from others because it's easier to control his feelings that way, killing someone because it's the only way he can control his place in the killing game, or anything else I might be forgetting.

And this fear of lacking control is probably part of his fear of death, isn't it? Because no one can control what happens after death. Maybe yes, maybe not, but regardless, Ace's thanatophobia is pretty evident. I mean, it's the name of his execution, and it's a fitting one. Ultimately, Ace's fear of death is what gets him killed, both metaphorically because it's the reason he became a blackened, and literally because he dies of a fear-induced cardiac arrest. That, alongside with the incredible art and banger music, is why I consider Thanatophobia one of, if not the single best DR style execution I've ever seen. Simply peak.

Ace [continued]: Do you think I give a crap about you all? Why would that matter to me? No one gives a crap about me either! None of you even respect me enough to think I was capable of killing Arei! In fact, that made me feel way less guilty about killing-- [J makes her anti-murder speech] Ace: ... I know that [I can't be forgiven]. I'm the one who murdered Arei, so of course I know that. Arei... She was a piece of shit too. Just like me. Even if she said all that nice bullshit to Eden, there was no guarantee that she really was going to change and become a good person. Maybe if she lived, then by tomorrow she'd be right back to her annoying bitchy self. ... But at least she was trying. And I can't even change one thing about myself. Not my shitty job, not my shitty personality, nor my shitty life. I really am a piece of shit, huh?

At the end of the day, Ace is his own worst enemy. What really gets Ace killed (apart from the already mentioned fear of death) is the inability to change, to see the flaws in the way he behaves himself and try to better himself. Or, rather, he does see the flaws, he knows he's a target of the killing game because of his aggressiveness and that he drove himself into a corner out of fear, but he considers himself incapable of changing that. Changing is difficult, and Ace is scared to even try. Like he says, maybe Arei couldn't have managed it either, but she was trying. And that's what ultimately separates the two.

In case it isn't obvious, my take on who's to blame for everything that happened is pretty much squarely on Ace. Sure, there were things the others did to Ace which aren't justified, but you can't blame people for disliking someone that knows he's unlikable and cannot find it in himself to try to change that. Arei tried to change; she died a good person. Levi tried to make amends for trial 1; he's a good person too. The tragedy of the situation is that Ace himself could have been a good person too, because everyone can be, but it's a decision that must be made, as Eden put it earlier in the chapter. And it's a difficult one, too difficult for Ace.

Teruko, David, all these people... they can also be "good people," in the sense of always trying to be "less shitty together" in Arei's words. Ace is a cautionary tale of how not doing so can end up really, really badly.

Which is the setup for Teruko and David's continued foiling, isn't it? Teruko will presumably look at all of Ace's flaws (lack of trust, unwillingness to change, accepting fate without fighting it) as pitfalls to avoid, because of how similar the two of them acted in CH2. Meanwhile, David, since he heard Arei's speech and knows just how hard she tried to change, will see those same flaws as strengths. In his eyes, Arei died because she trusted the note, because she tried to change, because she tried to defy her nature. At least, that's my prediction. Where all of that will go is anyone's guess.

But, how do we know that Ace could have been a good person? How do we know that it isn't David who is right, that neither Ace nor Arei could have ever gotten better, had they simply tried? Well, simply put, because in the end, Ace does start changing. As a final, tragic note, Ace's ability to confront fate and try to correct his flaws only surfaces when it's far too late. And not only when he punches MonoTV, though that also is a good example of it, but also when he chooses to face execution quicker in an attempt to save Levi.

Ace [already linked, 2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands! Arturo: E-Even then, there's no guarantee that he'll live--- Ace: Shut up! What the hell are you talking about? Aren't you a surgeon? Can't you fix him? Arturo: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it-- Ah! Ace: SHUT UP! Shut up, Arturo! You *can* save his life! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and save someone's goddamn life, asshole! Because you can!

There's layers to Ace's shouting barrage at Arturo. Obviously part of it is just Ace trying to convince himself that Arturo can save Levi so he can die with a relatively clearer conscience, but there's also a sort of self-awareness of Ace's faults in the things he says. Try swapping "save Levi's life" for "be a better person," and pretend it's being said to Ace by someone else who is about to die.

You *can* [be a good person]! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and [be a better person], asshole! Because you can!

Because moments ago, it was Ace who was making excuses like a coward for why he felt he would never be a good person, and why he had no control over his shitty personality that made everyone hate him and made him a target of the killing game, etc. He never put in the effort to change because he thought it was pointless, that he was unable to, and didn't realize the falseness of that preconception until he was faced with death. Seems I was on the right track when I connected his thanatophobia to his issues with control; death robs him of the decision to try and be a good person ("I don't even get to make that decision anymore!"), which he hadn't even realized he had until that moment.

It's no wonder Ace was a popular survivor guess; he could have changed, could have been a good person. And despite the harm he's caused, the way he robbed Arei of the opportunity to do what he couldn't and attempt to change, the intention he had of killing everyone in the trial, his death remains a tragedy for the hypothetical of what could have been. Maybe if Levi had managed to properly reach him the way Eden reached Arei, this could have all been avoided. But alas, Ace didn't accept the hand strectched out to him, and now it's too late to fix things.

I said during my reactions that I felt just as emotional during Ace's execution as I did with Min's, which was certainly true and very impressive given my massive bias towards the Ultimate Student. And while I can't say that I'll miss Ace as much as I miss Min (because come on), I'll certainly hold him close to my heart for as long as I live regardless.

As a final note, holy shit the voice acting. If I pointed out every line where the acting for Ace was spectacular, I would be here all day. I doubt I need to elaborate on this; the sheer perfection of the performance should be obvious to anyone who can hear it. Godspeed Seth Raffield, you truly were incredible. Can't wait to hear what you do in the Bonus Episode, provided there is one.

---

I am free! Holy shit that took way too fucking long. I need to figure out a better way to do this shit for later chapters, because geez. You have no idea how much Tumblr's drafts lagged because of this shit, I had to write the final sections in different drafts and copy paste them over because it was unbearable. Not to mention hitting the goddamn link limit which is just clinically insane from me. Anyways, if you somehow managed to read all of that, I feel genuinely sorry for you. You know you can be a good person if you try, right? There's no need to punish yourself like this.

I'm being silly, of course. Thanks for reading, hope you enjoyed!

[marasmadness]

Can you write BDSM dark!Jennifer Jareau x Reader who is a college student and they meet like randomly. Reader has a heart of gold and can’t see jjs dark side. And JJ js like obsessed with her.

“When you look at me like that, my darling, what did you expect?” || Jennifer Jareau x fem!reader

CW: slight age gap (college sophomore reader x TA JJ), obsession, stalker behavior, smoking and drinking, possessive behavior, smoking & drinking, jealousy, smut, hair pulling, begging, degradation, she’s kind of mean ngl, ahem anyways …

"If anyone would like extra review for the final exam, JJ will be available during office hours this week to offer any assistance you might need,” your forensics teacher announced to the room, pointing to the graduate student acting as his TA for the semester. You had gotten to know her a bit and frequently spent office hours with her that started out as going over work but often drifted into gossip or other unrelated discussions. She typically wore her long blonde hair in a loose braid that fell down her back. You admired her intelligence greatly. Her ability to analyze communication and media publications, part of her specialty, was enticing to watch.

Many of the students in the class were already filtering their way out of the lecture hall, ready to crash after their last class of the day. You lingered for a moment so you could scribble down the times you could go find JJ later before eventually running out. J.J. caught your eye as you approached the door. Her eyes narrowed slightly, but her lips drew up into a smile, and she curled her fingers with a wave in your direction. You waved back quickly, watching her cross her arms over her chest as you left.

On your way back to the dorms, you flipped your hand over to see the times scrawled in pen on your skin. You figured it would be nice to see her as soon as possible and wanted to make it to her first available time. That gave you enough time to race back to your room, switch out your supplies, and maybe take a breath for a few moments.

You popped into your room, sharing a brief small talk with your roommate, who was on her way out to the library, but you were back out again as fast as you were in. JJ could always be found in the office of the professor she worked under. She had held many roles under his authority and not only depended on her but trusted her as well, so at this point, a part of the workload and part of the office basically belonged to her.

When you got there, the door was only up a crack, so you knocked and tentatively peeked your head in. JJ looked up from the pile of papers she was grading at her small desk in the corner and swiped her fallen bangs out of her face. "Hey hon, came just for me?” She teased, setting aside her papers as she turned her full attention to you.

You laughed, setting your notes down and pulling up a chair across from her. Before you could sit down, she dragged the chair onto her side of the desk, patting the seat. "Here, just so I don’t have to read your notes upside down. She smiled innocently, waiting for you to take your place beside her. Once you had settled yourself, you flipped through the pages of analysis and calculations in front of you, running your finger across the blue ink as you explained yourself. JJ occasionally leaned over to stop you, correcting a small error or elaborating on a concept you didn’t entirely understand beyond the basics of it. When she did, she rested her hand on your lower back, and she leaned in close enough that you inhaled the subtle scent of her vanilla perfume. You found it harder to focus under her touch but thought little of it.

Your phone kept buzzing on the table, and you were quick to flip it over, typing out a quick response. JJ silently grew annoyed. After a few too many messages shot back and forth, her eyebrows furrowed, and she poked around for information. "Who needs to get in touch with you that badly?” She spoke dryly but quickly laughed it off.

"Oh, sorry, I’m just looking for an apartment for next year. I’m going to check out an apartment with a friend later."You trailed off as you squinted at your screen before setting it down and refocusing your attention on JJ.

JJ sat tensely on the desk in front of you. Her face was in its usual soft and charming smile, which kept you distracted from any other of her mannerisms. While she was adept at detecting others' slight movements and tells, she was also scarily good at covering her own. “Which friend?”

“ Lola.”

JJ’s face soured at the name. There had been the slightest bit of shared feelings between you and Lola earlier in the year, but aside from a single night with "no strings attached,” nothing had happened. Whatever could’ve happened between the two of you evaporated, and you remained distant friends—that is, until you ran into her getting coffee and she discovered that you were also looking for an apartment. She suggested that the two of you look for one together; you had already been roommates freshman year, and it would be worth it to split the rent. JJ had been the one you discussed your fleeting on and off feelings with, always being an attentive listener, but JJ didn’t like her. She didn’t tell you that, but she was also far from gushing over her that you kind of got the hint.

"Oh, well, if a place is all you need, baby, then you could stay with me. My roommate is finishing her master’s this semester, and I’ll have an empty room,” JJ suggested, eager to interrupt the idea of you and Lola living together.

You didn’t think she was serious at first. She was at a much different place in her life, getting ready to head into the FBI while you weren’t even sure what you wanted to do yet. She was like a mentor to you. She had always been supportive and became a great confidante. Maybe you would be better off with her than Lola. Why would JJ suggest it if it wasn't a good plan? "That's sweet. I’m still going to go check out the place with her tonight, but if anything falls through, I’ll consider it."

JJ watched you attentively, rolling her bottom lip between her teeth as you packed up your things. Your phone kept buzzing on the desk, and she grew subtly more frantic as you were getting closer to leaving. "Hey, would you mind grabbing my phone? It’s under the papers on that filing cabinet.” She pointed across the room while her other hand drifted to her back pocket. You turned around and started digging through the stacked papers she had directed you to. JJ smoothly pulled out her phone from where she had felt its weight in her back pocket the entire time you had been here and snapped a photo of the two addresses appearing on your home screen from Lola. Knowing you would quickly turn around without her phone, she stood up quickly out of her chair that had been squeaky all semester and dropped her phone under her desk.

You turned around, ready to tell her that you didn’t see it, but she was already crouched on the ground, plucking it up off the floor underneath her desk. "Nevermind, I found it. I must have dropped it.” She smiled vacuously, in a way that only fooled strangers, unaware of her intelligence.

"Oh, good! Thank you so much for your help. I’ll see you in class Friday.” You waved on your way out as JJ called out a goodbye while crossing her legs and rocking slightly in her chair. As soon as the door closed with a click, her face fell into a look of cold determination, and she switched taps on her laptop. Typing in the address, her lips curled upward at the information she found. It was a fairly new apartment complex, right outside the school’s campus, meaning there would be plenty of showings going on and people in and out all day long.

She put the address into her phone and parked at the convenience store next door. It was surprisingly easy to slip into a side door that was left open for construction workers working on the other half of the building. She had been fully prepared to go in, flirt with whoever would fall for it in the lobby, and hope it worked out.

Afraid of being stuck in an elevator with someone who might catch on to the fact that she wasn’t supposed to be here, she opted to take the stairs up to the third floor. She found that apartment number that you’d be touring in half an hour and passed it, slipping into the empty one next door. As she passed other rooms, she was relieved to see that other apartments in the hallway were already occupied by residents. Her plan instantly became more believable.

She shut the door behind her, surveying the room. The heels of her boots clicked across the wooden floors, echoing in the unfurnished place. Walking up the thin wall that would soon separate you, she placed her hand up to it. Knocking raptly, she smiled when she heard the echo on the other side. JJ had heard every step and creak from her neighbors in her first apartment. The echo guaranteed that you would experience the same when you arrived with Lola. Even the thought of the girl left a sour taste in JJ’s mouth, causing her to grit her teeth.

Sliding down the wall, she sat beside the vent. Digging through her purse, she picked out a pack of cigarettes and a small red lighter. She wasn’t a frequent smoker but had a history of using one or two when her emotions overwhelmed her to the point where they made her sick to the stomach; Or, in this case, they were simply convenient. A lot of her plan relied on small details working in her favor. Since she arrived, every time part of her plan was reassured, her body relaxed with an increase in confidence. The second she approached the wall, she recognized the smell of new paint. The walls of the room she was in were dusty in beige paint, along with visible chips and dents. It was not newly painted, but a newer room just about to be shown to potential clients? Would be. Sound and scent both went through the walls. It was all she needed.

She occasionally heard footsteps pass and then fade away, but nobody bothered to stick their heads into a room that was supposed to be empty. She dully entertained herself by watching the clouds of smoke that left her lips. She had always paid close attention to every personal detail that had left your mouth, including your subtle complaints about everything smelling of smoke when you had been sharing a room with Lola.

Her attention peaked when she heard a trio of footsteps and two familiar voices outside the door. She quickly pushed herself up off the floor, rolling her eyes at the sound of Lola’s raspy voice, followed by your laughter. Wandering into the small kitchen area, she boosted herself up onto the counter and placed her phone against the wall. She hit play, sending music blasting from her so loudly that it vibrated against the wall. A grin flashed across her face at the grating sound. She had picked a playlist of music she hadn’t listened to since she was seventeen and very angry.

She lingered in the place for about fifteen minutes and could hear you and Lola being shown around the place, but not well enough to comprehend what anyone was saying. She could follow your voices, knowing when you got closer to the door. Her hope peaked at the quickness with which you were in and out of the apartment, under the assumption that you had disliked it. She waited five minutes after hearing you leave to exit out of the building the exact way she had entered, grinning to herself as she drove off to the next address she had plucked off your phone.

Her eyes darted to the short black dress hanging in the back of her car that she could see in the rearview mirror. She had become an expert at changing and getting ready in the back of her car ever since her recent internships with the BAU. Once she had changed out of a crewneck and pair of sweatpants and fixed her hair, she moved her car into a corner parking spot behind the bar, just in case you recognized her car right away. She wanted your interaction to seem more accidental.

Sure enough, when you entered the dimly lit bar moments later with Lola by your side, you backtracked at the sight of familiar blonde hair. You approached JJ tentatively, still unsure if it was her, where she was ordering a drink with her back turned to you. “JJ?”

She turned around, her face breaking out in calculated excitement. “Hi! What are you doing here? How’d the apartment thing go?” She started firing off questions, inviting you to sit on the stool next to her while also ignoring Lola’s existence.

“We decided to stop for drinks after. It didn’t go so well. The place felt unwelcoming. You could hear everything from loud neighbors, and the rooms had a weird smell."

She pretended to act both surprised and disappointed at this information, all while buying you a drink. “Aw, I’m sorry, hon. Well, like I said, my offer still stands."

You were much more willing to consider the idea now that your first place wasn’t looking as good as it seemed. At this point, Lola, who was tired of being in the background, crossed the room to accept a drink offer from a guy who had been staring at her since she had walked in. You decided to stay with JJ.

She thanked the bartender, who handed two glasses across the counter and then slid one over to you. You felt a bit more nervous sitting across from her than usual. She was much more intimidating in this setting than when she was happily helping you out in the corner of a classroom.

She wore a simple black dress, elevated with gold jewelry that fell against her ample cleavage. She also had rings to match on both hands that glinted under the hanging yellow lights as she gripped her glass. A smoky eye shadow was brushed over her lids, accentuating her bright blue eyes. She swirled the drink in front of her, watching ice cubes clink against the sides before she took a sip.

You sat talking for some time, not much differently than you usually did, but eventually her demeanor changed. She pivoted around on her stool so that her knees rested outside of your legs and leaned in closer to talk to you. Occasionally, her hands left the countertop to brush against your thigh, but she didn’t draw attention to it. You frowned as her eyes suddenly darkened at something over your shoulder and turned to find Lola sauntering back over with the same main from earlier wrapped around her arm.

"Hey babes, I’m leaving, would you be okay finding a ride?” Lola leaned in so that you could hear her over the overlapping chatter, and she seemed to be begging you to say yes with her eyes. Before you could reply, JJ volunteered without hesitation.

"I'll take her; you can leave.” As soon as the words left her mouth, she turned back towards you, waiting for Lola to leave. Lola had sensed the blonde’s dislike of her since they first met and was eager to get away from her, so she quickly turned around and headed toward the door without another word to you.

You and JJ remained in your corner of the bar, gradually becoming more rowdy with a second round of drinks, and JJ’s hands spent more time on your body. As promised, when you were ready to head out, JJ shielded you through the crowds of people until you slipped into the brisk air. She ran her warm hands up and down your arms, erasing the goosebumps that had risen from the cold. She mumbled something about her car being parked around the back and steered you around the corner of the building. Her jacket was draped over her arm, and she unfolded it, setting it across your shoulders. You were too unfocused, climbing into the passenger's seat of the car, to notice the unfamiliar scent of clothes that lingered on her clothes. JJ hovered over the car door, shielding your head from hitting the roof with her hand as you climbed. She shut the door behind you, walking around to the driver’s side. “Are you on Lotus Ave?” She asked, looking over at you as she pulled out of the parking lot.

"Ugh, yes,” you groaned, dropping your head back against the seat with the realization that your place was 30 minutes across town. You were used to being in places within walking distance, but you had followed Lola to this bar since you were already out of the apartment anyway.

JJ laughed at your disappointment. "Well, I’m 2 blocks away if you want to just spend the night, and I’ll drive you back in the morning. Maybe stop for breakfast,’ she suggested casually, gripping the wheel.

That didn’t sound terrible. Crashing in her apartment sounded like a much more comforting idea than a longer car ride in the dark and having to deal with whoever you might run into on your way back up to your dorm. "Actually, that sounds nice,” you said softly, and JJ quickly rerouted, turning onto her street.

Leading you upstairs, she dug around for a minute to find her keys and unlock the door. You shrugged off her jacket, handing it back to her with thanks, and she hung it up by the door. You both immediately crashed on the couch with sighs, kicking your shoes. Lola texted you to double check that you were alright, and JJ’s face hardened as you picked up your phone.

The wall that she had so carefully built up over the years to hide her true emotions fell, and impulsivity overwhelmed her. You were startled as she snatched the phone out of your hand, tossing it on the coffee table. “ Hey!” Before you could finish, her lips were on yours, and you happily sank into the kiss. "JJ,” you said, out of breath and shock.

She tilted her head, pressing her lips harshly against your neck and below your ear. Her mouth left a trail of soft purple marks and smeared lipstick posessively across your skin. “God, I’ve been so patient... waiting for you to get over those stupid little sluts, hoping you’d realize that I could treat you so, so much better.” Her voice had dropped into a raspier, coarser octave that made your stomach flip, but you were enjoying her touch too much to interrupt her. "That was silly of me, I should’ve known you would’ve needed to show you that, and now I can.” She straddled your waist, putting pressure on your shoulders so that you’d lay back underneath her. Her fingertips ghosted against your collarbone as she tugged the sleeves of your shirt over your shoulders.

Having such an ethereal, powerful woman loom over you left you breathless for a moment. "You've thought about this before tonight? Tell me how.” Your lips quirked up into a smile as you looked up at her.

Her eyes roamed across your body as she formed her words. "I've thought about those days that you sat between my legs in the office, oblivious to everything. And how I would’ve liked to wrap your hair around my hand and bend you over my desk, fucking you senseless until my name is the only word that's falling from your lips over and over again. I’ve imagined leaving marks all over your skin, in hopes that it will be a reminder that I’m the only one who gets to touch you,’ she had leaned in over you, her breasts pressed against you as she spoke into your ear, causing your breath to hiccup.

She pinched your chin between two fingers, running her thumb across your bottom lip. "Prove it” fell from your lips, barely above a whisper, and flipped a switch in JJ, entirely spurring her on.

In seconds, she had yanked off your clothes, dropping them to the floor. Roughly flipping you over, she pressed your face down into the pillow, silencing your gasps. "Don't move,” she commanded. You heard her cross the room and quickly return.

Positioning your body how she wanted it, her hands gripped your hips roughly, pulling them up. She dragged her nails up your spine and laughed menacingly as you yelped when she grabbed your hair. Your entire body tensed, back arching, as the tip of her strap brushed against your ass before teasingly sliding down across your folds.

Tugging your hair, she yanked your head closer to her. "Be as loud as you want, baby. It’s a shame nobody can hear you through these walls. I’d love for them to know how easy it is to get you begging for my cock,’ she chuckled, before unexpectedly and roughly thrusting into your cunt. She kept a tight grip on your hips, holding you up against her so that she could hit deeper inside of you and elicit more moans that you attempted to muffle into the pillow in front of you.

You bit down on your tongue in an attempt to be quiet, the noise she was getting from you was almost embarrassing, and tears formed in the corner of your eyes. JJ leaned down, swiping the drop off your cheek with her finger, a contrastingly gentle action. The sound of skin slapping skin filled the room.

Your nails dug into the cushion in front of you, and your thighs clenched as you neared an orgasm. "Fuck JJ,’ you panted as flashes interrupted your vision.

Her response came back cold and unaffected. "Beg me, beg me to let you come,’ she demanded, rhythmically continuing the thrusts of her hips. You were hesitant to ask for such a thing, let alone beg for it, to give her permission and control over your entire body. One hand drifted up to your chest, and she pinched your nipple, rolling it between the pads of her fingers. The stimulation was not helping your resistance, and a whimper escaped you.

Please, I need you to let me come. I’ll do anything, please please,” You started rambling mindlessly, desperate to do anything as long as you could finish this orgasm.

JJ smiled at your instant obedience and was satisfied. Her hand snaked around your body and between your legs. A shaky scream erupted from your throat as she curled two fingers against your clit. You quickly fell over the edge. Your vision danced in and out as you orgasmed, and your legs quivered, eventually giving out. You came on JJ’s pink strap and fingers. She slowly removed herself from inside you and brought her fingers to your mouth. Forcing your lips apart, she pressed two fingers to your tongue. You closed your lips around them, and her eyes glinted as you sucked them clean. “Good girl.” She flipped her hair over her shoulder, smiling as if she were victorious.

The rest of the night was a blur. You were exhausted. You briefly remembered an attempt to clean yourself up with JJ’s help but ended up falling asleep right where you were. JJ, much more alert than you, was also schemingly the first to wake up the next morning when your phone rang. Her eyes darted to you, relieved to find that you were still sprawled across her bed, where she had carried you, and you fell dead asleep in the living room. She was relieved to find your eyes still closed, fluttering with dreams. Reaching for your phone, she had no hesitation about picking it up. "Hello,” she answered softly.

"Hi Y/N, this is Elise from yesterday. I’m calling back about the apartment, room 505?”

"Oh yes, of course. Thank you so much. Actually, Elise, about that..."

[reidreaders]

Spencer Reid, Celebrity Crush

Summary: Every now and then, you see this FBI agent on TV and you have been crushing on him for years. What happens when you finally meet him in real life?

Pairing: Spencer Reid x Fem!Reader

Word Count: 1.5k

Warnings: use of y/n, they are both really awkward lol, it's like soon to be idiots in love yk, not proof read, idk what else lmk if I missed anything.

A/N: this idea has been rotting in my brain for so long and I finally decided to write it lol. I had sooo much fun writing this so lmk if you a part 2!!! Enjoy!!!!

MASTERLIST

Your favorite time of night was when you and your roommate would gather around the TV to watch the five o’clock news. This might not seem like totally normal behavior for two women in their twenties, but you guys didn’t tune in to keep up with what was going on in the world. Rather, you tuned in every night to hopefully catch a glimpse of the man of your dreams. It’s fair to say that most people have a celebrity crush, although normal people are usually infatuated by famous singers, movie stars, and the like. Not you however, the man that you pined for was a local FBI agent. Your roommate would even go as far as to say that he doesn’t count as a ‘celebrity crush’ because he’s not even famous, but he was to you. 

You grew up not far from Quantico, meaning that the nightly news was always full of stories about the town’s own personal superheroes, the FBI. You had never been particularly interested in anything having to do with them, until you started hearing about the Behavioral Analysis Unit. You had seen a clip of one of the agents tricking a bystander into proving he was lying on TV, and you instantly fell in love. So, when you sat down to watch the news, you were more than excited to hopefully see him. 

You had gotten lucky tonight. The news ran stories about the BAU almost nightly, but it was rare you got to see anyone other than the blonde woman they called Agent Jareau. But tonight was different. You practically screamed when you saw him come on screen, not even paying attention to whatever psychopath he was talking about. Instead, you focused on how his lips moved when he spoke, and the way the breeze outside the police station lifted his hair just ever so slightly. Needless to say, you were practically swooning. You were captivated by his big brown puppy eyes, his mop of messy brown hair, and the way he seemed so passionate about whatever he was talking about. It may have been the delusion talking, but you were pretty sure that if you ever met him, he would fall in love with you too. 

A few weeks later, you were rushing to get to work on time. Your alarm hadn’t gone off when it was supposed to, leaving you frantic. Normally, you woke up early, giving yourself time to make breakfast and enjoy a cup of coffee. But today the fates had decided that you would have to settle for a cup of coffee and a croissant to go from the coffee shop down the street from your office. 

You placed your order and began to fumble through your purse looking for your wallet. 

“Sorry,” you mumbled to the cashier, who seemed to be growing impatient, “It must be in here somewhere.” 

After looking for a few more minutes, and creating a giant line of annoyed customers behind you, you had come to the conclusion that in your rush to get out the door this morning, you had forgotten your wallet. Just as you were about to give up and leave the coffee shop, hungry and tired, a familiar voice piped up from behind you.

“Here,” he said, handing the cashier his card, “I’ve got it.” 

“Oh my gosh thank you so much!” You said, not yet looking up from your bag.

“It’s no problem really,” He extended his hand to you, “I’m Spencer.”

Oh. 

You quickly realized where you had recognized that voice from. He was Spencer. As in Spencer Reid, the FBI agent you were so hopelessly in love with. This was your chance. You had to play it cool. You couldn’t have him realizing that you were some freak who was obsessed with him, you wanted to land a date. 

“H-hi!” You stuttered, a little more excitedly than you were hoping to, “I-I’m Y/N.” You reached out to shake his hand, your own becoming a little clammy at the sight of him. 

He was tall. Much taller than he seemed to be on TV. You looked up into those big brown eyes you had gazed into through the screen and thought you were going to throw up because of how nervous you were. 

“Um-” You cleared your throat, “Do you-uh-do you work around here?” You said in an attempt to seem calm, cool and collected. 

“Uh yeah I do. I work for the FBI, so it’s just up the road.” He said, seemingly chuckling at your behavior a little bit. 

“Oh! That’s cool! I work just up the road too! Although it’s nothing as exciting as what the FBI must be like I mean-” You were cut off by the barista calling your name, saving you from your incessant rambling. 

You collected your coffee and turned to head towards the door, stopping to thank Spencer once again. Just as you were about to leave, you got a wave of courage. There was no way you were going to completely blow this opportunity. I mean, you have had a crush on this guy for forever and there was no way you were going to walk out of here without at least trying to ask him out. 

“Hey,” You said much more calmly, “I know we literally just met, and I have been babbling like a freak at you, but I was wondering if you might want to have dinner with me sometime?” You asked, your voice getting higher as you spoke.

“Oh-um,” He sputtered back, clearly taken aback by your proposition, “Um… yeah?” He said it like a question.

“I mean, if you’re not into it that’s totally okay,” you feigned a chuckle, trying not to seem as embarrassed as you actually were, “I just thought it might be nice to uh-um pay you back for the coffee!” You spoke through the world’s fakest smile.

“No!” He practically shouted at you, “I’m into it! I am definitely into it.” 

Before you could catch yourself, you were giving him the biggest smile you think you’ve ever managed. 

“Great!” You weren’t even trying to hide your excitement anymore, “Here, I’ll give you my number and we can try to set something up!” You said as you wrote your number down on one of the coffee shop’s napkins. 

“Y-yeah! That sounds great. I’ll-uh I-I’ll call you!” He stuttered, it was becoming clear that you weren’t the only one who was nervous. 

The two of you made your way out of the coffee shop, taking turns stuttering and rambling at the other. You were starting to feel less self conscious about your earlier performance because it seemed as though he had a tendency to be awkward and ramble as well. 

“Well, I should probably get to work.” You sighed, not wanting the encounter to end.

“Yeah me too.” He chuckled. 

The two of you just stood there for a moment, staring at each other, trying to figure out what to do next. You didn’t want to have to make another move, considering you were the one to ask him out. However, it was becoming apparent that he was too shy to do anything, so you moved closer to him. He made no effort to put any more distance between the two of you, so you took that as your go ahead. You leaned in and threw your arms around his neck, giving him a semi-awkward hug goodbye. He wrapped his arms around you and you realized that you could smell him. All those years of looking at him on TV and yet you never wondered what he might smell like. You were pleasantly surprised. Not that you thought he would smell bad, just that you were used to men who thought that Axe body spray was the same thing as a shower. But Spencer didn’t smell like that, he smelled like old books and good cologne. Like, real, expensive, good cologne. 

You realized that you were lingering in the hug for a little longer than what would probably be considered normal, so you pulled away. 

“Well, uh, I’ve got to get going,” He blushed and looked at his feet, “But I’ll definitely call you.” He said holding up the napkin with your number on it. 

“You better!” You joked, now blushing as well. 

With that, he turned and went on his way to work. You stood there for a moment longer, taking a deep breath to steady yourself. You reached into your bag and pulled out your cell phone, dialing your roommate’s number. It rang twice before she picked up. 

“Y/R/N, you are never going to believe what just happened!” You squealed into the phone, ready and willing to relay the story to your best friend. 

You hung up as soon as you got to the office, and spent the rest of the day unable to focus on work, your brain preoccupied just praying that he would actually call you.

I'm literally obsessed w this lol lmk if you want a part 2 or anything else bc my requests are open!!

[trueebeauty]

deaf!reader x midoriya

It's a quiet Saturday at UA. Most students are out, but you're curled up in Midoriya's bed, your head throbbing. 

Earlier, when you first felt the fever coming on, Midoriya insisted you stay in his room. "You shouldn't be alone," he had said, his green eyes wide with worry. "I don't care if I get sick too."

Now, he's sitting beside you, his hero analysis notebook open, a familiar determined glint in his eyes. You love that look; it's the same one he gets when figuring out a new super move or a strategy.

You tap his arm gently. He turns, giving you his full attention. That's one of the things you adore about him - when Midoriya focuses on something, the world falls away.

"I learned something new," he signs, hands moving with that endearing mix of speed and care that's so uniquely him.

You tilt your head, curious. Midoriya takes a deep breath, then slowly and deliberately signs: "Are you okay? Do you need anything?"

You blink, then your heart melts. Of course. Of all the phrases he could learn, he chose one that lets him take care of you.

He signs it again, faster this time. "Are you okay? Do you need anything?"

And again. "Are you okay? Do you need anything?"

Each repetition gets smoother, more fluid. His eyes shine with that boundless enthusiasm, but there's something else too - a gentleness, a worry that's all for you.

You reach out one hand, cupping his freckled cheek. "That's perfect, Izuku," you sign back. Then, feeling a chill, you add, "I need cuddles."

Midoriya's brow furrows. He looks down at the sign language alphabet sheet he's been studying, mouthing the letters as he goes. C-U-D-D... His eyes widen, a blush spreading from his cheeks down to his neck, painting his freckles pink.

"C-cuddles?" he squeaks out loud, his hands fumbling to sign it back.

You nod, giggling silently at his reaction—Classic Izuku, adorably flustered by simple affection.

But he recovers quickly, determination replacing embarrassment. He sets aside his notebook and carefully gathers you in his arms. You end up snuggling against his chest, his All Might pajamas soft against your cheek.

"Better?" he whispers, his breath tickling your hair.

You nod, burying closer. He's so warm, your personal sun. His arms tighten around you, one hand rubbing soothing circles on your back. You can almost hear the gears turning in his head, cataloging this as another way to provide comfort.

Later, when you need more tissues, you tap his arm. Before you can even sign anything, he's already looking at you with those big, worried eyes.

"Are you okay? Do you need anything?" he signs, then adds out loud, "I've been practicing. I want to make sure I get it right, because clear communication is key in hero work, and if I can't even take care of you properly, how can I—"

You press a finger to his lips, smiling despite your hazy state. Another Classic Izuku, his mind always racing, always striving to be better. You point to the empty tissue box.

"Oh!" He's up in a flash, grabbing the box. Instead of going to the supply closet, he just reaches under his bed and pulls out three more boxes. "I, uh, stocked up," he admits, blushing. "Just in case."

Your heart swells. Midoriya, always prepared, always thinking ahead when it comes to helping others.

Throughout the day, Izuku tends to your every need. He never complains, even when you sneeze on his favorite All Might plushie. And every time you so much as sniffle, his hands are signing: "Are you okay? Do you need anything?"

As night falls, you're both huddled under his All Might comforter. You're starting to doze off, lulled by his warmth and the steady beat of his heart - a heart that will one day belong to all of Japan, but for now, is all yours.

[fortheloveofwonderland]

In This Diary | S.R

Summary - The summer of ‘02 was supposed to be just like any summer that had come before. Spencer Reid was mostly hoping to relax before his started his new job at the Behavioural Analysis Unit in the fall. But best laid plans often go awry.

Now all these years later he’s come into possession of the diary he kept during that time and he’s forced on a trip down memory lane to a perfect Las Vegas summer in which he fell in love for the very first time. But if he’s not careful, he might allow himself to get so lost in his nostalgia he may not be able to drag himself back to the present.

A/N - this goes back and forth a lot in time, I hope it makes sense. Where there’s a page break it goes back to the present day. Based on the song In This Diary by The Ataris. Written for @imagining-in-the-margins Summer Sunshine Challenge. Thank you again @pinkiceee-prose and @andiebeaword for reading over this 🖤

Pairing - Spencer Reid / Fem! Reader

Category - angst with happy ending | strangers to friends to lovers | smut minors DNI

Warnings - post prison, pot smoking, virgin Spencer, slight sub! Spencer, use of “good boy”, mild praise kink (Spencer), handjob, swearing, fingering, masturbation (m), brief mention of medication but no specifics, talk of PTSS, angst, allusions to sex, brief mention of protected sex, oral (m receiving), brief mention of past addiction and Emily’s “death”.

WC - 10.3k honestly I can’t write anything short

Here in this diary I write you visions of my summer, it was the best I ever had…

The dogeared, weathered pages told their age beneath his fingertips, speaking their tales through skin. Smudged ink seeped through the yellowing paper, penned words of a different time etched to hold their memory. 

His fingers danced across them as though reading braille, trying to feel the words the way he had when he'd written them. So much time had passed, so much had changed, this book felt like it was from a different lifetime.

If he closed his eyes he could feel himself there. He could feel the way the hot Vegas sun beat down on him, causing little beads of sweat to roll down his face, feeling it tightening his skin. He could sense the pen in his hand as he scrawled down his thoughts, committing them to these pages. 

“What are you doing?” 

“Just writing.” 

“Writing what?” 

“Memories. I want to remember this summer.” 

“You have an eidetic memory, dork.” 

He could feel the gravel beneath him, hear the occasional passing vehicle on the freeway whilst hanging out at truck stops just to pass the time. 

He could see fireworks illuminating the sky in desolate parking lots, hear their crackle and bang as they exploded and then disappeared. 

He could hear the thrum of the eighties songs through tinny speakers, even if he never really enjoyed them. He could feel the droplets of water on his frazzled skin from the splash back of a body diving into the hotel pool which was not strictly open to the public. 

It was another life, one he’d long ago left behind but still carried pieces of it with him. 

I guess when it comes down to it, being grown up isn't half as fun as growing up…

“Whatcha got there?” 

A voice snapped him out of his nostalgia and he quickly closed the old book and looked up from his desk. He blinked a few times to try and bring himself back to the present, back from memory lane which he’d started to get lost down. 

Spencer Reid was not known to be a sentimental man, in all honesty he had few good memories from his past to be wistful over. And now was not the time to start. 

Luke had an amused smirk on his lips as he looked down at the younger man and the old, tattered journal on his desk. 

“Oh, uh, it’s nothing.” Spencer swallowed with a shake of his head. 

“Looked like a diary.” Luke’s smile grew, his intense dark eyes full of mirth. “I saw a date in the corner? August twenty ninth two thousand and two. You'd have been…”

“Twenty two. I was twenty two. The summer before I joined the BAU.” He sighed as he spoke, not thrilled to be sharing this part of his life with Luke. 

It was unfounded, given that it was probably the happiest time of his life. He wasn’t quite sure why he didn’t want his friends to know about it. 

There was something about keeping the memory pure, not having it sullied by outsiders. That secret summer belonged only to the two people who had lived it. 

“I didn't peg you for a journaler.” Luke shrugged. 

“I’m not usually. I don’t really know why I kept a diary that summer.” 

That wasn’t entirely true. He’d kept a record of those days in case, for whatever reason, his memory failed him. If something happened to cause his brain to forget, that was one time in his life he wanted to ensure he’d never lose. 

And since his mothers diagnosis, it was an entirely real possibility that one day he may forget. There were many moments in his life he’d like to be able to neglect, his drug addiction, Gideon’s death, prison; but the summer of ‘02 was not one of them. 

In truth he’d forgotten all about the journal. It wasn’t until his mothers move to DC when he’d been going through old boxes of her stuff that he’d found it. 

“Can I read it?” Luke’s smile turned cheeky, he already knew what the answer would be but he was just trying his luck. 

As expected, Spencer scowled, grabbing the diary and holding it close to his chest as if he believed Luke might try to snatch it from his desk.

“Absolutely not.” He wrapped it tightly against his body. 

“Ooh there’s some juicy stuff in there.” Luke chuckled.

“Don’t be crude.” Spencer scoffed but his cheeks started to redden, conveying the truth. 

“Oh man, I’m right aren’t I?” Luke’s laughter grew. 

It increased in volume enough to grant the attention from the others who had been silently working away at their desks. 

“What’s going on?” JJ perked up, her blonde head of hair appearing behind her computer monitor. 

“Reid’s got a sex diary.” Luke spoke over his shoulder to the whole bullpen.

“I most certainly do not.” His cheeks burned with his embarrassment and he shrunk a little in his chair. 

“Reid? Spencer Reid?” Tara stood from her desk, eyebrow cocked in her blatant confusion. “No way, I don’t believe that.”

“Good, because it's not true.” He held the journal closer to his chest. 

“He’s hiding something in there, there’s a reason he won’t let me read it.” Luke scoffed. 

“Did it occur to you that some people don’t enjoy sharing their entire life story?” Spencer grumbled.

By now JJ and Matt were on their feet too, and the three other agents closed in on his desk. He was thankful at least Emily, Rossi and Garcia were in their respective offices. He shrunk lower in his chair, wishing he were able to simply vanish into thin air. 

“Oh he’s definitely hiding something.” Tara folded her arms across her chest, eyebrow still raised in a combination of suspicion and delight.

“So what if I am? I’m entitled to my secrets.” Spencer complained. 

“The last time you kept a secret from us you ended up in prison.” JJ’s shoulders slumped, wincing a little at her own words. 

“This isn’t…it’s not like that.” He shook his head. “It’s just memories okay? Memories of a great summer I had before I joined the bureau and I’d like to keep them to myself.” 

“Oh it’s totally a sex diary.” Matt chuckled heartily. 

“For the love of…” Spencer trailed off, pushing himself to his feet and tucking the journal under his arm. “I really don’t want to talk about this. Can you please just respect my privacy for once? I know how hard that is for you guys.” 

“Ouch,” JJ pouted. “Sorry for caring.” 

“Jennifer, we both know this has nothing to do with you caring about me.” He clucked, pushing past the gaggle of his friends and marching out of the bullpen. 

He felt them watching him, muttering under their breaths as he walked away. He hurried down the corridor out of view until he pushed his way into the men’s bathroom. 

He slumped into a stall and sat down on the closed lid of the toilet. Placing the old leather bound diary in his lap he ran his fingers over the cover. 

He didn’t know why he’d let himself get so worked up over a stupid journal. Except it wasn’t stupid, far from it. It was his collection of memories from a life he wished he could go back and relive. 

The twenty two year old who’d put pen to these pages was naive and innocent, his whole life ahead of him. The boy he’d been back then didn’t know of the horrors he was yet to face. It was a much simpler time and he wanted to be able to cling to that without his friends being involved. 

For fourteen years his team had been privy to every moment of his life, good and bad. Was it so wrong that Spencer wanted to just keep this one thing to himself? 

He huffed out a staggered breath, wishing not for the first time that just cared a little less. It made sense when he was younger, he’d been green when he joined the FBI and the team had treated him with kid gloves, probably rightfully so. But he was a grown man now, older and more worldly, he didn’t need them treating him like a child.

He cracked the spine of the journal, opening it up to the first page and continued caressing the worn page with his fingers. The diary began at the end, retrospectively writing of his adventures during the last week of that summer when he realised he didn’t want those memories to escape him. 

August 29th 2002

Here in this diary I write you visions of my summer, it was the best I ever had…that unspoken feeling of knowing that right now is all that matters.

Here in this diary he had meticulously journalled everything that transpired during his last few months in his hometown and how those moments had changed his life forever. He cautiously turned the page, careful not to tear the aged paper. 

He felt the heat rising, the sun high in the sky. He became aware of the somewhat blistering concrete beneath him, the occasional sound of passing cars. He could make out the scent of sunblock in the air, chlorine from nearby backyard swimming pools. 

Brushing his digits across the page he was transported away from Virginia, away from the bathroom on the sixth floor Quantico office. As he closed his eyes, the Las Vegas summer stretched out before him.

June 2nd 2002

The temperature edged over a hundred two days ago and the AC hasn’t worked in three years. Really need to sell the house, I must look into that when I get to DC. Mom hasn’t lived here since I sent her off to Bennington and this was the last summer I’d be needing it. 

It was cooler to sit outside, despite the humidity, it was preferable to the stuffy house with no AC. I planned to go to the library, basking in its glorious air conditioning unit but after stepping outside and immediately feeling the sweat gathering all over my skin, I decided against walking for five miles in this heat. 

And boy would I be glad for that decision. 

I’m not sure what it was that tore my attention away from the Great Gatsby that morning. I had this feeling, this inexplicable feeling running through my veins and forcing the hairs on the back of my neck to stand to attention. 

And when I looked up, there she was. It was as though she was floating, drifting so effortlessly across the street I was sure her feet didn’t touch the ground. She regarded me curiously, most people did. She was unblinking, a slow and cautious smile building on her lips. 

I simply stared back in awe at this angelic creature heading my way, never letting her gaze falter from me. I was stunned into silence as she approached up the front path, head tilting to the side as she analysed me. 

She invited herself closer, up the three concrete stairs before dropping to the top step right next to me, opening her mouth and inquisitively speaking…

“What are you reading?” You smiled at him in what you hoped to be an amicable manner, but nonetheless his back straightened as if you posed a threat to him. 

“Uh…” he swallowed thickly, his Adams apple bobbing. “Me?” 

“Yes you.” You laughed. “Who else would I be talking to?” 

The peculiar man looked around like he expected someone else to be sitting on his stoop with the two of you. He scratched at the back of his neck nervously. 

“I don’t…I don’t know.” He rolled his chapped lip between his teeth. 

“I’m Y/N.” You shook your head, still laughing a little at his obvious awkwardness. 

“Sp-Spencer.” He stuttered. 

“Nice to meet you, Spencer.” You nodded curtly. “I’m house sitting for my aunt for the summer, what’s good to do around here?” 

Her smile could have lit up the whole night sky, her laugh the sweetest sound I’d ever been lucky enough to hear. She was summer, she would still be summer in the dead of winter. She was magnetic, effervescent. 

She was the first drop of rain after a long drought, she was those first few seconds in the morning when you wake up where you momentarily forget all of life's problems. She was…

“Reid, you in here? We got a case.” Luke’s voice broke him out of his revere, eyes flickering off of the page up to the closed stall door. 

“I’ll be right there.” He croaked, closing the diary again. 

He closed his eyes and inhaled until his lungs were full. He counted to five in his head and listened for the door to close before he slowly exhaled. He repeated the action three more times before he trusted himself to stand. 

He swore he could still smell your perfume as he forced his way out of the bathroom and back to reality. 

***

June 14th 2002

All the nights we stayed up talking, listening to 80's songs. It still brings a smile to my face. 

Her aunt's house, which I came to learn was just up the street and had a new, state of the art AC unit fitted. The next two weeks we spent nearly everyday there listening to her favourite songs on the old stereo, most of which I’d never heard before. 

The likes of Van Halen, The Cure, AC/DC and The Pixies played on repeat while she quizzed me on my life and I on hers. She was from San Francisco and her aunt was on vacation so she’d offered to house sit for the summer. She was a year younger than me at twenty one and fresh out of college with no idea where she was heading next.

I kind of envied her, she was a free spirit, she could go anywhere she wanted, do anything she wanted. And for whatever reason, she chose to spend her summer with me.

You hummed along to the music, Where is My Mind by the Pixies encompassing the room. You laid on your back on the couch, your feet in Spencer’s lap and the AC sending its cool waves towards you.

You cradled the blunt between your fingertips, every now and again raising it to your lips and sucking on it. The room was filling with smoke, the smell of it alone enough to make Spencer a little light headed. 

“You sure you don’t want any of this?” You spoke with a lungful smoke. 

“I’m good, really.” Spencer smiled his tight-lipped smile you’d grown accustomed to the last few weeks. 

“It would be out of your system before you start your big government job.” You giggled. 

“It’s not just that.” He shook his head. “Smoking marijuana at our age while our brains are still technically developing can affect IQ. A study showed that those who started smoking pot before twenty five lost six to eight IQ points by middle age.” 

You sat up on your elbows, your eyebrows deeply furrowed at him.

“You think it’s really going to affect your life so much if you lose a couple of IQ points, Doc?” Your lip quipped up into a smile. 

“I don’t want to risk it.” Spencer noted your slightly bloodshot eyes. 

You took another long drag, the sound of the paper crackling as it burnt filled his ears. You breathed it in before slowly exhaling the smoke out into the room. 

“Hmm,” you hummed in content, dropping the half smoked blunt into a little glass dish on the coffee table. “Now I feel light as a feather.” 

“You could get that feeling in many other ways. The main psychoactive ingredient, THC, is simply stimulating the part of the brain that responds to pleasure. It’s releasing dopamine which is what’s giving you that euphoric feeling.” He told you almost sternly.

You cocked an eyebrow at him, sitting up further so you could get a good look at him. 

“Pleasure, huh?” You clicked your tongue. 

“Yeah,” he swallowed. “It’s the same way you would respond to food or…”

“Or?” Your lip twitched.

“Other pleasurable activities.” He swallowed again, his cheeks turning slightly pink. 

You swung your legs off of his lap and shuffled closer to him on the couch. You saw him swallow yet again, noticed his chest heave with a deep breath. 

The closer you got to him the more you could feel the nerves rolling off of him in waves and you dared move so you were straddling his lap. 

Your knees pressing either side of his thighs, you wrapped your arms around his neck and a hagged breath left between his pouty lips. His cheeks were a deep crimson colour now and from this position in his lap you knew exactly why. 

“Spence?” You whispered as he looked at you in embarrassment. 

It would be painfully obvious from where you were sitting that he was aroused and he felt so incredibly vulnerable in that moment. 

“Yes, Y/N?” He croaked. 

“What other pleasurable activities are you talking about?” 

“I think…I think you know.” 

“Hmm let’s pretend I don’t.” You smiled coyly. “After all, I’ve probably knocked off a few IQ points right? What other pleasurable activities?” 

You rolled your hips a little in his lap and Spencer mewled at the sensation. This was the closest he’d ever come to having someone other than himself touch him and he felt dizzy. He felt so dizzy that when he spoke, he wasn’t sure he’d even meant to let the word slip off his tongue. 

“S-sex.” He breathed, the smile on your face growing in approval. 

“Well now, that does sound more appealing than smoking.” You edged your face closer to him, rolling your hips into his lap once more. 

He smelt your perfume and the pot on your breath. He felt like his skin was on fire and he couldn’t form a coherent thought. 

A moment before you lips touched his, the sound of a phone ring cut through the room and you sprung apart suddenly. 

Spencer remained sitting on the couch while you ambled over to the landline. He watched you go, half wondering if he’d imagined the whole thing. 

But the erection still visible through his slacks begged to differ. 

***

He returned the journal to his satchel as the jet came into land near Dallas. He knew word of his mysterious diary had reached Emily and Rossi and the whole team had been watching him read on the flight. 

He tried to cast his memories to the back of his mind and focus on the case, people were being murdered and that had to take precedence over his nostalgic thoughts. 

Emily sent him and Rossi to the morgue and Spencer tried to pretend he was focused on a case file while Rossi drove them. He could see the older man looking at him in his peripheral vision. 

Thankfully Rossi did not ask him about the journal even though Spencer knew he wanted to. 

It was in the back of his mind all day and after he retired to his hotel room and showered, he found himself thumbing through to the next page. 

July 1st 2002

Breaking into hotel swimming pools, and wreaking havoc on our world. Does it make me completely dumb that I would follow her to the ends of the earth? 

I knew it was a bad idea, but I just can’t say no to her. She said she had something fun planned and so like an idiot I came along. 

I didn’t say anything when we jumped the fence. It was around eleven pm and all the lights around the pool were out, the stars and the moon reflecting on the still water. 

I still didn’t say anything when she started stripping down to her underwear, mostly because it rendered me speechless. The sight of her in nothing but that skimpy black lace lingerie caused me to forget my own name and I’m sure I just stared at her slack jaw. 

It’s been a few weeks since I think she tried to kiss me and she hasn’t said anything about it. I’m starting to think I misread the situation entirely. 

At least I was, until she stripped off her clothes by the side of the pool and curled her finger at me, beckoning me closer.

“You fancy a dip, Spencer?” Your voice was breathy and he followed your motion to come closer. 

“Uh, won’t we get in trouble?” He padded forward all the same. 

“Only if we get caught.” You giggled, reaching for him as soon as he was close enough. 

You gripped him by the lapels of his shirt to tug him forward before your fingers glided towards the top button. He stared at you without a word while you effortlessly popped the buttons one by one. 

Once you’d gotten the last button undone your hands moved to his shoulders and you helped push the fabric down his arms until it dropped to the floor. 

He was painfully skinny but it didn’t stop him from subconsciously sucking in his small stomach. Your eyes grazed up and down his torso, taking in every inch of skin.

He felt hot beneath your gaze despite the fact the temperature plummeted at night. He felt self conscious, not worthy of your eyes on him. But when you met his gaze again you were smiling. 

When your hands landed on the button of his slacks his breath hitched and his legs wobbled slightly. You giggled again, a sound that had become Spencer’s favourite melody over the past month. 

You made quick work of the button and zipper before hooking your fingers in the side of his pants and shimming them down his legs. 

Spencer stayed still and silent while you undressed him until his pants pooled at his feet and he kicked off his converse so he could remove them completely. 

His hands darted in front of him, trying to hide the exceedingly noticeable tenting in his tight boxers. He could tell you knew what he was trying to hide by the playful smile now on your lips. 

It was an all too regular occurrence around you. You only had to glance at him a certain way and he would be standing at full attention. It wasn’t his fault, you were unfairly beautiful. 

Suddenly you turned your back on him, floating as you so often did towards the pool. Before Spencer’s brain could catch up you were diving into the still water, causing ripples to roll out across the pool. 

A few droplets splashed up onto his face and chest. While you were submerged he moved closer to the edge and slipped into the cool water before you could have a chance to scrutinise his body again. 

When you emerged you wiped your hair off your face and found Spencer in the pool, leaning back against the wall. The water wasn’t too deep but he crouched down so it was covering him up to his chest. 

You waded towards him, eyes sparkling from the moonlight. He pushed himself back against the side of the pool, his nerves written all over his face. 

“Everything okay, Doc?” You asked as you neared him. 

“Fine, just fine.” He nodded stiffly. 

“You sure about that?” You cocked an eyebrow at him, moving dangerously closer. 

“Hmm mmm.” He tried to insist but you weren’t buying it. 

Your eyes were dark by the time you were right in front of him, almost black. The smile on your face was sinful and it made Spencer’s knees weak. 

No one had ever looked at him the way you were looking at him at that moment. He may be naive but he knew exactly what that look meant. And as if to prove that point, your right hand disappeared under the water and seconds later it was palming him through his underwear.

A pathetic whimper left his lips at the contact even though there was a layer of wet fabric between him and your hand. 

Your smile grew at his reaction, your other hand now moving to grip his shoulder. Spencer’s arms remained at his sides, his breathing already heightened. 

“Spencer?” You whispered. “Has anyone ever touched you like this before?”

He rolled his lip between his teeth and shook his head dispondantly.

“No,” he confessed. “I, uh, I’ve never even…kissed anyone before.” 

He felt the heat spreading to his cheeks and he was painfully aware of your hand still palming him. Your smile turned a little sad, pitying almost. 

“You want to change that?” Your voice was quiet, barely a whisper. 

“Y-yes.” He nodded. “Yes p-please.” 

“So polite,” you stepped even closer. “Such a good boy.” 

When your lips finally touched his, he whined against them, feeling an explosion of emotions in one simple action. Your tongue easily made its way into his mouth and your hand moved from his shoulder to the back of his head. 

You kissed him fiercely, exploring his mouth with hunger. Spencer didn’t do much of anything, simply stood limply while you kissed the air from his lungs. 

He continued to whine against your lips when your hand started moving around his shaft. His hips started to rock against you of their own accord and he so desperately wished there wasn’t a piece of fabric in his way. 

As though you could read his mind your hand shifted and your fingers trailed across his stomach just about the waistband of his boxers. He moaned deeply and you pulled back from the kiss, a questioning expression on your features.

“Can I?” You panted as you spoke, nodding your head downwards. 

All Spencer could do was nod dumbly in response. 

You smiled before leaning in to kiss him again, somehow more ferociously than before. When your hand slid inside the sodden material of his boxers and wrapped around his length an animalistic moan erupted from his lips, swallowed down in your own mouth. 

Your small hand couldn’t quite reach all the way around his thick shaft as you started moving up and down on it. His hips started bucking harder than before, telling you he enjoyed it. 

His brain was mush, he couldn’t form a single coherent thought except how phenomenal your hand felt. His lack of awareness allowed him a little more confidence and he finally moved his arms, his hands finding your face and holding you while he kissed you. 

You smiled against his lips, the water started to lap around your bodies with your movements. You kept up a steady pace as you stroked him while removing one of his hands from your face. 

He let you guide his hand over the planes of your body until it was situated between your legs. He inhaled sharply, having to tear his lips away from yours. 

You were both panting as you looked at each other, his breathing staggered due to the way you were touching him. His hand was still between your legs, ghosting outside of your panties.

“You…you’re sure?” He breathed erratically. 

“Very.” You nodded, increasing your speed and eliciting another feral moan from Spencer. 

“I…I’ve never done this before.” 

“You strike me as a quick learner.” You smirked. 

“F-fuck…” he mumbled. “I…I am.” 

“Make me feel good, Spence. Be a good boy for me.” 

Your words of praise made him hiss, bucking hard into your hand. It was enough encouragement for him to inch your panties aside before his fingers slid beneath the fabric. 

You were surprised to say the least when one of his digits quickly found your clit and started rubbing it deftly, as though he’d done this hundreds of times before. 

Your eyes widened and your mouth fell open, your grip on him faltering for a second at the sensation. 

“Fuck…” you whined, trying to focus on your strokes. “You…you sure you’ve never done that before?” 

“P-positive.” He nodded, his knees buckling as he felt precome leaking from his head. “S’good?” 

“So good, baby. So good.” You crashed your lips together again as he increased his speed, rubbing your sensitive bud like he’d been doing it his whole life. 

You squeezed the base of his shaft before matching his speed with your strokes. You were moaning into each other's waiting mouths, water frantically lapping around your bodies. 

You whined when his finger disappeared from your clit but soon two of his digits were swiping through your folds. When you felt them pressed against your entrance, begging for access, you nibbled on his bottom lip and squeezed his cock again telling him to continue. 

You moaned in unison as his two long, slender fingers entered you. Spencer felt as though he might pass out at the sensation as his fingers pushed all the way inside of you. 

He felt your shift and move around him, your walls fluttering against his digits. That combined with the way you were frenziedly pumping him caused his stomach to tighten with the telltale signs of his impending orgasm. 

“Oh my gosh you feel so incredible.” He whined, plunging his fingers deeper inside you. 

You felt him twitching in your hand, still lazily rocking into your touch. 

“Are you close, baby?” Your thighs squeezed around his hand. 

“Y-yes.” He admitted, fingers coniniting to move in and out of you, desperate to give you as much pleasure as you were bestowing upon him. 

“Come for me, Spence. Come for me.” 

He whimpered again, the pressure building in the pit of his stomach and he couldn’t hold back any longer even if he wanted to. 

With a staggered moan his hips jut forward as he came in the pool, while you stroked him through his first orgasm not at his own hand. 

***

In a hotel room just outside of Dallas, Spencer narrowly managed to move the journal out of the way just in time for him to spill his load over his own hand. 

He fell back against the lumpy pillows, breathing heavily and his hand still slowly moving up and down his spent shaft. 

He glanced at the diary through hazy eyes and shook his head, removing his hand from his cock and wiping his seed on the bed sheet.

He swore he could feel your hand there even after all these years, feel the water splashing around his naked torso. 

He could feel you around his fingers, the way you clenched tighter as you came not so long after he did. 

He could still feel the weight of your body as you fell against him in the pool, head nuzzling into the crook of his neck as you panted heavily into his wet skin. 

Things had been so much simpler then, he sometimes yearned for those days. A part of him wished he hadn’t found the journal in the first place then maybe he wouldn’t have found himself sucked down this particular rabbit hole. 

Despite the memories swarming his brain he fell asleep without even cleaning himself off, one hand on his rapidly beating heart and the other clutching the battered diary. 

***

July 4th 2002

Lighting fireworks in parking lots, illuminates the blackest nights. Cherry cokes under this moonlit summer sky. 

I suggested going to an organised event for the Fourth of July celebrations but she insisted that we have our own. 

She brought a ton of fireworks, it was a wonder she didn’t blow a hand off that night, fumbling to light them whilst dragging on a blunt.

But I simply watched her from the back of her aunt’s old VW Camper, sipping on my coke in absolute awe of her every move. 

Since our pool escapades the other day, every time I look at her I get chills. Every time I catch sight of her I think of the way she felt as she touched me, as I touched her…

She hasn’t even so much as kissed me since and I’m partially wondering if it was all a vivid dream. At least I was until tonight. 

You sauntered back over towards the open back doors of your camper where Spencer sat cross legged on a blanket. 

Seconds later an array of fireworks erupted in the sky over the abandoned parking lot, the sounds and the colours a feast for the senses. 

But you weren’t watching them. You were watching him. 

You crawled into the back of the van, right into his lap, straddling him as you took a long pull on the joint. You inhaled the smoke and tossed the butt over your shoulder before placing your hands on his shoulders. 

When you kissed him the smoke filtered out of your mouth and into his but he didn’t care. His arms wrapped around your waist while your tongues explored each other's mouths. 

You guided him backwards so he was laying down, his cock already fully erect and pressing against you. You laid on top of him and continued to kiss him fiercely. 

His hands found purchase on your back, gently holding you close. You were grinding against him causing him to moan into your mouth and squirm beneath you. 

He knew where this would inevitably lead if he let it. He wanted to, he didn’t exactly relish the idea of being a virgin forever and you were the first woman to ever show him this kind of attention.

But he didn’t want to just be another guy to you. He didn’t want to just be a quick lay you’d forget all about. And inevitably that’s what would happen.

It wasn’t something the two of you talked about often but at the end of summer you were going back to San Francisco and he was going to DC. If he slept with you that’s all it would ever be. And he didn’t want that. 

You continued to kiss him and grind against him but his intrusive thoughts got the better of him and all the blood that had previously been flowing south rerouted itself. He didn’t even realise until you sat back and looked at him curiously.

“Is everything okay?” You breathed heavily, lips slightly swollen from the kiss.

“Yeah, why wouldn’t it be?” He frowned up at you. 

“Uh…” Your eyes flicked down towards his crotch at the same time he realised he was completely flaccid. 

His cheeks burnt and he cursed his overactive brain. 

“I’m sorry.” He shook his head, trying to sit back up. 

You slid off of his lap and sat next to him while he drew his legs close to his body. 

“It’s okay if you don’t want to do this. I’m sorry if I come on a little strong.” You shrugged meekly. 

“It’s not that I don’t want to. I just…I don’t want to lose my virginity to someone I’m never going to see again once summer is over.” He cringed at his own words, at how needy and sad he sounded. 

Your expression turned pitying and it made him feel even more stupid. 

“I get it.” You smiled softly. “Don’t be embarrassed.”

“It’s kinda hard not to be.” He buried his head into his knees and hugged his arms around his shins. “I’m sure most guys, normal guys, would jump at the chance to be with a woman as beautiful as you. No one’s ever looked at me the way you do, I was always so much younger than my peers so it made sense. I wasn’t waiting or anything, not deliberately. But now the opportunity has presented itself, I don’t think I’m the casual sex kind of guy. God that sounds so lame.” 

You were smiling to yourself at how adorable he was. With his face against his knees his words were muffled but you caught the gist of them. 

You shuffled closer to him and placed your hands on his cheeks, guiding his face back up so he would look at you. 

“I think that’s kinda noble.” You whispered.

“I think the word you’re looking for is sad.” He huffed. 

“No, it’s not.” You let go of his face. “I understand, Spencer. I wish I’d waited, I wish I’d waited for someone like you.” 

He let you wrap your arms around him and he leant against your chest while you held him. Off in the distance fireworks continued to illuminate the sky, the far off sound of their explosions a strange comfort. 

***

Spencer rubbed his eyes with his palms somewhat aggressively after almost an hour of staring at the map of their unsubs hunting ground. 

Despite falling asleep quickly last night his peace had been short lived and he’d woken less than two hours later and couldn’t get back to sleep. 

He didn’t know why he was letting the diary affect him in such a way, shouldn’t it have the opposite result? Those entries were from the best days of his life, but maybe it served as a reminder that he could never go back to that time.

He wasn’t that naive kid anymore, he’d suffered one too many traumas in his life to ever be that kid again. Back then his most difficult decision was whether or not to have sex with a beautiful woman. He longed to have such trivial problems. 

He’d felt so stupid after the night of the fourth of July he had avoided you for two weeks after. He’d wasted what precious time the two of you had together feeling idiotic over his decision to turn you down and hidden out in the public library just to circumvent any further interaction with you. 

He turned to face the room, realising he was alone in the small meeting room. Last he checked JJ and Luke were at the table going over files, when had they left? 

He frowned to himself, reaching for his satchel and pulling the journal out, flipping to the next page. 

July 19th 2002

Being grown up isn't half as fun as growing up, these are the best days of our lives. The only thing that matters is just following your heart, and eventually you'll finally get it right.

He closed his eyes with a shake of his head. Wasn’t that the painful truth? He’d written that particular entry with a smile on his face like the cat that got the cream. That date had been the best of his whole whirlwind summer. 

After stewing in his stupidity for two weeks he had shown up at your aunt's house unexpected and uninvited. You’d barely let him inside before he’d kissed you. And it wasn’t long at all before he was leading you back to the couch. 

“Spence, what’s going on?” You panted, looking up at him from where you laid on the couch. 

“Do you really need me to spell it out for you?” He was fumbling a little with the buttons of his shirt, hands noticeably shaking. 

“But I thought…you said you didn’t want this? And then you don’t talk to me for weeks and now you-”

“I was overthinking, I do that a lot. But I don’t want to overthink this.” He finished unbuttoning the shirt and dropped it to the floor before climbing on top of you and kissing you again.

“You’re sure?” You mumbled against his lips.

“Extremely.” He replied.

He snapped the journal closed before he could get carried away. He didn’t exactly go into graphic detail of what transpired on your aunt’s couch that day but it was certainly not safe for work material. 

He didn’t need to read the words anyway, he’d memorised everything about that day. He learnt by heart the way your skin felt against his, the way the two of you melted together as though your bodies somehow became one. He’d retained every little detail of how you felt, every tiny movement of your body as he’d made love to you. 

He couldn’t forget even if he wanted to. 

Just as he was slotting the diary back into his satchel, trying not to get caught up in the blissful memory, the door opened and JJ strolled in carrying two take out coffee cups. She smiled at him, handing him one of the drinks. He smiled at her in thanks.

Her eyes flitted to his open bag and the diary nestled inside. When she looked back at him she had an amused expression on her face.

“So, sex diary, huh?” She chuckled lightly.

“It is nothing of the sort.” He rolled his eyes.

“Alvez is convinced otherwise.” 

“Well Alvez doesn’t know what he’s talking about.”

“Summer of oh-two right?” She narrowed her eyes on him, the way she did when she was trying to profile him.

“Yeah.” He took a sip of coffee. 

“Wasn’t that-”

“Yes.” He cut her off. 

The summer I met the love of my life. 

He’d told JJ snippets from that summer, she was the only one who he’d ever told. She knew as much as he’d met a wonderful woman who he’d lost his virginity to and over the course of a summer had fallen in love with her. As far as he knew she’d never told anyone. 

“So why has it gotten you so tetchy? I would have thought you’d like to relive those days?” She slid into one of the chairs sipping her own coffee but her scrutinising gaze stayed on him.

He let out a haggard sigh, taking a seat next to her and using his free hand to swipe his hair back off of his face.

“Do you ever feel like the best days of your life have passed you by?” He found himself asking. 

JJ’s expression softened, a melancholy smile adorned on her lips. She sat forward slightly in the chair.

“Is that really what you think?” She placed a gentle hand on his knee and she felt him tense up at her touch.

“Maybe, I don’t know.” He wiggled his nose, a gesture he did when he was uncomfortable. “I guess I just miss being that carefree.”

“Spencer Reid, carefree? Can’t picture it.” JJ laughed around her cup.

“Fine, maybe not carefree.” He chuckled too. “But not…this. I’m worried I’m never going to bounce back from prison. I went to therapy, I took the medication, I should be over it by now.”

“Spence, you have PTSS, that doesn’t just go away. You know as well as I do, probably better, that the symptoms can be managed, that it can remain dormant for months, even years. But the trauma you suffered is what evoked your PTSS and that doesn’t leave you. You’ll probably always be dealing with it in one way or another.” JJ squeezed his knee before Spencer moved out of her touch. 

He knew what she was saying was right and that’s what made it harder to hear. PTSS was something he would always live with, something that could always be triggered in the future. He’d created coping mechanisms, dealt with his trauma but it didn’t make it go away, it would never just vanish into thin air. He could never undo the damage that had already been done. 

“I thought reading that journal would help me feel like my old self but it’s having the opposite effect. Because I’m never going to be that kid again.” He shook his head sadly. 

“And why would you want to be?” JJ scoffed.

“Excuse me?” He frowned at her.

“Spence, I knew you at twenty two. You were painfully shy and awkward. It took you years to be able to look me in the eye. You’ve changed so much in the years I’ve known you and that’s not a bad thing. You’re better at your job, you’re a better man now than you were at twenty two, you have to see that?” She hoped her words were getting through, hoped he would listen to her before he fell into a self pity spiral he may never get out of. 

He exhaled shakily, taking another sip of coffee while he tried to come up with a response. But he didn’t have to, as soon the door was opening again and Luke entered the room. And Spencer quickly jumped up and returned to his map, effectively shutting down any further conversation on the subject. 

***

August 6th 2002

Hanging out at truck stops, just to pass the time. Watching the slew of cars fly by on the freeway, eating bags of chips while she tossed stones out into the rolling desert beyond us. 

“Remind me again why we’re here?” He asked you as you flung another stone off into the distance. 

You turned to face him, both sitting in the gravel, leaning up against the side of the truck stop building. 

“Why not?” You quipped. 

“There are countless other more interesting things in Las Vegas than sitting at a truck stop. You’re only here a few more weeks and I thought you wanted to see the city?” 

“I have seen the city.” 

“You’ve seen abandoned parking lots, old motel swimming pools and the inside of your aunt’s house.” He shook his head. 

“Hmm,” you mused. “I have been very acquainted with her ceiling these past few weeks.” You winked at him and his cheeks immediately burned at the insinuation. 

It wasn’t a lie. The last couple of weeks the two of you had barely left your aunt’s house in lieu of making the most of each other's company whilst wearing as few clothes as possible. 

Spencer wasn’t strictly complaining about that, sex with you was one of the wonders of the world and he’d happily do it for the rest of his life. But he was painfully aware of what little time you had left together. 

“It’s a pretty good ceiling.” He swallowed thickly, having had his own share of experiences in which he was staring at that ceiling too. 

You giggled and it was literally music to his ears. You tossed another stone before suddenly getting to your feet. 

Spencer followed suit, brushing the dirt off the back of his slacks. You had a mischievous glint in your eyes as you took hold of his hand and started leading him around the side of the building. 

“Where are we going?” He asked, not that it really mattered. He’d long ago realised he would follow you anywhere. 

“You’ll see.” You giggled again, giving his hand a squeeze. 

He followed you inside a grimy and slightly dilapidated bathroom, eyebrows furrowed deeply in confusion. 

When you let go of his hand and locked the door, his stomach coiled into knots and his cock immediately started to come to life. 

“Y/N?” He breathed. “What are we…why are we…?” 

You laughed and took him by the hand again, leading him into a stall. The door was coming off of its hinges and the tiled floor was dirty and cracked. You didn’t seem to notice. 

You pushed him up against one of the walls in the stall and started kissing him with ferocity. He kissed you back, trying to ignore the stench of a bathroom that was long overdue for a good clean. 

He didn’t really have much time to dwell on such trivial things however as soon as you were dropping to your knees on the filthy floor and looking up at him through your lashes. 

The simple action had him standing at full attention, his stomach tightly coiled. He’d dreamed of what it would be like to have you go down on him but never imagined it would happen. 

He was too polite to ask and too innocent to assume. But it hadn’t stopped him from imagining it countless times. 

You smiled at him, toying with the button of his slacks and chewing seductively on your lip. 

“Is this what you want, Doc?” You breathed. 

“You have no idea.” He nodded somewhat frantically. 

“Be a good boy and say it for me. I can’t read your mind.” You teased. 

The idea of dirty talking in any way would have normally freaked him out but it had become clear to both of you early on that when you called him a good boy he’d do just about anything. 

“P-please,” he whined, bucking his hips. “Please s-suck my cock.” 

You hissed at his words, teeth sinking deeply into your own lip. 

“Oh you’re so good, Spencer. Such a good boy for me.” You popped the button as a reward. 

“Your good boy.” He agreed with a whimper. 

“My best boy.” You smirked, tugging his pants and boxers down to his knees in one swift move. 

He gasped as the stale air hit his erect cock and pushed himself back against the stall wall. You ran your tongue along your bottom lip as your index finger ghosted up and down the throbbing vein that ran the length of his shaft. 

His knees were already quaking, desperate to feel your lips wrapped around him. Thankfully he didn’t have to wait much longer as soon you bowed your head, parted your lips and took his head into your mouth. 

His eyes rolled back in his head in an instant and the sounds coming from his lips could only be described as feral as you slowly took him all the way in your mouth. 

He yelped when he hit the back of your throat, partly through pleasure and partly through fear he might hurt you. He knew he wasn’t exactly small, not quite so naive as to be blind to the fact he was sporting an above average sized package. 

But to your credit you didn’t even so much as gag and when you looked up at him through your lashes again, nose buried in his pubic hair, he swore you were smiling. 

***

At the back of the jet Spencer tried to rearrange his satchel in his lap to disguise his growing erection from anyone who might pass him by. The mere thought of that day you’d given him his very first blow job was enough to make him strain at the front of his slacks. 

The case in Dallas was wrapped up in just two days despite Spencer’s lack of concentration and he was so pleased to be heading home. 

He closed his eyes, resting his head back against the headrest and trying not to think about that day but failed miserably. 

Getting to come while he had sex with you was incredible, of course, but being inhibited by condoms always left him feeling a little incomplete. But the feeling of coming down your throat, having every last drop of his arousal swallowed down while you smiled at him was out of this world. 

He whimpered a little under his breath, his cock throbbing in the confines of his pants. He grit his teeth together hard and opened his eyes in an attempt to focus on something else. 

August 29th 2002

Here in this diary I write you visions of my summer, it was the best I ever had…that unspoken feeling of knowing that right now is all that matters…

“What are you doing?” You sing-songed, dropping yourself next to him on the couch. 

“Just writing.” He hurried to close the journal before you caught sight of anything.

“Writing what?” Your eyes were sparkling playfully at him. 

“Memories. I want to remember this summer.” He shrugged, hugging the book to his chest. 

“You have an eidetic memory, dork.” 

Three days later, on September first, you’d been leaving Vegas, waving to him from the rear window of the bus taking you to the airport. 

***

September 1st 2002

I don’t know why but some reason I genuinely thought this summer might never end. Time is just a construct right? Maybe this summer could last forever. 

More logically, or maybe less depending on how you look at it, I think I actually thought she’d stay, come with me to DC. I asked her to, although I don’t think she realised I was being serious. 

“What are you doing?” 

“Just writing.” 

“Writing what?” 

“Memories. I want to remember this summer.” 

“You have an eidetic memory, dork.” 

“I know, I’m just scared for this to end. I…Y/N I have fallen in love with you. Don’t go back to California, come to DC with me instead.”

She’d simply laughed as though I’d told the world's funniest joke, patted me on the shoulder and said, “oh wouldn’t that just be the dream, Doc?” 

That was three days ago and she hasn’t brought it up since and neither have I. And today I helped her with her bags to the bus station so she could leave me forever. 

Get on the bus, it's time to go. 

“I am gonna miss you, you know, Doc?” You toyed with his lapel, the sweetest of smiles on your face. “I had a way better summer than I planned for.”

“M-me too.” He croaked, stupidly feeling hot tears brewing behind his eyes. 

“Don’t be sad, you’re leaving for Quantico next week. Your dream job, remember? You're going to be saving lives and kicking ass. You’ll forget all about me.” You smiled. 

“Doubtful.” He huffed. 

The engine of the bus roared to life behind the two of you and your smile turned a little sad. You breathed out before leaning in close and pressing a chaste kiss to his lips. 

“You have to forget me, Doc. Summers over.” You whispered against his lips and before he could reply you were turning away and sauntering to the doors of the bus. 

His heart constricted in his chest, tears encompassing his vision. Nothing about this was fair even though he’d know all along you’d be leaving. It didn’t make it an easier pill to swallow. 

He rubbed his eyes heavily before your face appeared at the back window. You were still smiling but if he didn’t know any better he swore your own eyes were filled with tears. 

The sound of the doors closing caused his chest to tighten further. This was it. It was over. You were leaving. 

As the bus rumbled into gear and started forward, you waved to him and his tears broke free. He raised his hand and waved back while they rolled down his cheeks. 

He stood on the sidewalk waving as the bus started its journey, watching as the only woman he would ever love was cruelly taken away from him. 

***

He rolled his neck as he ascended the stairs to his apartment after a long metro ride home from Quantico. He freed his keys from his satchel, fingertips brushing over the worn leather cover of the journal as he did so. 

He’d never be that innocent twenty two year old again. But was that really such a bad thing? Maybe JJ was right, he was better at his job, he was a better man now than he had been back then. Getting caught up in this wave of nostalgia was foolish.

Ultimately Spencer knew he wouldn’t go back to that age for all the money in the world. That summer might have been the best of his life, but it wasn’t as though his life had been terrible after that. Things sometimes had a way of working themselves out, the universe had its own plan for everyone. 

And despite the trauma thrown his way, the universe hadn’t been entirely merciless towards him. 

He found himself smiling for the first time in days as he slotted the key in his apartment door. He’d been thrown a lot of curveballs in his life, dealt a hand that no one person should have to tackle alone. 

But then he never really had been alone, had he? 

He turned the key and pushed open the door, the light from the lamp next to the couch illuminating the room in the homely glow he loved so much. 

The smell of freshly brewed coffee met his nose, wrapping him in its warmth. He smiled brighter, kicking off his shoes and hanging up his satchel. He pulled out the journal and cradled it under his arm. Then he turned towards the couch and the body sat upon it, his smile grew tenfold. 

“Welcome home, Doc.” 

Get on the bus, it's time to go. 

He continued to wave dumbly as the bus got further away, tears streaking down his cheeks and he feared they may never end. 

He even kept waving when the bus came to an abrupt stop, even carrying on when the doors swung open and you appeared on the sidewalk. 

He finally lowered his hand when you started running towards him, tears rolling from your eyes and a frantic expression on your features. 

“You meant it didn’t you? When you asked me to come to DC with you, you meant it. You meant it and I knew you did but I laughed because I was scared.” You spat out, speaking so fast all your words rolled into one. 

“I did mean it.” He croaked, scared to reach for you in case you vanished in a puff of smoke. “And I also meant it when I told you I love you.” 

“I, uh…” your voice cracked and you scuffed your toe on the concrete. “Would it be utterly crazy if I did come with you to DC?”

“Probably.” He nodded. “Realistically we barely know each other. We might come to find when we learn more about one another that we don’t actually like what we find. Take me, I’m neurotic, I’m a neat freak, a germaphobe. I own too many books, my hair’s too long, my tie is perpetually crooked, I’m-”

“Spencer?” You chuckled through your tears, cutting him off of his rant.

“I ramble when I’m nervous.” He sighed. “But I do know that I love you. And I’m almost positive that I will love every little thing about you, most likely for the rest of my life. So it is probably crazy of you to come to DC with me, but I hope you do it anyway.”

“Spence?” You smiled, wiping at your tears. “I love you too, and I’m positive I will love every little thing about you too. For the rest of my life.” 

Spencer let out a shaky breath of relief and wiped his own tears moments before you fell into his arms and kissed him more fiercely than you ever had before. And you both knew no matter how crazy it was, it also made absolutely perfect sense. 

“Good to be home, angel.” He kissed you, wrapping his free arm around your waist to hold you close. 

He always did that, despite how many years it had been. Regardless of the fact you’d now been together since you were twenty one years old and he was twenty two, in spite of the fact you’d married him, he always felt the need to keep you as close as humanly possible as though afraid he may lose you like he almost had all those years ago.

“Missed you.” You mumbled against his lips. 

“Missed you more.” He replied.

When he broke away from you, your eyes landed on the diary and you laughed, tugging it free of his grip. 

“JJ called me this morning and said you’d been pining over this thing.” You ran your fingers over the worn cover. 

“Best summer of my life.” He smiled as the two of you sank to the couch. 

Spencer wrapped his arm around your shoulder and you nuzzled against him, still toying with the old diary. 

“Mine too. But we can’t live in the past forever. And I don’t know about you but I’m pretty happy right here in the present. And I’m certain our future is going to look pretty damn good.” You took his hand in your free one and brought it to your lips so you could place delicate kisses on his knuckles. 

He’d been so sure as he watched that bus pull away that he would never see you again, that he had lost a piece of his heart forever. The summer of ‘02 he had met the love of his life and he had counted his lucky stars every day that he was also the love of yours. 

You’d stayed by his side through every hurdle. You’d helped him get clean after his addiction which could have torn the two of you apart, held his hand through every single NA meeting and soothed him through withdrawals.

You’d gone to every doctor's appointment with him while he was suffering from debilitating headaches, dried his tears when he thought Emily had died and held his hand at the funeral. You’d felt his anger towards JJ and Hotch when Emily came back from the dead. 

You’d done the same when Gideon died, when Morgan left the team and then Hotch. You’d visited him every day in prison and told him on every visit that no matter how long it took you would be waiting for him when he got out. 

“Until death do us part, Doc. I didn’t take our vows lightly.” 

He held you closer, trying to communicate to you just how much your love and support had meant to him over the years. 

“Have I ever thanked you for getting off that bus?” He sighed in content. 

“Only every single day since.” You giggled, still after all these years his absolute favourite sound in the world. 

He laughed with you, holding you impossibly closer and breathing in the scent of your perfume he still loved so much. 

One summer had turned his whole life upside down. One glorious summer changed everything. That summer and the memories the two of you had created would forever live on, even without that old journal. But you were right, he couldn’t live in the past forever, nor would he want to. His present was as close to perfect as it could possibly be. 

And even in the coldest depths of winter, you would always be the summer of Spencer Reid’s heart. 

Here in this diary I write you visions of my summer, it was the best I ever had.

[sodasa-was-taken]

Romantic foils done right: How G-Witch uses romantic foils

Or why none of the characters who showed interest in Miorine and Suletta ever posed a threat to them getting together.

So, after the unexpected response to my last analysis and some recent discussions, I felt inspired to make another one. This time about romantic foils, a frequently misused but great tool in romances. I hope you enjoy it.

As far as I can tell, G-Witch has five romantic foils: Guel, El4n, Shaddiq, El5n, and Sophie.

In romances, when a character is in contrast to one of the main characters as a romantic option, they're a romantic foil. Having romantic foils in a story can be a great way to show what the principal characters see in each other. This is done by showcasing what the characters like and dislike about characters with contrasting attributes to the one they'll end up with.

Sometimes, it can feel like a romantic foil is just there to create cheap drama, often when they're a romantic rival, i.e., actively trying to get in the way of the main characters becoming a thing. Other times, when one of the focal characters isn’t the best person, an author might have a character who’s a romantic rival be even more of an asshole to make the character look better in comparison. This doesn’t make the character look better; it just creates a pick-your-poison situation. Furthermore, jackass and even more of a jackass ain’t foils since there isn’t any contrast. That isn’t to say that romantic foils can’t be antagonistic. Many of the romantic foils in G-Witch are also antagonists. In cases where a romantic foil is an antagonist, they emphasize the virtues of the characters they’re a foil to by being everything they’re not.    

Guel, foil to Suletta – At the beginning of the show, Guel is everything Suletta is not regarding their treatment and intentions towards Miorine. Suletta is apologetic to a fault, while Guel pushes Miorine around like he owns her. Guel is abrasive, while Suletta is considerate. He’s ostentatious, and she’s shy. Crucially, Suletta’s shyness doesn’t prevent her from having pride in herself. She just doesn’t need to show off like Guel.

Miorine grows fond of Suletta for the same reason she dislikes Guel. He’s the embodiment of everything Miorine hates about her predicament, and Suletta is the opposite. Although Miorine sees them as two sides of the same coin at first, both are out to insert themselves into her life, just in different ways. Except as Miorine soon enough learns, Suletta had no intention of doing so but just couldn’t stand by while seeing someone in distress. Side note: It’s ironic how opposed Miorine is to Suletta interfering in her life when Miorine later follows Suletta around like a lost puppy and insists on helping her any chance she gets. 

Attributes Miorine likes about Suletta that Guel notably lacks include, but are not limited to, her humbleness, her upbeat nature, her gratefulness, and her commitment to doing what she thinks is right. Also relevant if you think Miorine is a Lesbian; Suletta is a girl.   

When it comes to why they become the Holder, Guel is doing it for himself, and Miorine is simply a prize to be won. Suletta, on the other hand, ends up as the Holder unintentionally, dueling to help out Miorine rather than to have her. In fact, when she learns that being a woman does not exempt her from being Miorine’s groom, she goes full blue screen of death. 

Guel, foil to Miorine – Straight from one character’s romantic foil to the other. Guel is Suletta's foil until he catches feelings for her and shifts to become Miorine's. After being the first demonstration of Suletta's extreme discomfort with someone coming on too strong Guel denies his affection for Suletta. This happens shortly after Miorine has Suletta donning the uniform which shows the two are engaged.

In episode nine, while Miorine does everything she can to guarantee they win the duel against Grassley House, Guel won’t even fight because Dad told him he wasn’t allowed to duel. He doesn’t want Earth House and, more specifically, Suletta to lose, but not enough to disobey his father.

At the backend of season two, Guel becomes a regular foil to Miorine instead of a romantic foil since he’s no longer interested in getting with Suletta or, as he puts it, there are more important things than whatever feelings he might have for Suletta. This means he isn’t being motivated by those feelings the same way Miorine is by her love for Suletta and can, therefore, look a bit more objectively. It also means that he doesn’t stop Miorine from doing something he sees as fruitless because helping her break Suletta’s heart is a prize he’s willing to pay to save Jeturk Heavy Machinery.            

Side note: Guel does his job as a foil quite well, but because he’s a foil, his prominence is completely unwarranted. It might’ve been a little more reasonable if he was the only romantic foil, but this story has five. Giving this much attention to a romantic foil in a romance about a straight couple would be unthinkable. Still, because the story is about a same-sex couple, they can’t be the image of their own story.     

El4n, foil to Miorine – El4n is the only romantic foil in the story, highlighting the flaws of the one he's a foil to. His function in the show is to get Miorine worked up and showcase that Suletta isn't the type to pine. Side note: Suletta appears to be quite binary when it comes to others having feelings for her. Either they like her romantically, or they never will.

From very early on, El4n shows a fondness for Suletta, which Miorine is having none of. Later on, El4n asks Suletta out to get to Aerial. Side note: Gotta love how Miorine compares Suletta and El4n to Romeo and Juliet, considering that if any characters in this series have their budding relationship sabotaged by the feud between their families, it’s Miorine and Suletta. 

When El4n learns that Suletta isn’t an Enhanced Person like himself, his demeanor towards Suletta changes on the spot. The progression of Suletta’s relationship with El4n is an inversion of her relationship with Miorine. Where Miorine had to overcome a misconception about Suletta for her fondness for Suletta to grow, a misconception about Suletta is what El4n's fondness for Suletta initially sprung from. Additionally, El4n asks Suletta out because he wants something from her, while Miorine pretends she wants something from Suletta, but in truth, she wants to prevent Suletta from becoming the one who got away. Girl didn't pass up the chance to go to Earth in order to save Suletta because she needed a shield. 

Despite Suletta having an interest in El4n, spurred on by him showing an interest in her and El4n eventually reciprocating, a relationship between them would never work as their goals are diametrically opposed. If El4n wants to keep his life and be allowed to live his life as he pleases, he needs to win a duel against Suletta and take Aerial away from her. Something she can’t let happen because, for one, she wouldn’t even give up Aerial for the person she’s excited to marry, and two, losing would be letting down Miorine, someone she cares deeply about, and Suletta’s not about that.

When Suletta wins the fight, she also wins back El4n’s heart, but their relationship is doomed before it starts because El4n fails to secure Aerial for the Peil company and has to die for his failure. El4n accepts this and doesn’t fight to stay in Suletta’s life, instead thanking her and letting death take him.

In the last episode, El4n apologizes to Suletta for standing her up to which Suletta basically tells him not to sweat it as she’s come to learn that the person for her wasn’t him.           

Shaddiq, foil to Suletta – Here’s someone who starts out coming off as approachable but who’s revealed to be more and more deranged as the series goes on. Shaddiq is willing to do whatever it takes to get what he wants all the while keeping his friendly appearance and calming smile.

Throughout episode nine, it becomes clear that while Shaddiq and Suletta are both upbeat go-getters, their views on Miorine couldn’t be more different. Shaddiq does, to some degree, care about Miorine, but what he thinks is best for Miorine is at odds with what Miorine wants. He justifies his attempts to control her with her being stubborn and unreasonable. She doesn’t know what would be the best for her, and Shaddiq’s been nothing but kind to her, so he doesn’t get why she keeps turning him down. This guy sure is tipping his metaphorical fedora.

The epitome of Suletta and Shaddiq’s conflicting views is shown when Shaddiq runs into Suletta after being at the greenhouse. He fails to reason with Miorine, so he tries to get Suletta to talk some reason into telling her that as Miorine’s groom, it’s her responsibility to talk some sense into her. Suletta doesn’t agree with the sentiment and instead thinks that her role as Miorine’s groom is to stand by her and support her. A very how the spouge of a woman should aim to protect and provide for their wife vs. they should treat their wife as an equal and encourage them to do what they want schools of thoughts. As Miorine seems perfectly content to be the primary breadwinner in the relationship, that first idea has less than no appeal to her.

Suletta ultimately turns out to be right, with the show taking a shot at the whole strong man who’s the sole protector of what’s deemed to be his mentality. After his defeat, he tells Miorine that he should have offered to fight for her, which most likely would have gotten him nowhere. Before Miorine met Suletta, she wouldn’t let anyone fight for her, and a good part of why Miorine rolled with Suletta becoming Holder was because she had no intention to. There’s no way of having the intention to become Holder and do what Suletta did. The intention is there, and that’s the problem. It cannot be overstated how little Suletta would care about being the Holder if Miorine hadn’t wanted her to be.

When Shaddiq learns that Miorine will be at Plant Quetta, he callously shrugs off the idea that he should try to stop her from getting hurt and leave it up to fate if she makes it out alive. This becomes somewhat vindictive when he probably justifies this kind of thinking by making it Miorine’s own fault for rejecting his protection. She doesn’t want him to keep her safe so he will do no such thing.                            

El5n, foil to Miorine – There’s not much to say here. El5n  showcases Suletta’s aversion to someone coming on too strong and her commitment to be with Miorine, as by the time El5n first makes a move on Suletta, she’s already hopelessly in love with Miorine. He and Miorine are also opposite extremes when it comes to their interactions with Suletta. El5n insists that Suletta should get with him while Miorine rejects that she has any veto over who Suletta can be with.

Sophie, foil to Miorine – Mostly qualifies for acting antithetically to Miorine and self-identifying as someone who sees Miorine as an obstacle to getting to Suletta. Although Sophie technically doesn’t express interest in being with Suletta romantically, since she goes full Yandere mode at the mention of Suletta being with someone else, she might as well be. One of a romantic foil’s main functions is to demonstrate why a relationship with them wouldn’t be in the best interest of the person they’re interested in having a relationship with. Declaring that she’ll have to kill Miorine to get the relationship she wants with Suletta makes Sophie succeed with flying colors in that regard.

Being a Yandere, Sophie doesn’t understand what would be offputting about telling Suletta she’s going to kill her loved ones. In her mind, she’s setting Suletta free to become a ruthless killer, which really shows how much she’s misjudged what Suletta is like as a person. As the cherry on top, it turns out Sophie’s obsessed with Ericht and not Suletta.  

This is another case of a character being the opposite extreme of Miorine. Concurrently with the event involving Norea and Sophie, Miorine is at the point where she’s blaming Prospera for Suletta’s actions, as she can’t see her little ball of innocence killing people unless she has been manipulated. 

            

From a meta-perspective, El4n, Guel, and Shaddiq are also the antithesis of what a romance protagonist should be due to their inability to fight for love. They’re defeatist and, at points, almost deterministic. After one major setback, they turn back to the person of their affection in the sense that they leave the person’s well-being up to fate. Something Suletta and Miorine never do to each other. Even when their insecurities get the better of them, they still have the other’s happiness and well-being in mind.

Furthermore, having the romantic foils display philosophies associated with determinism is a sort of social commentary in a sense. A part of Japanese culture is the acceptance of bad things happening and a willingness to make the best of an unfavorable situation, sometimes expressed through the word shouganai and similar words. This is a perfectly wealthy mentality until it gets used in situations people can and, more importantly, should be doing something about or, at the very least, be less accepting of. Case in point: whatever is up with Japan being behind on queer rights despite its several partnerships with multiple Western countries. So, having characters that act like their hands are tied and just shrug it off makes them foils to Suletta and Miorine, where needing to do something about a bad situation is a major part of their characters. The fact that the characters in question are products of the elite and two queer people who keep getting screwed over by the system is quite reflective of the contrast between activists in Japan and the country they live in.         

As the show is now, pairing these guys with the heroines reeks of heteronormativity. It doesn’t matter whether or not that’s the intention; it still does. Two female characters can go through thick and thin together, always having each other’s back whenever possible, and some people see their relationship as equal or even inferior to their barely existing or one-sided relationship with a man. The level of hypocrisy is astounding. It feeds into the idea that guys are entitled to have their feelings returned just by existing. That’s a big part of the reason there are guys who feel threatened by sapphic couples. It messes with their indoctrination that a woman would rather be with another woman than them.

It’s almost amusing how any of these characters come across as having a chance with either Miorine or Suletta when they’re never presented as such in the narrative. Unless the series was going to do a storytelling faux pas, Suletta and Miorine getting together is an inevitability by episode three. Having all this build-up just for them to end with someone else would be narrative nonsense. Good thing that didn’t happen.

[jthealien]

I was going to do a quick analysis on the comic’s title in relation to Buddy and uh. here I am now 900 words later. hope at least one person enjoys this,,

TLDR: Maybe the real Cinderella Boy was the weird goth friends we made along the way.

So I was doing my routine pondering of Dreams by Night (because symbolism and parallels are like crack to me) and this line right here might my favorite piece of dialogue in the whole comic:

Really this scene as a whole might be my favorite moment, but that line in particular — and its implications — are so fascinating to me.

Chase yet again breaks the conventions of a story, but this time it's the story of Cinderella Boy itself. In this case, Chase relinquishes his title of The Hero — or more accurately — The Protagonist. I don’t think it’s any coincidence that right after this moment is our first glimpse of Buddy outside of Chase’s perspective. Outside of the narrative up to that point of him being a villain.

I also don’t think it's a coincidence this is something as unreliable as a dream: a (quite literal) look inside Buddy’s head and thought process. Again, further establishing the unreliability of the story’s narrative as we know it.

I’ll stop before I go full blown analysis mode on the comic’s meta themes of narrative and conventions (saving that for another time). But I do bring up all this stuff about changing the view of the narrative, because I want to talk about another implication of ”This can be your story too.”

Which is that the title of Cinderella Boy actually refers to Buddy (or at least also refers to him).

Chase does fit a lot of the qualities of Cinderella and that story. I mean, it’s the very first story we see him in. But, I also think the Cinderella story fits Buddy even more.

List:

—A young person trapped in a horrible situation, stuck wearing rags and being treated as a pawn for a higher authority’s bidding. (Cinderella being a servant for her “family” and Buddy being a servant for Ex Libris).

—Said higher authority being cruel (The Evil Stepmother and the Old Man)

—The young person is assisted by a lady who gives her nice clothes and an avenue to escape reality. (Violet acting as a fairy godmother-like figure).

—Young person falls in love with a man who can rescue them from their troubles (the Prince and Chase), but doesn’t reveal their identity to the man

—Both Cinderella and Buddy are just nicknames, but that’s how everybody refers to them.

So yeah, lots of parallels to Cinderella with Buddy, at least based on the little we know about him.

I also want to bring up something we see in the very beginning of Cinderella Boy. In the first episode, we get a cliff notes version of Cinderella’s story. Colors (especially background colors) are really important in the comic, representing emotions and characters. And what is the main color that reappears again and again in this episode?

Purple.

The petals and roses that surround the snippets of story and the revealing of the main character, all Buddy’s signature color. The petals only turn pink — Chase’s color — when Chase actually appears.

Side note: The inclusion of both purple and pink side by side in this episode also alludes to the fact that, from the start, this is both Buddy and Chase’s story. (Seriously, go check it out, there’s so many instances it’s hard to unsee when looking for them).

Also, where else have we seen purple roses? Oh yeah, Chase’s dream in Dreams by Night. I’ve already rambled about its importance to shifting the narrative. Granted that’s not the only place purple roses appear, but it’s the most relevant.

Beyond just the colors, the actual descriptions of the heroine in the first episode should sound pretty familiar. A person “unknown to all” and “dressed in humble rags.” Sounds a lot like Buddy, from what we see in his dream at least.

Ok, so having discussed all of Buddy’s connections to Cinderella and the comic’s title maybe being about him, this is the part where I start speculating and jumping fifty different sharks. I want to make some predictions about Buddy based on the Cinderella story.

List (the sequel):

1- Buddy is an orphan. (Not far-fetched of an assumption to make about him in general, since in Beach Boys VI he expresses what seems to be confusion about the idea of having a family).

2- The palace’s clock is important in Cinderella, and Buddy’s dream heavily features a clock. So, Buddy’s likely running out of time for something. To find the keys or just being able to see Chase, either/or. What’s going to happen when that time is up? Well…

3- Mimicking Cinderella running away at midnight, Buddy’s going to be forced to leave the stories for good, likely as the season finale.

4- I think Buddy’s going to leave behind a metaphorical glass slipper, an identifier. What do I think it’ll be? His name. (Considering the current relationship between Buddy and Chase. And the fact we’re getting close to the end of the season and therefore a Buddy name reveal, I don’t think this is too improbable).

4.5- This is the most out there one, but Buddy’s name might be related to the name Ella, which is Cinderella’s original name in many interations. Maybe Ellis, Elliot, or Elijah.

It’ll be fun to see if any of these are actually close to what’ll happen. And with that, I’ll end my red string board session for now. :]

[thecoolerliauditore]

I need your thoughts on Martyn.

Jesus Christ in heaven where to start.

I was planning to write massive essay posts about each of the winners sooner or later, I guess Martyn can skip the queue. As a treat.

BAD traffic series martyn analysis post don't read. LONG POST

note: rules I'm operating by are to keep the analysis primarily traffic-based (although this one's kind of an exception because. mr watcher lore) and I'm not rewatching entire POVs so stuff might be wrong so on so forth

Why is he... Like that?

So before I even start talking about 3L I feel the need to address Martyn's background first because, not unlike alot of the other members of the cast, Martyn's previously established relationships from series like Evo have a significant impact on how he behaves.

This is kind of difficult for me to talk about because it breaks my "no material outside of the traffic series" rule for these essays specifically, but I think it's honestly just more fun incorporating Martyn's off-series lore drops and such into his character instead of leaving them out.

So here's the basis I work from -- Martyn is the most unreliable narrator in a full cast of them. His lore is his character's version of events, not an unbiased retelling.

Whether the Watchers exist and whether they're the same entities present in Evo doesn't matter all that much, since all we know is that they are very real to Martyn, at least. Taking the lore as Martyn's POV also helps iron out some of the more awkward creases it creates when viewing the series as a whole (e.g. Grian's involvement with the Watchers surely means he would reference them himself, yet he doesn't) and lays the groundwork for some really interesting things about Martyn himself when you try to put the dots together on how he arrived at these conclusions. I'll be referencing these as they come up chronologically.

So, without over complicating things, here are the rules I'm playing by when it comes to pre-3L Martyn:

Evo did really happen with the same people, however the exact details are muddy.

Martyn knew Jimmy prior to the games and the two already had some sort of personal connection going in.

We're not trusting a word out of his mouth. Especially if he says them on stream. But we are going to acknowledge what those words are.

With those parameters set, let's move on:

Third Life, and the guy who gets a little too into it

Like Grian, Martyn immediately acclimates to the game's survival-based mechanics. Martyn spends a good chunk of the first session of 3L seemingly aimless, but he makes observations and choices throughout that show he has survival at the back of his mind (e.g. him quickly establishing an alliance with Grian and Bigb while sneakily putting them in his debt through the diamonds he finds early -- even if this doesn't end up paying off to anything).

Unlike Grian however, Martyn less desperately clings onto a need for an edge to survive and seems almost comfortable in playing the game. A running theme for him throughout all the seasons will be that he seems to feel most comfortable when he has some amount of unspoken power over others, whether that be something as silly as testing the waters with his creeper soundboard or later when he starts playing 4D chess with himself in regard to his loyalties.

"Power" might be not exactly the right word for what Martyn yearns for, but it's the best word I can find to really describe it. He's always the one with a card up his sleeve or a plan B or, arguably most importantly, the one with control over the situation and responsibility over his own and others' wellbeing.

In my mind, at least, I think it might be a consequence of Martyn actually being quite sensitive in terms of relationships and having this very deep-seeded need to protect his loved ones from harm but lacking the emotional intelligence necessary to allow himself to be vulnerable about those feelings and communicate properly. So instead he finds some way to protect himself emotionally (usually overdramatic and makes him way worse) and treats everyone including himself with a level of un-seriousness that alleviates the tension for him.

If I were to dig deeper into this specific point I must say Martyn seems to have chosen to perform a very specific breed of masculinity, with his constant agonizing need to protect and lead while not having to confront his own perceived weaknesses, and alot of his insecurities and frustrations come from being denied that husband-y role to play.

His interactions with Jimmy early on in 3L portray this side of him quite plainly. After seeing Scott hit him around at Renchanting, Martyn gets Jimmy alone and asks him if he's okay but after Jimmy dodges the question, Martyn quickly becomes frustrated and starts acting very overdramatic (e.g. threatening to cut Jimmy off, "I can't look at you", so on) even as Jimmy keeps insisting they keep talking.

In my humble opinion, it's clear to me from how he speaks to Jimmy in this scene and further on, and from his referencing of their Evo relationship, that this is these two's established dynamic - the way Martyn dramatizes everything feels almost as if he were making a joke of it, teasing Jimmy, almost akin to how an older sibling or very old friend would act. It's possible that Martyn didn't expect Jimmy to take any of his threats seriously (although he definitely was laying on the pressure to try and get him to agree in the moment) and that's why he's so taken aback when Jimmy does act almost afraid of him from this point forward.

Not once does Martyn ever verbalize his own feelings regarding the matter. He never says that he's scared or worried for Jimmy, or even makes any sort of subjective judgment on Scott's character for hitting Jimmy in the first place. He makes it all about Jimmy, never communicating *why* he is doing what he's doing which ends up giving off the impression he thinks he knows what's best for him, which of course never communicates to Jimmy that Martyn cares for or loves him and ends up pushing him away as a result.

Speaking of Scott, despite Martyn clearly not approving of the way he treats Jimmy (judging from the aforementioned conversation and his later lore streams where he essentially calls Scott and Jimmy's marriage a sham), he does not ever act antagonistically towards Scott. Which I think is indicative of another key trait of Martyn's - an almost uncanny ability to push aside his own feelings at least momentarily for the sake of the game.

Martyn does not speak badly to or about Scott. He even explores the nether with him very early on and the two literally joke about trapping the Flower Valley and killing Jimmy together.

I think there's an understanding and perhaps a level of respect, on Martyn's end, towards Scott. One of the first observations he makes about Scott's base, after all, is its defensive location and Scott, like Martyn, values his own competency and likes to pretend he's more emotionally unattached to his partner than he really is (the parallels between Martyn/Ren and Scott/Jimmy are even somewhat lampshaded by Martyn himself when he refers to them as "my red" (Ren) and "your red" (Jimmy) later).

It seems that Martyn doesn't dislike anything innate to Scott's nature, and even has love for his manipulative traits. If it were anyone other than Jimmy Scott was hitting, I'd argue, Martyn wouldn't have raised a fuss about it. Not to mention, there's also a sense of "keeping your enemies closer" when it comes to these two, as both seem acutely aware the other is useful on their side and a threat anywhere else.

I'd argue despite the fact he's able to push his dislike towards Scott aside, he definitely still feels spiteful towards him, as he ends up hunting him down pretty mercilessly come the end of the series (after Jimmy dies too - so perhaps there was also a level there of feeling the need to put up with Scott beforehand as he was Jimmy's only ally, but now that Jimmy's gone there isn't any need to be friendly with Scott anymore.)

Now onto the heavy-hitter Martyn 3L relationship - his dynamic with Ren.

I'll be honest I think most treebark shippers have summed up their relationship way better than I could. You could probably go into the tag and see thirty eight analysis posts more indepth and accurate than mine. However I will say that one thing I see rarely mentioned is this very obviously being Martyn's first time meeting Ren (I'm talking about characters here but here is your acknowledgement this is definitely a result of this literally being the case for the CCs).

He's not used to Ren's mannerisms -- during their first meeting, Ren says his usual "ex-squeeze me" (instead of "excuse me") and Martyn responds "no thankyou, I'm married". Not to get too into it as this is The Martyn Post but Ren's POV would imply the same since he sees Martyn's name in chat and he immediately starts theorizing about what kind of player he is.

I think Ren essentially being a stranger to Martyn at the start of the series makes it easier for him to act manipulatively and keep him at arm's length, as well as be in denial about the whole emotional attachment thing. For so much of their alliance during 3L Martyn is acting, performing to match Ren's vibes, except he's not.

^this quote and the concept of freudian slips informs like 88% of my worldview, if anyone's wondering why I'm. like that.

"The Hand" is very much not how Martyn naturally acts or behaves, down to the change in speaking patterns. It's a persona that I think both Ren and Martyn never take too seriously or mistake for Martyn's authentic self, but it's also something Martyn uses to express his innermost feelings he disallows himself from usually. Yes it's all silly even in-universe but I think there's something special about how he constantly expresses his devotion as The Hand, even if he's doing it with a layer of irony. Plus, I think it says something that, jumping later in the timeline, his flashbacks in LimLife are much more true to the character of The Hand than Martyn himself.

This section is already long enough but I do have to mention Bigb, Grian and Scar or I'll explode.

Earlier on, I touched on Martyn giving Grian and Bigb diamond swords early and it being an attempt to leverage an alliance between them. This I admit might be a slight reach however the reason I say that is Martyn continues to pursue Bigb and Grian as allies throughout the season.

Bigb is cut and dry enough, he ends up floating around the outside of Dogwarts as a not-quite-member after the siege in which pretty much half the sever were antagonized by Grian and Scar. I'm probably not the person to thoroughly dissect Martyn/Bigb but there's something interesting there about how alot of people tend to have this general fondness towards Bigb and Martyn is no exception.

As for Grian, Martyn acknowledges that Grian is responsible for the siege, possible moreso than Scar, but keeps questioning how "gone" he is, worded as if he believes Scar is manipulating him. I've seen people compare this to how he acts towards Jimmy and Scott which I can definitely see the throughline. However, I think while both are an example of Martyn's protector/saviour complex, they are innately different due to Martyn's relationships with both the perceived victim and captor in each case.

Despite Grian also being an ex-Evo member, Martyn does not act towards him with the same familiarity he does with Jimmy. He also brings up Grian's welfare with Bigb and not Grian himself, with Bigb being the other person involved in their earlier established sword alliance. To me, it feels as if Martyn is more testing the waters for if he can still get Grian on his side than out of any genuine concern for Grian, although it is possible he's projecting some of those leftover feelings regarding Jimmy's situations onto Grian and Scar.

The other reason is, I think, Martyn might genuinely be afraid of Scar himself and villainizing him as a result. Everytime Scar shows up in Martyn's POV he's paired with tense music and sporadic editing that makes him appear more unhinged. Martyn has also said on tumblr he found Scar intimidating at the time, which is of course a dubiously canon source but I find it applicable enough.

It makes sense, too. When you compare Martyn's treatment of Scar vs his treatment of Scott. These are both people he has recognized as real threats and he assumes both are manipulating their respective partners, but while he remains friendly (at least outwardly) towards Scott he's constantly wary of Scar, drawing weapons on him pretty much on sight even before the siege.

I think Martyn fears Scar because he doesn't understand Scar. Scott is someone like him who he knows the inner workings of, or at least that's what he believes, so while he doesn't care for him he doesn't feel a need to keep him away. Martyn always assumes a level of coordinated malice from Scar that is more than often either completely unfounded or a result of something originating from Grian (my favourite example of this is, right before the siege, Scar wanders over with his bee on a lead and Martyn starts yelling "he's got a bee! what does that mean?!" as if expecting the bee has some pvp reason behind it. when scar just wanted to have a bee).

That isn't to say that Scar isn't malicious - Martyn is right like 90% of the time that Scar's not-so-subtle friendly hellos have some sinister plan behind them, but he doesn't ever truly get that Scar isn't the evil mastermind he thinks he is.

I'd argue this fear is what also makes Martyn not pick up on the fact that Grian is the more manipulative one out of the two - something that even Scott seems aware of - because he never spends enough time with them on friendly terms to be aware of that dynamic.

Last Life AKA big brother syndrome in full blast

Okay that was a long ass section sorry lmao have to establish everything there. Everything from here on is gonna be a lot cleaner I swear.

The Southlanders could honestly have their own ultra-long post about how they're the perfect disaster team-up lord of the flies esque situation the series has to offer.

Impulse, Grian and Martyn are all similar in that they understand they have to play the game a certain way through keeping their loyalties dubious while Mumbo, as a newcomer, is extremely naive and goes along with whatever the more assertive members of the group say. And Jimmy is Jimmy.

Martyn takes on a leadership role within the group, being the one to constantly spearhead their humour and come up with new often disruptive plans (usually targetting Scott because he totally isn't spiteful still, albeit in a very playful way). After Joel traps their base with tnt minecarts, Martyn is the one to keep everyone else back and disarm them, a huge contrast to 3L's siege.

Their group embraces the rules of the game - if you turn red, as Grian does early on, you are kicked out from the group as a threat. There's this sinking feeling throughout all their spyglass shenanigans and life-trade trust exercises that this is still an alliance in a death game and if you prove yourself to be a detriment, you will be kicked out.

It's no wonder than why Jimmy, who gets his usual bottom of the barrel treatment, tries to run away with Martyn's life during one of their trust exercises. He's been shown at this point he can't fully trust the Southlanders to protect him forever -- how could he, when Martyn, again, never slips in any sign of affection between the teasing?

To Martyn, however, this is a betrayal of his trust. His plea to Jimmy to return sounds a lot like their conversation back in 3L on the snowy mountain regarding Jimmy and Scott, except this time Jimmy accepts Martyn's offer and Martyn tells him he was lying, calling him an idiot for believing him in the first place. This is probably the harshest Martyn acts towards Jimmy in the series, but it's worth mentioning that to Martyn the timeline of events goes he offers Jimmy his protection and alliance--> Jimmy refuses--> Jimmy dies (which Martyn probably sees at least partially due to said refusal) --> he gets Jimmy back and does everything in his power to keep him safe --> Jimmy does the equivalent of *killing him* and tries to get away with it.

Martyn still obviously cares about Jimmy despite being upset at him, as after his usual dramatics and declaring a trial for Jimmy in which each of the Southlanders vote on his fate, Martyn still votes to keep Jimmy in the group (again, something Jimmy is never made aware of).

Possibly partially because of the Jimmy incident and the overall dog-eat-dog culture of the Southlanders, Martyn does to them what he never managed with Dogwarts - betrayal. At least, on some level.

Ironically, it's Ren he betrays them for, forming the Shadow Alliance and even giving the life Jimmy had attempted to steal from him to Ren instead. My read of this has always been that it supported Martyn truly being happy enough for Jimmy or someone else to have his extra life, but Jimmy's act of betraying him itself being what hurt him.

I think now's a good time to start mentioning the Watcher Lore, as here is where it starts kicking into gear. Martyn's claims of emotional bonds not carrying over from previous seasons is not only a very natural progression from his emotional distancing in a coping mechanism sense, but also enables him to betray Ren too later on and not have to confront the guilt that comes with that when he tries to lead him into a tnt trap in the final 1v1v1v1. However, he still cheers for Ren as a ghost and even says that he would be happy to see Ren win, indicating he really does not hold any malice towards him.

I've seen people make jokes about the watcher lore being Martyn schizoposting and I'm sure I've made similar jokes in the past but. Speaking very genuinely here Martyn's questionable sanity is a big part of his character to me.

His Episode 8 of LL literally begins with him acting out the usual running joke of him stealing Mumbo's intro, except Mumbo and Jimmy are dead at this point and he is doing their voices and talking to himself. When the illusion is broken, he panics and the video immediately cuts to him running around obviously distressed with a disembodied voice demanding things from him.

I'm obviously not authorized to diagnose every single one of Martyn's many mental illnesses, but I think mentally breaking down in a timeloop death game is a fairly average thing to happen to someone, and Martyn might be especially susceptible due to his aforementioned need for power and responsibility in every relationship (i.e. I'd like to think he feels some helplessness/guilt over Jimmy and Mumbo's deaths, leading to this sequence).

Not to mention, someone who is emotionally vulnerable coming up with a nebulous Group of Evil People who are the source of all the bad things in a helpless situation of violence is. Something that happens historically quite alot. To try and find reason in the madness is just a human instinct, I think.

One thing I feel like I should mention is his "marriage" with Mumbo which. I honestly don't see as anything more than a gag. Not that Martyn isn't a massive hypocrite but "marrying" Mumbo would be very much contradict what he has to say about Scott/Jimmy's situation. I do think he cares for Mumbo and potentially Mumbo's naivete served as incentive for Martyn to put on the usual assertive/provider role but I don't think there's much more than that (no hate to the shippers, tho, if they knew eachother for like a week longer they would've kissed)

Double Life. Oh no

Double Life Martyn is one of my favourite POVs in the series because it is. Hilarious. Unfortunately.

To start off, he is one of the players who almost immediately accepts the soulbound system as romantic and his views on Cleo/Scott's relationship are heavily based on that (I love that one clip where he mocks them in front of Jimmy).

Him acting flabbergasted at Cleo rejecting him despite pretty much having no relationship with her prior to this season is a really funny contrast to Scott and Pearl, especially when he continues pursuing her like they're recently divorced and Cleo's just like. rolling her eyes. It's all very performative on Martyn's end and why I mentioned his sense of masculinity at the start, because in theme with DL being The Feminism Season TM this is when it comes full throttle in display with the way he treats Cleo.

Martyn keeps referring to himself as a "provider" and refers to Cleo's relationship with Scott as "childish" -- Martyn trying to win over Scott's partner to his side, assuming he knows best for the partner and calling their relationship a sham? Does any of this sound familiar?

Cleo is not like Jimmy, however, and is very clear to Martyn in terms of what she wants from him - which is an apology, no diamond swords or heart-shaped houses, but Martyn in all his emotional denseness can't understand this and keeps assuming there must be some hidden strings attached.

I couldn't find the original meme I had in mind but these are within the same genre. The one I remember had captioned something like "dads don't say "i love you" but they will buy ten boxes worth of the fruit they overheard you say you liked once", which pretty much sums up Martyn's emotional intelligence to me. He would much rather give you way too much of something he thinks you need (e.g. with Jimmy the playful teasing, with Cleo the acts of service) than just say "I love you".

Cleo's blunt honesty serves as a stark contrast to Jimmy and brings something out of Martyn that we rarely ever see -- a genuine, vulnerable interaction in which he has to admit he's hurt. Cleo immediately denies him the role of rescuer he wants to play by telling him directly that she, not Scott, was the one who came up with the idea of teaming up and even gets Martyn to verbalize he's hurt by their actions and cares for her.

Once that illusion is shattered for Martyn and Cleo even admits she's acting manipulatively towards Scott, Martyn realises he and Cleo are more alike than he initially assumed and that he doesn't need to take care of her like he always tries to with his relationships. Ironically, the one relationship he has that is born almost entirely out of government mandated performative romance, is the one that gets him to examine how he views people especially his romantic interests the most.

This is, of course, all said with the fact that following this very heartfelt moment, the next time he speaks to Cleo he pushes her off a fucking cliff and kills her in mind. And the fact that he was very much beating the shit out of her and even called their relationship "toxic" himself early on in the season.

It's kind of hard to gauge Cleo and Martyn's relationship from this point forward but Martyn definitely chills on the namecalling and cooperates with Scott and Cleo for the main part going forward.

I think it's also worth mentioning that, despite Scott once again being the object of his spite, Martyn is once again friendly with Scott all season. When he catches Cleo and Scott mid-axe crit, it's Cleo he starts hitting and not Scott, despite them both being responsible. Behind his back, Martyn will claim Scott is "ruining" Cleo but to his face Martyn is always respectful. He actually even calls Scott "pretty"/"hot" in the last episode, which has some implications I'll talk about more in the Limlife section.

Martyn, like everyone else, is weird about Pearl. Uniquely in his case, Pearl isn't a witch nor demoness, but rather a non-factor he seems to have had written off and her triumph in the end comes as a shock to his system.

He dismisses her concerns over and over in the first episode as they are exploring together and, instead of seeing her as a natural source of allyship, doesn't value her enough to keep her around as an alliance even after Scott and Cleo dump them. In his heart to heart with Cleo, he even very randomly speaks badly of her, although he immediately seems to feel a bit of guilt over it.

He never seems to view Pearl through a sympathetic lens despite the two being in the same circumstance and, again in the same conversation with Cleo, they both agree that she could act as essentially a pawn (an "extra healthbar") for them like Cleo uses Scott.

I feel the need to clarify that while, yes I do believe Martyn is Weird About Women, I also do think he's honestly above average and sees them more as people than some other men in the series (note: my standards are not very high)

He sees most people as nothings that can be manipulated or competition that also can be manipulated, it just so happens that all the women in the series so far land squarely in the former and it took Cleo saying to his face "I'm taking advantage of Scott" for him to realise she wasn't a victim. However, even afterwards, he never treats her with the same competitiveness he has for people like Scott and Scar (albeit it makes enough sense in this season since she's attached to his healthbar, but this remains the same for future seasons). And as a reminder, he holds respect for those he deems as threats, which might have something to do with why he feels comfortable hitting Cleo but not Scott.

As for Ren and the Broken Hearts Club, they didn't get a lot of time together this season since both were preoccupied with their own soulmate dramas and being awful to Pearl but what we do see of them ranges from heartwarmingly nostalgic to a little bit hollow. Martyn saying to Pearl that they're the same at this point doesn't really read to me as him being truly sympathetic since this is post the "you should go use pearl as your second hp bar" conversation and Ren is way too busy to deal with the emotional turmoil of what's going on between himself and Bigb to really pay attention to Martyn.

Ren is still very kind to Martyn, especially considering the last time he saw him in LL Martyn was trying to kill him, but there's an emotional gap between the two that's very noticeable at least to me when compared to 3L and LL.

I think Martyn, at this point, convinced of his own "emotional bonds don't carry over seasons" logic, might be a bit too comfortable on relying on Ren. In both DL and LL he runs to Ren when his current alliance gets shaky and Ren is a source of definite comfort for him (as he said so himself on stream). Ren, as a source of comfort, is not a threat to Martyn aka not someone he needs to keep tabs so when said source of comfort falls through the gaps, you get:

Limited Life. The one where he compares himself to Joffrey from GOT

I don't think I have much to say about LimLife Martyn that hasn't already been said.

I will say I don't necessarily think Majorwood is purely his rebound relationship from Ren, the Mean Gills forming is very much not OOC for either Scott or Martyn (this is pretty much how they acted with eachother at the start of 3L) and their resulting give and take coworker-esque dynamic is a very natural place for them to end up from their previous interactions. Scott, like Martyn, tries to shed his emotional attachments with each new season so they are, in a very literal sense, making eachother worse by reinforcing that habit by normalizing it to eachother.

However, the parallels to their respective 3L partnerships I can't blame people for pointing out, right down to Martyn killing both Ren and Scott in the seaons he was teamed with them and the latter being happy about it.

I think it's time to say what I've been implying with Scott and Martyn throughout this whole thing and that is that they are eachother's ideal ally. They are both aware of the game, play the game, emotionally distant, manipulative and make themselves suffer more for that mindset. I don't think there was ever a moment in their allyship where either assumed the other wasn't going to stab them in the back later, despite the mutual respect they have being very real.

Martyn spends a lot of time this season just wandering around talking to various people, alot like how he acted in 3L before he and Ren became an official thing. It's almost as if, without Ren there, he loses his default go-to guy and is once again sizing up the competition around him.

The one exception I would say would be his interactions with Cleo, who he seems genuinely friendly with, even offering himself up as a "godfather" for the Clockers before the whole server became some form of extended family. You'd think this alliance would also have some basis in the ever present Scott/Cleo alliance but Scott's constant sacrifices for the Clockers are never discussed between him and Martyn, in fact the two of them rarely talk about anything ever past base-building and dolphin-wrangling, and the Clockers seem to treat them as two seperate entities rather than an alliance (e.g. Bdubs seems almost entitled to Scott's life after a certain point, but none of them ever even consider asking Martyn for time).

That, and of course the fact that Martyn kills Scott very unsympathetically towards the end, really point me in the "Martyn is still spiteful towards Scott" direction -- after all, alliance or no alliance, I don't think Martyn would want to be in the conversation with Scott where he tells him about his "love you back" exchange with Jimmy. Martyn certainly respects Scott, loves Scott I'd even say, but I don't know if he actually likes Scott.

I think it's also interesting that it's this season where Martyn's Watcher Lore interludes make a return, just in time for his source of comfort (Ren) to be missing.

Re: the watcher lore the comment Martyn makes about swapping out souls of players who are too "damaged" is very in line with his DL seeing women (and "weaker" men like Jimmy, Mumbo and, of course, Ren) as default victims as, knowingly or not, he implies through this that all the women in the series have souls too weak to withstand the horrors. This also in turn implies that he himself is not broken, which I think he'd like to believe.

Secret Life. It's happy again :D oh wait no

Secret Life starts with Martyn kissing Jimmy. I feel like we moved on from this way too fast in general I mean on the cheek or not he did kiss him he did literally kiss him.

I'll be honest I think the Big Dogs POV is the one I'm least familiar with out of all of these but from what I do remember it's very nice to see Martyn and Jimmy settling back into what seems like their Evo dynamic or even their pre-horrors LL dynamic.

Unfortunately Jimmy is not Cleo and thus cannot get Martyn to be the slightest bit vulnerable, so their dynamic remains stagnant and neither acknowledge the awkwardness that still resides between them.

Jimmy is at least very clearly holding onto some discomforts, judging by his behaviour late in the series when he acts aggressively towards Pearl and celebrates Lizzie dying. He even chases Scott down with a sword on horseback earlier on and, very early in one of Pearl's episodes, he quickly switches between sounding sad and angry.

It's clear to me at least SL Jimmy has reached some sort of breaking point, and this never gets acknowledged by Martyn (I like to think he just lacks the EQ to deal with it). This all cascades into Jimmy attempting to kill Martyn and running away before dying.

SL Martyn feels almost like, to me, the 3L Martyn who successfully convinced Jimmy to team with him and the disaster that comes with that. Martyn certainly has continued to be his survivalist self, not trusting outsiders to the point where when the Wither/Warden combo is unleashed, he immediately assumes they're picking off reds and goes to hide.

Weirdly enough, his protective tendencies towards Jimmy are pretty much gone. It's almost as if when he doesn't see an active threat (e.g. Scott) he assumes things must be good enough and leaves it at that, which also implies he can't comprehend that He might be detrimental to Jimmy himself.

Obligatory. Yes he still misses Ren. Him literally basing his alliance concept off of dogs is. hilarious. I'm so sorry babygirl.

Real Life is, again, non-canon to me but turns up the "dad who buys you 45 mandarins" energy to 11 with him being Ren and Skizz's pseudo-dad. I love Ren having a crisis about his own RP btw it's the funniest thing and he does it like. Everytime.

Uh yeah I hope that's long enough